Antonio Vivaldi: Opernarien & Sinfonias
Opernarien & Sinfonias
CD
CD (Compact Disc)
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- aus Griselda, Tito Manlio, Ottone in villa, L'Atenaide, Il Bajazet, L'incoronazione di Dario, Catone in Utica
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Vivaldi ist zwar heute am besten bekannt für seine Instrumentalwerke, aber er war auch ein ertragreicher Opernkomponist. Als er 1713 im Alter von 35 Jahren sein Debüt als Opernkomponist gab, hatte er sich bereits einen internationalen Ruf als Konzertkomponist erworben; und von jener Zeit an bildeten beide schöpferischen Aktivitäten parallele Strömungen innerhalb seines künstlerischen Werdegangs. Wir wissen nicht genau, wie viele Opern Vivaldi schrieb: in einem Brief von 1739 behauptete er, dass es 94 seien, aber wenn man bei dieser Zahl Vivaldis Hang zur Übertreibung berücksichtigt, dann schließt sie sicherlich auch Wiederaufnahmen und Bearbeitungen seiner eigenen Werke sowie der Werke anderer Komponisten ein. Trotzdem sind uns über fünfzig gedruckte Libretti und ungefähr zwanzig Partituren erhalten geblieben, von denen die meisten zum größten Teil vollständig sind. Vivaldi war nicht lediglich als Komponist am Opernleben beteiligt: während seiner gesamten Laufbahn war er aktiv als Impresario, der Theater leitete, Sänger engagierte (und oft ihre Gage dabei herunterhandelte!) und außer den Werken anderer Komponisten auch seine eigenen zur Aufführung brachte. In der Tat waren es seine Opernengagements, die ihn auf viele Reisen aus Venedig führten, auf denen er weit entfernte Kulturzentren wie Rom, Florenz, Wien und wahrscheinlich sogar Prag besuchte.
Although Vivaldi is now best known for his many instrumental works, he was also a prolific composer of operas. By the time of his operatic debut in 1713, at the age of thirty-five, he had already achieved an international reputation as a concerto composer; from then on both activities continued in parallel for the rest of his career. We do not know exactly how many operas Vivaldi wrote: a letter of 1739 claims ninety-four, but this figure, reflecting Vivaldi’s penchant for exaggeration, doubtless included revivals and rearrangements of his own and other composers’ works. Nevertheless, we have over fifty surviving printed librettos and around twenty scores, most of which are largely complete. Vivaldi’s involvement with the operatic scene was not only as a composer: he was active throughout his career as impresario, running theatres, booking singers (often knocking down their fees in the process!), and putting on works by other composers as well as his own. In fact it was his operatic engagements that led to many of his travels outside Venice, to centres as far afield as Rome, Florence, Vienna and probably Prague.
'A disc which will delight both Vivaldi enthusiasts and lovers of Baroque music generally. Excellent recorded sound and strongly recommended on all counts' (Gramophone)
'This is a very attractive disc — all the more as it's on Hyperion's budget label. The band plays with crisp articulation, the recorded sound is excellent, and Emma Kirkby, in a recording from 1994, is jaw-droppingly virtuosic in the showstopping semiquaver runs and wide-ranging leaps of the more agitated heroine's arias' (Colchester Gazette)
'The runs and roulades are simply dazzling' (Fanfare, USA)
Product-Information:
Although Vivaldi is now best known for his many instrumental works, he was also a prolific composer of operas. By the time of his operatic debut in 1713, at the age of thirty-five, he had already achieved an international reputation as a concerto composer; from then on both activities continued in parallel for the rest of his career. We do not know exactly how many operas Vivaldi wrote: a letter of 1739 claims ninety-four, but this figure, reflecting Vivaldi’s penchant for exaggeration, doubtless included revivals and rearrangements of his own and other composers’ works. Nevertheless, we have over fifty surviving printed librettos and around twenty scores, most of which are largely complete. Vivaldi’s involvement with the operatic scene was not only as a composer: he was active throughout his career as impresario, running theatres, booking singers (often knocking down their fees in the process!), and putting on works by other composers as well as his own. In fact it was his operatic engagements that led to many of his travels outside Venice, to centres as far afield as Rome, Florence, Vienna and probably Prague.
Rezensionen
'A disc which will delight both Vivaldi enthusiasts and lovers of Baroque music generally. Excellent recorded sound and strongly recommended on all counts' (Gramophone)
'This is a very attractive disc — all the more as it's on Hyperion's budget label. The band plays with crisp articulation, the recorded sound is excellent, and Emma Kirkby, in a recording from 1994, is jaw-droppingly virtuosic in the showstopping semiquaver runs and wide-ranging leaps of the more agitated heroine's arias' (Colchester Gazette)
'The runs and roulades are simply dazzling' (Fanfare, USA)
Rezensionen
D. Steppuhn in FonoForum 6/95: "Mit drei Sinfonien und neun ausgewählten Opernarien verschiedenster "Affekte" werfen eine prächtig alle Facetten ihres Parts auskostende Emma Kirkby und Roy Goodmans bewährtes Brandenburg Consort strahlendes Licht in diese Nische!"- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
Griselda RV 718 (Oper) (Auszug)
- 1 Sinfonia: Allegro -
- 2 Andante -
- 3 Minuetto
- 4 Ombre vane, ingiusti orrori (3. Akt)
- 5 Agitata da due venti (2. Akt)
Tito Manlio RV 738 (Auszug)
- 6 Non ti lusinghi la crudeltade (2. Akt)
Ottone in villa RV 729 (Oper) (Auszug)
- 7 Sinfonia -
- 8 Allegro -
- 9 Larghetto
- 10 Gelosia, tu già rendi l'alma mia (1. Akt)
- 11 L'ombre, l'aure, e ancora il rio (2. Akt)
L'Atenaide o sia Gli affetti generoso RV 702 (Oper) (Auszug)
- 12 Ferma, Teodosio (3. Akt)
Bajazet RV 703 (Tamerlano, Oper in 3 Akten) (Auszug)
- 13 Sinfonia: Allegro -
- 14 Andante molto -
- 15 Allegro
L'incoronazione di Dario RV 719 (Oper) (Auszug)
- 16 Non mi lusinga vana speranza
Catone in Utica RV 705 (Oper) (Auszug)
- 17 Se mai senti spirati sul volto
- 18 Se in campo armato
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