Oystein Baadsvik - Tuba Carnival
Oystein Baadsvik - Tuba Carnival
Mit Werken von:
Oystein Baadsvik (geb. 1966)
, Antonio Vivaldi (1678-1741)
, Edvard Grieg (1843-1907)
, Arild Plau (1920-2005)
, Thomas Stevens (geb. 1938)
, Jean-Baptiste Arban (1825-1889)
, Vittorio Monti (1868-1922)
Mitwirkende:
Oystein Baadsvik
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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EUR 19,99*
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Baadsvik: Fnugg für Tuba solo
+Vivaldi / Baadsvik: Winter aus "4 Jahreszeiten"
+Grieg / Baadsvik: Anitra's Tanz aus "Peer Gynt"; Norwegischer Tanz Nr. 1
+Plau: Konzert für Tuba & Streicher
+Stevens: Variations in Olden Style
+Arban / A. Baadsvik: Carnival of Venice
+Monti / Baadsvik: Csardas
+Traditional "Kesh Jig"
- Künstler: Oystein Baadsvik, Musica Vitae, Sagstad
- Label: BIS, DDD, 2002
- Bestellnummer: 9943328
- Erscheinungstermin: 18.9.2003
Surely nobody ever expected to hear the tuba played like this? When he started learning the instrument, somebody must have forgotten to tell Øystein Baadsvik that the tuba can't do everything. And in all likelihood, this mistake will be impossible to repair - there is little chance that anyone would be able to catch up with him in order to tell him now!
This collection of pieces-you-never-thought-you’d-hear-on-the-tuba runs the gamut from Vivaldi's view of winter to Monti's Csárdás, from the embouchure-defying to the luscious. When you think that you have heard everything - and are still trying to decide whether you really did hear what you remember hearing - Øystein Baadsvik adds a piece of his own, Fnugg, proving that there really is nothing that can't be expressed on the tuba if one happens to have this level of skill, communicative passion and musicality. Fnugg (Norwegian for something as weightless as a snowflake) is an improvisation with elements of the Australian Aboriginal instrument didgeridoo and Norwegian folk music, using multiphonics (to sing and play simultaneously) and Baadsvik’s own invention "Lip Beat".
‘State of the art recorded sound caps an extremely well planned, perfectly executed recital in which humor, charm, and virtuosity combine to make the best possible case for the tuba as star of the show.’ Classicstoday. com
"The arrangements are fine examples of the best of musical reinvention... The acrobatic displays amount to an elephant pirouetting gracefully, and then showing the refinement and class to join you for a nice bottle of wine and desert... a very pleasant surprise, worthy of any collection." MusicWeb
This collection of pieces-you-never-thought-you’d-hear-on-the-tuba runs the gamut from Vivaldi's view of winter to Monti's Csárdás, from the embouchure-defying to the luscious. When you think that you have heard everything - and are still trying to decide whether you really did hear what you remember hearing - Øystein Baadsvik adds a piece of his own, Fnugg, proving that there really is nothing that can't be expressed on the tuba if one happens to have this level of skill, communicative passion and musicality. Fnugg (Norwegian for something as weightless as a snowflake) is an improvisation with elements of the Australian Aboriginal instrument didgeridoo and Norwegian folk music, using multiphonics (to sing and play simultaneously) and Baadsvik’s own invention "Lip Beat".
Rezensionen
‘State of the art recorded sound caps an extremely well planned, perfectly executed recital in which humor, charm, and virtuosity combine to make the best possible case for the tuba as star of the show.’ Classicstoday. com
"The arrangements are fine examples of the best of musical reinvention... The acrobatic displays amount to an elephant pirouetting gracefully, and then showing the refinement and class to join you for a nice bottle of wine and desert... a very pleasant surprise, worthy of any collection." MusicWeb
Rezensionen
FonoForum 07/04: "Oystein Baadsvik kann schneller und präziser spielen als jeder seiner Vorgänger. Ein Lucky Lucke der Tuba, der schneller zieht als sein eigener Schatten. Dazu kommt sein Gespür für ausgeruhte Phrasierungen, für den dunklen, weichen Klang und nicht zuletzt für den Humor, ohne den der Abgrund eines Tubatrichters immer ein wenig furchterregend wirkt."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Oystein Baadsvik: Fnugg (für solo Tuba) (2002)
- 2 Antonio Vivaldi: Der Winter (Konzert f-moll op. 8 Nr. 4 RV 297): 1. Allegro non molto (arr. von Oystein Baadsvik)
- 3 Antonio Vivaldi: Der Winter (Konzert f-moll op. 8 Nr. 4 RV 297): 2. Largo (arr. von Oystein Baadsvik)
- 4 Antonio Vivaldi: Der Winter (Konzert f-moll op. 8 Nr. 4 RV 297): 3. Allegro (arr. von Oystein Baadsvik)
- 5 Edvard Grieg: Anitra's Dance (arr. für Tuba und Streichorchester von Oystein Baadsvik)
Konzert für Tuba und Streicher (1990)
- 6 1. Prolog
- 7 2. Canzone: Andante
- 8 3. Finale: Allegro
Norwegische Tänze op. 35 Nr. 1-4 (Auszug)
- 9 Nr. 1 Norwegische Tanz (arr. für Tuba und Streichorchester von Oystein Baadsvik)
- 10 The Traditional: Kesh Jig (arr. von Staffan Lundén-Welden)
Variationen im alten Stil für solo Tuba und Streicher (d'après Bach) (1989)
- 11 Theme: Andante - 1. Variation: Grazioso - 2. Variation: Allegro moderato - 3. Variation: Adagio - 4. Variation: ...
- 12 Jean-Baptiste Arban: Carnival of Venice (arr. von Anna Baadsvik)
- 13 Vittorio Monti: Csárdás (arr. für Tuba und Streichorchester von Oystein Baadsvik)
