Sarah Lee Guthrie & Johnny Irion: Wassaic Way (CD)

Sarah Lee Guthrie & Johnny Irion

CD

CD (Compact Disc)

Conventional CD, playable with all CD players and computer drives, but also with most SACD or multiplayers.

deliverable within 2-3 weeks (if available from supplier)

Current price: EUR 15.99

Extended return period until January 31, 2026

All products eligible for return that were purchased between December 1 and December 31, 2025, may be returned until January 31, 2026.

Shipping (United States of America): EUR 19.90

Label:: RTE8
Year of recording ca.:: 2013
Item number:: 1767325
UPC/EAN:: 0634457608528
Release date:: 6.8.2013

Other releases of Wassaic Way	Price

*** Digipack

Product Information

Beloved duo Sarah Lee Guthrie and Johnny Irion will release their third studio album together Wassaic Way on August 6 via Route 8 Records. Produced by Jeff Tweedy and Patrick Sansone of Wilco, the album's eleven original songs were recorded at that band's famed Chicago studio, The Loft and feature the duo's most ambitious songwriting, far-reaching arrangements and electrifying performances to date."It's a departure from being 'a folk duo,'" Irion says. "It's the first time we've taken ourtime with a record and really gotten it right."

Featuring Sarah Lee and Johnny on vocals, guitars and keys, the pair are backed on the album by Tweedy on guitar and vocals, Sansone on bass, mellotron and more, Charlie Rose on guitar, pedal steel, banjo, trumpet and more, Otto Hauser on drums, Jon Stirratt on vocals, Radoslav Lorkavic on piano, Spencer Tweedy on drums and Jocie Adams on clarinet. Additionally Jeff Tweedy co-wrote one song on the album with Irion, "Probably Gone." Wassaic Way marks the latest entry in the ongoing creative relationship between the Guthrie family and Wilco.

Sarah Lee is the daughter of Arlo Guthrie, and granddaughter of iconic folk singer Woody Guthrie, whose unfinished songs Wilco famously recorded with Billy Bragg on a pair of Mermaid Avenue albums in 1998 and 2000.

Rezensionen

,,Wie geschmackvoll die Fuzz-Gitarren das Playback füllen, wie weich das Schlagzeug im Mix sitzt und wie die Keyboards dezent im Arrangement platziert werden: meisterlich." (Rolling Stone, November 2013)