Feodor Schaljapin singt Arien & Lieder auf CD
Feodor Schaljapin singt Arien & Lieder
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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von Glinka, Dargomyzhsky, Borodin, Rimsky-Korssakoff, Mussorgsky
- Künstler:
- Feodor Schaljapin
- Label:
- Melodiya
- Aufnahmejahr ca.:
- 10-31
- UPC/EAN:
- 4600317013456
- Erscheinungstermin:
- 18.11.2013
Weitere Ausgaben von Feodor Schaljapin singt Arien & Lieder |
Preis |
|---|---|
| 2 CDs | EUR 15,99* |
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Product Information
In 2008 we celebrate 135th anniversary of Fyodor Shalyapin’s birthday. 75 years have already passed since the great Russian artist and legendary operatic singer’s death (1873–1938). His magnificent and unique large voice coupled with miraculous artistic talent brought Shalyapin the worldwide fame and popularity.
At the age of 22 Shalyapin appeared as a professional singer on the opera stage, and at once he was noticed by both professional musicians and music lovers. Since then whether he sang in Mamontov’s innovative performances of Russian private company, in the famous Bolshoi productions or on tours in Russia and abroad, his creative artistic interpretation and incomparable mastery of vocality brought enthusiastic response among appreciative audience.
“A new great talent has been born”, exclaimed V. Stasov, a musical critic, after the tour of the Russian private company in Saint Petersburg. The French critics called the wonderful singer “a musical tragic actor”. As a matter of fact, Shalyapin gained tremendous admiration not only because of his marvelous voice of mellow velvety timbre that was unusually smooth in all registers. It was his mastery of reincarnation together with his skill of improvisation on the stage and his subtle penetration into the image of an opera character.
Fyodor Shalyapin’s contemporaries also noticed the actor’s physical features: “He looks like a strong oak tree; healthy, energetic, corpulent and, in spite of his height, very agile”(E. Stark). That was the source of the powerful impression that he made upon the audience.
Shalyapin was unsurpassed as a master of declamation; he perfectly performed the operas where the text suggested paramount importance. The singer’s repertoire mainly included Russian operas. His favourite characters were Tsar Boris from “Boris Godunov” by Mussorgsky and Tsar Ivan the Terrible from Rimski-Korsakov’s “The Maid of Pskov”, Ivan Susanin from Glinka’s “Life for the Tsar” and the Miller from Dargomyzhsky’s “Mermaid”. Shalyapin loved both Mephistopheles in Gounod's “Faust”, and in Boito’s “Mefistofele”. The deep and tragic characters, the scenes full of drama especially attracted the singer where he could display his genius in its entirety. According to Boris Asafiev’s words, all Shalyapin’s characters are not just “theatrical masks but human lives that are resurrected by the great Russian actor at every performance”. (melody. su)
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Tracklisting
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Mitwirkende
Disk 1 von 1 (CD)
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1 Michael Glinka: Ein Leben für den Zaren / (Iwan Sussanin) Oper in 4 Akten m. Epilog (Rosen): Sie ahnen die Wahrheit (......Brichst du an
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2 Michael Glinka: Ruslan und Ludmilla / Oper in 5 Akten (n. Puschkin): Das ist wundervoll ((Strahlende Tage d. herrl. Siegs) Rondo d. Farl
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3 Alexander Dargomyschsky: Rusalka / Oper in 4 Akten (Dargomyschsky nach Puschkin): Ja, das ist wahr (, ihr jungen Mädchen seid alle gleich, Arie d
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4 Alexander Dargomyschsky: Rusalka / Oper in 4 Akten (Dargomyschsky nach Puschkin): Guten Morgen, Schwiegersohn (Wahnsinns-Szene und Tod d. Müllers
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5 Alexander Borodin: Fürst Igor (Oper in 4 Akten): Umsonst nach Ruhe (sucht das trübe, schwere ...)
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6 Alexander Borodin: Fürst Igor (Oper in 4 Akten): Ja, so ists (, ich hass' die Langweil, Rez.)
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7 Alexander Borodin: Fürst Igor (Oper in 4 Akten): Wie geht es ( Fürst, (Zdorov-li knjaz'?)
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8 Nikolai Rimsky-Korssakoff: Sadko / Sadko (1896) / Opern-Byline in 7 Bildern (Libr. : Rimsky-K. ): Ach, du dunkler, schattenreicher Wald
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9 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): Noch eine Kunde (Monolog des Pimen 1. Akt)
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10 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): Hört, was einst (in der Stadt Kasan geschehen, Varlaam 1. A
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11 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): Ach, wen lässest du uns zurücke (Eingangsszene)
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12 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): Es genügt (, ich fühls, ein Fleck, Szene d. Boris (m. d. Gl
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13 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): O ich erstick ((Uf, tiashelo) Wahnsinns-Szene Boris - Final
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14 Modest Mussorgsky: Boris Godunow / Oper in 4 Akten (n. Puschkin und Karamasin): Leb wohl, mein Sohn (, ich sterbe, (Oj, duschno! Swjetu) Ab
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