Ferenc Fricsay - Complete Recordings on Deutsche Grammophon Vol.1: Orchestral Works
Ferenc Fricsay - Complete Recordings on Deutsche Grammophon Vol.1: Orchestral Works
Geza Anda, Wolfgang Schneiderhan, Janos Starker, Erica Morini, Tibor Varga, Johanna Martzy, Clara Haskil, Heinrich Geuser, Yehudi Menuhin, Irmgard Seefried, Maureen Forrester, Dietrich Fischer-Dieskau, Gerty Herzog, Rudolf Schulz, Monique Haas, Pierre Fournier, Nicanor Zabaleta, Margrit Weber, Annie Fischer, Rundfunk-Sinfonieorchester Berlin, RIAS Symphonie-Orchester Berlin, Berliner Philharmoniker, Ferenc Fricsay
und weitere
45
CDs
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Bartok: Klavierkonzerte Nr. 1-3; Violinkonzert Nr. 2; Tanzsuite; Konzert für Orchester; Musik für Saiteninstrumente, Celesta, Percussion; Divertimento; Rhapsodie
+Beethoven: Klavierkonzert Nr. 3; Tripelkonzert op. 56; Symphonien Nr. 1, 3, 5, 7-9; Leonore-Ouvertüre Nr. 3; Egmont-Ouvertüre
+Händel: Harfenkonzert
+Bizet: Carmen-Suite; Ballettmusik
+Rossini: Ouvertüren
+Blacher: Paganini-Variationen; Rondo für Klavier & Orchester
+Liebermann: Furioso
+von Einem: Klavierkonzert op. 20; Ballade
+Brahms: Symphonie Nr. 2; Klavierkonzert Nr. 1; Konzert für Violine, Cello & Orchester; Haydn-Variationen op. 56a
+Franck: Symphonische Variationen
+Bruch: Violinkonzert
+Dvorak: Symphonie Nr. 9 (in Einspielungen von 1953 & 1959); Violinkonzert
+Glasunow: Violinkonzert
+Debussy: Prelude a l'apres-midi d'un faune
+Liszt: Les Preludes; Ungarische Rhapsodien Nr. 1 & 2
+Smetana: Mein Vaterland; Aus Böhmens Hain und Flur
+Prokofieff: Symphonie Nr. 1
+Gliere: Symphonie Nr. 3 "Ilya Murometz"
+Hindemith: Symphonische Tänze
+Hartmann: Symphonie Nr. 6
+Haydn: Symphonien Nr. 44, 48, 95, 98, 100, 101
+Kodaly: Hary Janos; Symphonie C-Dur; Marosszeker Tänze; Tänze aus Galanta
+Mendelssohn: Violinkonzert op. 64
+Sarasate: Zigeunerweisen
+Mozart: Symphonien Nr. 29, 35, 40-41; Maurerische Trauermusik; Adagio & Fuge; Serenade Nr. 13 "Eine kleine Nachtmusik"; Klarinettenkonzert KV 622; Klavierkonzerte Nr. 19, 20, 27
+Rossini / Respighi: La Boutique fantastique
+Rimsky-Korssakoff: Sheherazade
+Schubert: Symphonie Nr. 8
+Schumann: Symphonie Nr. 1
+Weber: Klarinettenkonzert Nr. 1; Konzertstück für Klarinette & Orchester
+J. Strauss II: Walzer
+Strauss: Don Juan; Till Eulenspiegel
+Strawinsky: Le Sacre du Printemps; Petruschka; Capriccio
+Tschaikowsky: Symphonien Nr. 4-6; Violinkonzert; 1812-Ouvertüre; Streicherserenade; Ballettmusik
+Verdi: Ouvertüren, Preludes & Ballettmusik
+Ponchielli: Tanz der Stunden
+Ferenc Fricsay probt Smetanas "Die Moldau"
- Künstler: Irmgard Seefried, Maureen Forrester, Dietrich Fischer-Dieskau, Gerty Herzog, Geza Anda, Tibor Varga, Wolfgang Schneiderhan, Janos Starker, Erica Morini, Johanna Martzy, Clara Haskil, Heinrich Geuser, Yehudi Menuhin, Rudolf Schulz, Monique Haas, Geza Anda, Pierre Fournier, Nicanor Zabaleta, Margrit Weber, Annie Fischer, Radio-Symphonie-Orchester Berlin, RIAS-Symphonie-Orchester Berlin, Berliner Philharmoniker, Ferenc Fricsay
- Label: DGG, ADD, 1949-1961
- Erscheinungstermin: 11.7.2014
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Ferenc Fricsay zum 100. Geburtstag 2014: Sämtliche Orchester-Einspielungen für die Deutsche Grammophon auf 45 CDs in einer Box
Die schönsten Geschenke machen uns Plattenlabel zu Geburtstagen von Komponisten und Musikern. Im August 2014 jährt sich der 100. Geburtstag von Ferenc Fricsay, dem großen und großartigen Dirigenten, der 1963 viel zu früh verstarb. Kaum ein anderer Dirigent des 20. Jahrhunderts war so perfekt auf einen Werdegang als Maestro vorbereitet. 1914 wurde Ferenc Fricsay in Budapest geboren. Als Sechsjähriger schrieb ihn sein Vater Richard, ein Militärkapellmeister, an der Liszt-Akademie ein. Ferencs musikalisches Talent förderten die Eltern, indem sie ihn nicht nur Klavier, sondern auch Violine, Klarinette, Posaune, Pauken und andere Schlaginstrumente lernen ließen.
Am Ende seiner musikalischen Ausbildung beherrschte Ferenc Fricsay fast alle Instrumente eines Symphonieorchesters bis auf die Harfe. Somit war er prädestiniert, Dirigent zu werden, und zwar ein Maestro, der das Potenzial jeder Instrumentengruppe aus der Sicht eines Instrumentalisten heraus zutiefst verstand. Dieser Umstand machte ihn zu einem hervorragenden Probendirigenten, der streng, fordernd und akribisch den Klang jedes seiner Orchester weiterentwickelte.
Aufführungen und Einspielungen des Dirigenten Ferenc Fricsay, der präzise arbeitete und große Präzision von seinen Orchestern erwartete, empfanden Kritiker in Fricsays jungen Jahren zunächst als zu analytisch und wenig emotional. Obwohl ein kraftvoller, energischer und vitaler Dirigent, wurde sein Stil als unterkühlt empfunden. Diese Einschätzung der Musikkritik verlor sich in späteren Jahren. Glücklicherweise hat mit der nun erschienenen Geburtstagsedition aus der Serie »Ferenc Fricsay – Complete Recordings on Deutsche Grammophon« jeder Hörer die Möglichkeit, sich ein eigenes Bild dieses großen Dirigenten und seiner Entwicklung zu machen.
So vielseitig wie die Ausbildung von Ferenc Fricsay gestaltet sich auch das Repertoire seiner Einspielungen, das auf den CDs »Complete Recordings on Deutsche Grammophon: Orchestral Works« dokumentiert ist. Seine Interpretationen der Werke von Bela Bartók und Zoltán Kodály gelten bis heute als Referenzaufnahmen. Die Werke moderner Komponisten wie Boris Blacher, Werner Egk, Reinhold Glière, Paul Hindemith, Arthur Honegger und Frank Martin waren im präzisen Dirigierstil Ferenc Fricsays ebenfalls gut aufgehoben.
Legendär sind zudem die Einspielungen der bedeutenden Symphonien von Haydn, Mozart, Beethoven, Schubert und Tschaikowsky sowie der Mozart-Klavierkonzerte mit der großen Clara Haskil. Werke von Max Bruch, Johannes Brahms, Bedrich Smetana, Antonín Dvořák, Serge Prokofieff, Igor Strawinksy, Claude Debussy und vielen weiteren runden die umfangreiche Sammlung der von Ferenc Fricsay eingespielten Orchesterwerke ab.
Wenn Sie Ferenc Fricsay noch nicht kennen, bietet sich mit den 45 Tonträgern der »Complete Recordings« eine unvergleichliche Möglichkeit, ihn posthum schätzen zu lernen. Die Fricsay-Kenner wissen ohnehin, dass seine Aufnahmen eine Bereicherung für jeden Musikliebhaber sind.
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FERENC FRICSAY – A PERSONAL VIEW
Towards the end of 1960 an 18-year-old boy in Johannesburg, with birthday money to spend, bought his first three classical LP discs. He chose Dvořák’s New World Symphony, Tchaikovsky’s Pathétique and Rimsky-Korsakov’s Sheherazade and, being something of a collector, he selected the versions conducted by Ferenc Fricsay on DGG (as we then knew it). When he paid for them, the Rosebank record shop owner said: »You can’t go wrong with DGG.«
That teenager was myself. And if my choices now look rather unadventurous, I must explain that I had been almost exclusively hooked on opera since the age of seven and had been amassing historic vocal 78rpm discs since discovering Enrico Caruso at 11. But I had begun going to SABC Symphony Orchestra concerts and, with my mother, had essayed a few chamber recitals.
I had no idea that, in my ham-fisted way, I had started at the top. I knew nothing of Ferenc Fricsay, although I registered that the Rimsky-Korsakov was played by the Radio Symphony Orchestra of Berlin, while the other two discs featured the Berlin Philharmonic. The Dvořák was a new release which had only just arrived in the South African shops.
The performances seemed then, and still seem, absolutely stunning. And, with more than half a century’s experience of listening since those far-off days, I have some understanding of why they were so exceptional. As we mark Ferenc Fricsay’s centenary, even a brief consideration of his early life will indicate that few men have been so perfectly prepared for the life of a conductor.
Born in Budapest on 9 August 1914, when Hungary was mobilising for the Great War – a busy time for his father Richard, the country’s leading military bandmaster – Fricsay was a typical product of the Central European melting pot, with one parent stemming from Kroměříž in Moravia, the other from Hungary. »The mother tongue of my father was still Czech,« he recalled, »but I was born a little Hungarian.« He and his father both inherited the grandfather’s tenor voice, but used it only to cajole their orchestras.
Little Feri made his first attempt to conduct at four, but serious musical studies began at six with the piano, for which he went three times a week to the Liszt Academy. When he was ten Richard Fricsay, a violinist who had played under Antonín Dvořák’s baton, had the wisdom to enrol the boy in Ernst Mambrinyi’s violin class. »That was very shrewd of my father,« he recalled, »as it is indispensable for a conductor to understand the stringed instruments as much as possible, so that he can handle the strings expertly at rehearsal.« When he was 12 or 13, his father arranged for clarinet lessons; and eventually he learnt the valve trombone, timpani and percussion as well.
At 13 Feri made a genuine conducting début, thrown in at the deep end in time-honoured fashion when Richard Fricsay was delayed and a weekly radio concert had to go ahead. The lad directed the entry of the guests from Tannhäuser well enough to satisfy everyone present.
At the Liszt Academy, his classmates were in their 20s or even older. It was a golden age. The violinist Jenö Hubay was principal and on the staff were Ernst von Dohnányi (piano masterclass), Zoltán Kodály (composition), Béla Bartók (piano), and Leó Weiner (theory and chamber music). In his 13 years at the Academy, Fricsay studied with all of them, while taking every opportunity to observe the conductors active in Budapest: Dohnányi (in charge of the Philharmonic), Willem Mengelberg, Felix Weingartner, Bruno Walter, Erich Kleiber, Carl Schuricht, Ernest Ansermet, Wilhelm Furtwängler and Otto Klemperer. In 1930, when Arturo Toscanini was touring Europe with the New York Philharmonic-Symphony Orchestra, Fricsay assisted the great man at rehearsal.
In 1933 he graduated, conducting excerpts from Die Meistersinger and his own overture Cyrano de Bergerac – he described his composition style as romantic, with a dash of Kodály thrown in. That year he was appointed military bandmaster in the major southern Hungarian city of Szeged; and in 1934, out of 57 candidates, he was chosen to head the Szeged Philharmonic. Although he sometimes chafed against the heavy workload and provincial attitudes in Szeged – in 1938 he tried to leave for Kassa (now Kosice) – Fricsay made invaluable progress in assimilating repertoire. He cut his first records, including one of his own compositions, and his Szeged Mass was performed to acclaim. In 1940 he began conducting at the Szeged Opera, with Verdi’s Rigoletto.
In 1944 he moved his family to Budapest; and as peace came he left Szeged officially to become director of the State Opera, starting with La traviata. In 1946 he made his Vienna Philharmonic début and conducted the Vienna State Opera company – which had been bombed out of the Opera House – in Carmen at the Volksoper.
So the man who came to international attention at the 1947 Salzburg Festival, conducting the world première of Gottfried von Einem’s opera Dantons Tod as a last-minute replacement for Klemperer, was fully ready, just turned 33 and already a master. In the 1948 festival he premièred Frank Martin’s Le vin herbé.
But it was in the beleaguered East German city of Berlin, divided into zones by the former Allies and connected to the West by a narrow corridor, that Fricsay made his mark. He became acquainted with the former German capital during the fraught time in 1948-49 when the Russians were blocking off the corridor and Western air forces were airlifting 4, 700 tons of supplies to its citizens every day.
Fricsay flew into the city for a series of engagements: on 3 November a radio concert at the old Funkhaus, in the British sector but used by the Soviet-controlled Berliner Rundfunk; on 18 November a new production of Verdi’s Don Carlos at the Städtische Oper, with Dietrich Fischer-Dieskau as Posa; on 12 December a concert at the Titania-Palast cinema with the RIAS Symphony Orchestra from the American sector; and on 15 December his Berlin Philharmonic début at the Titania-Palast.
His success led to his being snapped up as general music director of the Städtische Oper and chief conductor of the RIAS SO, where his music director was the redoubtable Prof. Elsa Schiller. Both of them were to be inextricably linked with DGG, Fricsay as inspirational house conductor, Schiller as imaginative chief producer from 1952 to 1963.
Fricsay’s first DGG sessions, in September 1949, were devoted to Tchaikovsky’s Fifth Symphony, recorded on tape but issued on the firm’s new ›variable groove‹ discs, which doubled the playing time of a 78rpm side. From 1951 his performances were released on LPs; and in 1957 he began making stereophonic records, including most of Beethoven’s odd-numbered symphonies and my Dvořák New World with the Berlin Philharmonic. His stereo productions, and many other plans, were curtailed by the cruel illness to which he succumbed in Basel on 20 February 1963.
Perhaps more than any other member of the post-war generation of conductors, Ferenc Fricsay hit the world of music like a guided missile. Physically slim as a whippet, he cultivated a lean string sound from his orchestras and coaxed the music from them with extraordinary intensity. For those of us who never saw him conduct, some film footage and the many images collected by Friedrich Herzfeld for a 1964 memorial volume must do. They show an animated, often clearly inspired and spiritually charged maestro who, above all, seems always to be listening intently. Two unusually mobile hands with eloquent, expressive fingers deliver his more minute indications – he dispensed with a baton quite early on.
Much of his studio work was done with the RIAS ensemble, which he headed until 1954 – twice taking it on tour – and again in 1959-63, under its new name Radio SO of Berlin. Although he had an international career, one senses that he always returned gratefully to his RIAS friends. With these players he could rehearse exhaustively: as radio musicians, they were well used to microphones and were capable of performing at their best, even in the sterile studio environment. Fricsay obtained a wonderful range of dynamics from them, with the subtlest articulation, and he carried these traits over into his encounters with the Berlin Philharmonic and the Viennese orchestras.
Not everyone welcomed his approach. When he conducted Le nozze di Figaro at Edinburgh in 1950 with the Glyndebourne company and Beecham’s orchestra, some players reacted with dismay. But Fricsay had history on his side: his style, so much simpler than Sir Thomas’s fussy way with Mozart, now seems prophetic of the period-instrument era. There is much model Mozart here, including interesting duplicates of Symphonies 29 and 41 and piano concertos with the unforgettable Clara Haskil – even she, relentlessly self-critical, liked her records with Fricsay.
Recently, in a BBC Radio 3 ›Building a Library‹ feature on Haydn’s Trauer Symphony, the early music expert Sir Nicholas Kenyon pointed out that while the edition used by Fricsay in 1953 has been superseded, the conductor’s reading of the Adagio ›flows beautifully‹. Five other Haydn symphonies are here, full of wit and fascinating counterpoint.
Fricsay’s 1953 account of Beethoven’s First always seems ideal to me – imposing enough, especially in the introductions to the outer movements, to announce a new symphonic voice, but sufficiently light and buoyant to suit a work poised at the intersection between two momentous musical centuries. The mature Beethoven symphonies are vital and magisterial by turns.
Above all, Fricsay was a rhythmic conductor, who could make the orchestra dance, whether in Johann Strauss waltzes, Rossini overtures or ballets by Tchaikovsky, Gounod, Bizet, Verdi and Ponchielli. Such music was polished in rehearsal until it sparkled, then revivified in performance. Tchaikovsky’s symphonies, which often aspire to the dance, have true Slavic intensity and thrilling climaxes; but perhaps most amazing is the live performance with Yehudi Menuhin of the Violin Concerto, a rare piece with this violinist and among the earliest documents here. Together Fricsay and Menuhin plumb depths in the Canzonetta that other artists hardly hint at.
The standard scores of Schubert, Schumann, Brahms and Richard Strauss had many champions in the 1950s, not least on ›the yellow label‹, so Fricsay was not often asked to take them on. When he was given the chance, however, he came up with satisfyingly ›central‹ interpretations.
Besides two versions of the New World, Czech music is represented by Smetana’s Má Vlast, a separate »Vltava« and a Stuttgart radio studio rehearsal of »Vltava« from 1960, when Fricsay was already weakened by two operations although his spirit was undimmed.
Four discs of Bartók represent one of the most potent interactions of a conductor with this composer. Still considered ›difficult‹ at the start of the 1950s, Bartók’s music miraculously became transparent and easy to absorb when Fricsay touched it. With textures beautifully terraced and clarified, and rhythms subtly inflected, these performances are among the treasures of the gramophone. If a few of the recordings, such as the Violin Concerto with Tibor Varga or the Dance Suite, now qualify as ›historic‹, others such as the Piano Concertos with Geza Anda come up fresh as paint every time they are reissued. Kodály’s popular dances, Háry János Suite and C major Symphony also gain from the attention of a true believer and disciple. Have they ever been better performed?
The scores of Prokofiev, Hindemith, Hartmann, Blacher, Einem, Egk, Martin and other moderns are given scrupulous preparation, animated rhythmically and imbued with the inner glow that emanated naturally from this great conductor. Stravinsky is represented not just by The Rite of Spring and Petrushka, but by less well-known pieces including the Tchaikovsky arrangement The Fairy’s Kiss.
Finally, apart from Haskil, Anda, Menuhin and Varga, mention must be made of the other highly individual soloists who were supported by Fricsay in setting down some of their best studio interpretations: the violinists Erica Morini, Johanna Martzy and Wolfgang Schneiderhan, the cellists Janos Starker and Pierre Fournier, the liquid-toned clarinettist Heinrich Geuser, the elegant harpist Nicanor Zabaleta and the pianists Margrit Weber, Monique Haas, Annie Fischer and Gerty Herzog.
Rezensionen
»Alles in allem erhält man hier einen lückenlosen, akustisch gut restaurierten Überblick über das sinfonische Vermächtnis eines Dirigenten, dessen immenser Beitrag zur deutschen Musikkultur aus dem kollektiven Gedächtnis zu verschwinden droht: Diese Edition war also überfällig.« (stereoplay, Oktober 2014)- Tracklisting
- Details
- Mitwirkende
Disk 1 von 45
Piano Concerto No.1, BB 91, Sz. 83
- 1 1. Allegro moderato - Allegro (Original Version)
- 2 2. Andante (Original Version)
- 3 3. Allegro molto (Original Version)
Piano Concerto No.2, BB 101, Sz. 95
- 4 1. Allegro (Original Version)
- 5 2. Adagio - Più adagio - Presto (Original Version)
- 6 3. Allegro molto (Original Version)
Piano Concerto No.3, BB 127, Sz. 119
- 7 1. Allegretto (Original Version)
- 8 2. Adagio religioso (Original Version)
- 9 3. Allegro vivace (Original Version)
Disk 2 von 45
Violin Concerto No.2, Sz.112
- 1 1. Allegro non troppo (Original Version)
- 2 2. Andante tranquillo (Original Version)
- 3 3. Allegro molto (Original Version)
2 Portraits, Op.5 Sz. 37
- 4 1. "Ideal" (Original Version)
- 5 2. "Distorted" (Original Version)
Dance Suite, Sz. 77
- 6 1. Moderato (Original Version)
- 7 2. Allegro molto (Original Version)
- 8 3. Allegro vivace (Original Version)
- 9 4. Molto tranquillo (Original Version)
- 10 5. Comodo (Original Version)
- 11 6. Finale Allegro (Original Version)
Disk 3 von 45
Concerto For Orchestra, Sz. 116
- 1 1. Introduzione Andante non troppo - Allegro vivace (Original Version)
- 2 2. Giuoco della coppie Allegretto scherzando (Original Version)
- 3 3. Elegia Andante, non troppo (Original Version)
- 4 4. Intermezzo interrotto Allegretto (Original Version)
- 5 5. Finale Pesante - Presto (Original Version)
Music for Strings, Percussion and Celesta, Sz. 106
- 6 1. Andante tranquillo (Original Version)
- 7 2. Allegro (Original Version)
- 8 3. Adagio (Original Version)
- 9 4. Allegro molto (Original Version)
Disk 4 von 45
Divertimento for Strings, Sz. 113
- 1 1. Allegro non troppo (Original Version)
- 2 2. Molto adagio (Original Version)
- 3 3. Allegro assai (Original Version)
Piano Concerto No.3, BB 127, Sz. 119
- 4 1. Allegretto (Original Version)
- 5 2. Adagio religioso (Original Version)
- 6 3. Allegro vivace (Original Version)
Rhapsody for Piano and Orchestra, Op.1 Sz. 27
- 7 1. Adagio molto (Original Version)
- 8 2. Poco allegretto (Original Version)
Disk 5 von 45
Piano Concerto No.3 in C minor, Op.37
- 1 1. Allegro con brio (Original Version)
- 2 2. Largo (Original Version)
- 3 3. Rondo Allegro (Original Version)
Concerto for Piano, Violin, and Cello in C, Op.56
- 4 1. Allegro (Original Version)
- 5 2. Largo - attacca: (Original Version)
- 6 3. Rondo alla Polacca (Original Version)
Disk 6 von 45
Symphony No.1 in C, Op.21
- 1 1. Adagio molto - Allegro con brio (Original Version)
- 2 2. Andante cantabile con moto (Original Version)
- 3 3. Menuetto Allegro molto e vivace (Original Version)
- 4 4. Finale Adagio - Allegro molto e vivace (Original Version)
Symphony No.8 in F, Op.93
- 5 1. Allegro vivace e con brio (Original Version)
- 6 2. Allegretto scherzando (Original Version)
- 7 3. Tempo di menuetto (Original Version)
- 8 4. Allegro vivace (Original Version)
Disk 7 von 45
Symphony No.3 in E flat, Op.55 -"Eroica"
- 1 1. Allegro con brio (Original Version)
- 2 2. Marcia funebre Adagio assai (Original Version)
- 3 3. Scherzo Allegro vivace (Original Version)
- 4 4. Finale Allegro molto (Original Version)
- 5 Overture "Leonore No.3", Op.72b
Harp Concerto In B Flat, Op.4, No.6, Hwv 294
- 6 1. Andante allegro (Original Version)
- 7 2. Larghetto (Original Version)
- 8 3. Allegro moderato (Original Version)
Disk 8 von 45
Symphony No.5 in C minor, Op.67
- 1 1. Allegro con brio (Original Version)
- 2 2. Andante con moto (Original Version)
- 3 3. Allegro (Original Version)
- 4 4. Allegro (Original Version)
Symphony No.7 in A, Op.92
- 5 1. Poco sostenuto - Vivace (Original Version)
- 6 2. Allegretto (Original Version)
- 7 3. Presto - Assai meno presto (Original Version)
- 8 4. Allegro con brio (Original Version)
Disk 9 von 45
Music to Goethe's Tragedy "Egmont" op.84
- 1 Original Version
Symphony No.9 in D minor, Op.125 - "Choral"
- 2 1. Allegro ma non troppo, un poco maestoso (Original Version)
- 3 2. Molto vivace (Original Version)
- 4 3. Adagio molto e cantabile (Original Version)
- 5 4. Presto - (Original Version)
- 6 4. Presto - Allegro assai (Original Version)
Disk 10 von 45
Overture "Le carnaval romain", Op.9
- 1 Original Version
La Damnation de Faust, Op.24 (Original Version)
- 2 Ballet des Sylphes (Part 2)
- 3 Marche hongroise (Part 1)
In the Steppes of Central Asia
- 4 instr. Alexander Glazunov
Polovtsian Dances, from: Prince Igor
- 5 Original Version
A Night on the Bare Mountain
- 6 Orch. Nicolai Rimsky-Korsakov
Faust, Ballet Music 1869
- 7 1. Les Nubiennes, valse Allegretto (Original Version)
- 8 2. Adagio (Original Version)
- 9 3. Danse antique Allegretto (Original Version)
- 10 4. Variations de Cléopatre Moderato maestoso (Original Version)
- 11 5. Les Troyennes Moderato con moto (Original Version)
- 12 6. Variations du miroir Allegretto (Original Version)
- 13 7. Danse de Phryné Allegro vivo (Original Version)
Faust (Original Version)
- 14 Waltz (Act 2)
La Damnation de Faust, Op.24 (Original Version)
- 15 Marche hongroise (Part 1)
Disk 11 von 45
La scala di seta
- 1 Overture (Original Version)
Semiramide
- 2 Overture (Original Version)
Il Signor Bruschino
- 3 Sinfonia (Original Version)
L'italiana in Algeri
- 4 Overture (original version)
Tancredi
- 5 Overture (original version)
La gazza ladra
- 6 Overture (original version)
Il barbiere di Siviglia
- 7 Overture Sinfonia (Original Version)
Il viaggio a Reims
- 8 Overture (Original Version)
Carmen Suite No.1
- 9 Prélude (Original Version)
- 10 Entr'acte Act II (Original Version)
- 11 Entr'acte Act Iii (Original Version)
- 12 Entr'acte Act IV (Original Version)
Carmen (original version)
- 13 Allegro vivo e deciso (Act IV: Ballet Music)
- 14 Pastorale: Andantino (Act IV: Ballet Music)
- 15 Danse bohème (Act IV: Ballet Music)
- 16 Final March (Act IV: Ballet Music)
Disk 12 von 45
Variations on a theme of Paganini, Op.26
- 1 Thema. Quasi Presto - Variations 1-3 (Original Version)
- 2 Variations 4-7 (Original Version)
- 3 Variation 8 (Original Version)
- 4 Variations 9-12 (Original Version)
- 5 Variations 13-16 (Original Version)
Concerto for Piano and Orchestra no.1 op.28
- 6 Finale Rondo. Allegro (Original Version)
- 7 Furioso For Orchestra
Ballade for Orchestra, Op.23
- 8 Allegro moderato - (Original Version)
- 9 Quasi l'istesso tempo molto marcato ed energico (Original Version)
Piano Concerto, Op.20
- 10 1. Molto moderato (Original Version)
- 11 2. Adagio (Original Version)
- 12 3. Allegro con spirito (Original Version)
Disk 13 von 45
Piano Concerto No.2 In B Flat, Op.83
- 1 1. Allegro non troppo (Original Version)
- 2 2. Allegro appassionato (Original Version)
- 3 3. Andante - Più adagio (Original Version)
- 4 4. Allegretto grazioso - Un poco più presto (Original Version)
Concerto for Violin and Cello in A minor, Op.102
- 5 1. Allegro (Original Version)
- 6 2. Andante (Original Version)
- 7 3. Vivace non troppo - Poco meno allegro - Tempo I (Original Version)
Disk 14 von 45
- 1 Variations Symphoniques
Variations On A Theme By Haydn, Op.56a
- 2 Theme: "Chorale St. Antoni" (Original Version)
- 3 Variation I: Poco più animato (Original Version)
- 4 Variation II: Più vivace (Original Version)
- 5 Variation Iii: Con Moto (Original Version)
- 6 Variation IV: Andante con moto (Original Version)
- 7 Variation V: Vivace (Original Version)
- 8 Variation VI: Vivace (Original Version)
- 9 Variation Vii: Grazioso (Original Version)
- 10 Variation Viii: Presto Non Troppo (Original Version)
- 11 Finale: Andante (Original Version)
Symphony No.2 in D, Op.73
- 12 1. Allegro non troppo (Original Version)
- 13 2. Adagio non troppo - L'istesso tempo, ma grazioso (Original Version)
- 14 3. Allegretto grazioso Quasi andantino - Presto ma non assai (Original Version)
- 15 4. Allegro con spirito (Original Version)
Disk 15 von 45
Violin Concerto in A minor, Op.53
- 1 1. Allegro ma non troppo - Quasi moderato (Original Version)
- 2 2. Adagio, ma non troppo (Original Version)
- 3 3. Finale Allegro giocoso, ma non troppo (Original Version)
Violin Concerto No.1 in G minor, Op.26
- 4 1. Vorspiel Allegro moderato (Original Version)
- 5 2. Adagio (Original Version)
- 6 3. Finale Allegro energico (Original Version)
Violin Concerto in A minor, Op.82
- 7 1. Moderato (Original Version)
- 8 2. Andante sostenuto (Original Version)
- 9 Tempo I (Original Version)
- 10 Cadenza (Original Version)
- 11 3. Allegro (Original Version)
Disk 16 von 45
- 1 Prelude à l'après-midi d'un faune, L 86
Danses for Harp and Orchestra
- 2 1. Danse sacrée (Original Version)
- 3 2. Danse profane (Original Version)
- 4 L'Apprenti sorcier
- 5 Introduction And Allegro
- 6 La valse
Boléro
- 7 Original Version, M. 81
Disk 17 von 45
Symphony No.9 in E minor, Op.95 "From the New World"
- 1 1. Adagio - Allegro molto (Original Version)
- 2 2. Largo (Original Version)
- 3 3. Scherzo Molto vivace (Original Version)
- 4 4. Allegro con fuoco (Original Version)
The Moldau from Má Vlast
- 5 Original Version
Les Préludes, symphonic poem No.3, S.97 after Lamartine
- 6 Original Version
Disk 18 von 45
Symphony No.9 in E minor, Op.95 "From the New World"
- 1 1. Adagio - Allegro molto (Original Version)
- 2 2. Largo (Original Version)
- 3 3. Scherzo Molto vivace (Original Version)
- 4 4. Allegro con fuoco (Original Version)
The Moldau from Má Vlast
- 5 Original Version
Má Vlast My Country
- 6 4. Z ceskych luhu a haju From Bohemia's Meadows and Forests (Original Version)
Disk 19 von 45
Kleine Abraxas-Suite, 1948
- 1 1. Liebesszene (Original Version)
- 2 2. Tanz der Buhlen und Buhlinnen (Original Version)
- 3 3. Auftritt und Tanz des Faust und der Archisposa (Original Version)
Französische Suite after Rameau, 1949
- 4 1. (Original Version)
- 5 2. (Original Version)
- 6 3. (Original Version)
- 7 4. (Original Version)
- 8 5. (Original Version)
- 9 Capriccio For Orchestra, Op.2
Ballet Variations 1949
- 10 5. Poco Allegretto (Original Version)
- 11 4. Allegro marciale (Original Version)
Symphony 1947
- 12 4. Finale (Original Version)
Suite ueber Schweizerische Volkslieder
- 13 1. Es isch kei sölige Stamme (Original Version)
- 14 2. Im Aargän sind zwei Liebi (Original Version)
- 15 3. Schönster Abestärn (Original Version)
- 16 4. Durs Oberland uf und durs Oberland ab (Original Version)
- 17 5. Üsen Ätti (Original Version)
Disk 20 von 45
Nights in the Gardens of Spain
- 1 1. En el generalife (Original Version)
- 2 2. Danza lejana (Original Version)
- 3 3. En los jardines de la Sierra de Cordoba (Original Version)
Concertino for Piano and Orchestra
- 4 1. Presto leggiero (Original Version)
- 5 2. Lent (Original Version)
- 6 2b. Allegretto/Trio (Original Version)
- 7 3. Rondeau Allegretto (Original Version)
Concertino for Piano & Orchestra
- 8 Allegro molto moderato (Original Version)
- 9 Larghetto sostenuto (Original Version)
- 10 Allegro (Original Version)
10 Bagatelles, Op.5
- 11 for piano and orchestra
Rhapsody On A Theme Of Paganini, Op.43
- 12 Original Version
Disk 21 von 45
Symphony No.1 in D, Op.25 "Classical Symphony"
- 1 1. Allegro (Original Version)
- 2 2. Larghetto (Original Version)
- 3 3. Gavotta Non troppo allegro (Original Version)
- 4 4. Finale Vivace (Original Version)
3. Sinfonie h-Moll, Op. 42 "Ilja Muromez"
- 5 1. Andante sostenuto-Piu mosso-Andante con moto- Allegro risoluto-Tranquillo misterioso- Tempo I-Piu mosso e molto)
- 6 2. Andante-Tranquillo molto-Animando poco a poco- Agitato-allargando-Tempo I-Poco piu mosso 3. Satz Allegro (Symphony)
- 7 3. Allegro (Symphony No.3 In B Minor, Op.42 "Ilja Muromez")
- 8 4. Allegro tumoltuoso-Allegro furioso-Tranquillo-Piu mosso-Giocoso-Maestoso solenne-Poco mosso-Andante-Andante)
Disk 22 von 45
Symphonische Tänze
- 1 1. Langsam - Mässig bewegte ganze Takte (Original Version)
- 2 2. Lebhaft (Original Version)
- 3 3. Sehr langsam (Original Version)
- 4 4. Mässig bewegt, mit Kraft (Original Version)
Symphony No. 4 - string orchestra 1947
- 5 Finale: Adagio appassionato (Original Version)
Symphony no. 6
- 6 1. Adagio - Andante - Appassionato Allegro moderato - Agitato - Largamente - Allegro moderato con fuoco - Adagio)
- 7 2. Presto - Allegro Assai Fuge I- Tempo Ii- Fuge Iii - Coda (Original Version)
Dantons Tod op.6
- 8 Geschwindmarsch in E major (Original Version)
Petite Symphonie Concertante
- 9 1. Adagio - Allegro con moto (Original Version)
- 10 2. Adagio (Original Version)
- 11 3. Allegretto alla marcia (Original Version)
Disk 23 von 45
Symphony No.44 in E Minor, Hob.I:44 -"Mourning"
- 1 1. Allegro con brio (Original Version)
- 2 2. Menuetto Allegretto - Canone in Diapason (Original Version)
- 3 3. Adagio (Original Version)
- 4 4. Finale Presto (Original Version)
Symphony No.95 in C Minor, Hob.I:95
- 5 1. Allegro moderato (Original Version)
- 6 Ferenc Fricsay: 2. Andante (Original Version)
- 7 3. Menuetto (Original Version)
- 8 4. Finale Vivace (Original Version)
Symphony No.98 in B-flat Major, Hob.I:98
- 9 1. Adagio - Allegro (Original Version)
- 10 2. Adagio (Original Version)
- 11 3. Menuetto Allegro (Original Version)
- 12 4. Finale Presto (Original Version)
Disk 24 von 45
Symphony No.48 in C Major, Hob.I:48 -"Maria Theresia"
- 1 1. Allegro (Original Version)
- 2 2. Adagio (Original Version)
- 3 3. Menuet Allegretto (Original Version)
- 4 4. Finale. Allegro (Original Version)
Symphony No.100 in G Major, Hob.I:100 - "Military"
- 5 1. Adagio - Allegro (Original Version)
- 6 2. Allegretto (Original Version)
- 7 3. Menuet Moderato (Original Version)
- 8 4. Finale Presto (Original Version)
Symphony No.101 in D Major, Hob.I:101 - "The Clock"
- 9 1. Adagio - Presto (Original Version)
- 10 2. Andante (Original Version)
- 11 3. Menuet Allegretto - Trio (Original Version)
- 12 4. Finale Vivace (Original Version)
Disk 25 von 45
Háry János Suite
- 1 Prelude; the fairy tale begins (Original Version)
- 2 Viennese musical clock (Original Version)
- 3 Song (Original Version)
- 4 The battle and defeat of Napoleon (Original Version)
- 5 Intermezzo (Original Version)
- 6 Entrance of the emperor and his court (Original Version)
Symphony in C
- 7 1. Allegro (Original Version)
- 8 2. Andante Moderato (Original Version)
- 9 3. Vivo (Original Version)
Disk 26 von 45
Marosszéki táncok Dances of Marosszèk
- 1 Original Version
Dances Of Galanta Galántai táncok
- 2 1. Lento - maestoso (Original Version)
- 3 2. Allegretto moderato (Original Version)
- 4 3. Allegro con moto, grazioso (Original Version)
- 5 4. Allegro (Original Version)
- 6 5. Allegro vivace (Original Version)
Háry János Suite
- 7 Prelude; the fairy tale begins (Original Version)
- 8 Viennese musical clock (Original Version)
- 9 Song (Original Version)
- 10 The battle and defeat of Napoleon (Original Version)
- 11 Intermezzo (Original Version)
- 12 Entrance of the emperor and his court (Original Version)
Disk 27 von 45
Violin Concerto in E minor, Op.64
- 1 1. Allegro molto appassionato (Original Version)
- 2 2. Andante (Original Version)
- 3 3. Allegro non troppo - Allegro molto vivace (Original Version)
Hungarian Rhapsody No.1 in F minor, S.359 No.1 Corresponds with piano version no. 14 in F minor
- 4 Orch. Liszt/Doppler
Hungarian Rhapsody No.2 in D minor, S.359 No.2 Corresponds with piano version no. 2 in C sharp minor
- 5 Arr. Karl Müller-Berghaus
Zigeunerweisen, Op.20
- 6 Original Version
Hejre Kati, Op.32
- 7 Original Version
Disk 28 von 45
Symphony No.29 in A, K.201
- 1 1. Allegro moderato (Original Version)
- 2 2. Andante (Original Version)
- 3 3. Menuetto (Original Version)
- 4 4. Allegro con spirito (Original Version)
Symphony No.39 in E flat, K.543
- 5 1. Adagio - Allegro (Original Version)
- 6 2. Andante con moto (Original Version)
- 7 3. Menuetto Allegretto (Original Version)
- 8 4. Finale Allegro (Original Version)
- 9 Maurerische Trauermusik, K.477
Adagio and Fugue in C minor, K.546
- 10 Adagio and Fugue (Orchestral version)
Disk 29 von 45
Symphony No.40 in G minor, K.550
- 1 1. Molto allegro (Original Version)
- 2 2. Andante (Original Version)
- 3 3. Menuetto Allegretto - Trio (Original Version)
- 4 4. Finale Allegro assai (Original Version)
Symphony No.41 in C, K.551 - "Jupiter"
- 5 1. Allegro vivace (Original Version)
- 6 2. Andante cantabile (Original Version)
- 7 3. Menuetto Allegretto (Original Version)
- 8 4. Molto allegro (Original Version)
Serenade in G, K.525 "Eine kleine Nachtmusik"
- 9 1. Allegro (Original Version)
- 10 2. Romance Andante (Original Version)
- 11 3. Menuetto Allegretto (Original Version)
- 12 4. Rondo Allegro (Original Version)
Disk 30 von 45
Symphony No.29 in A, K.201
- 1 1. Allegro moderato (Original Version)
- 2 2. Andante (Original Version)
- 3 3. Menuetto (Original Version)
- 4 4. Allegro con spirito (Original Version)
Symphony No.35 in D, K.385 "Haffner"
- 5 1. Allegro con spirito (Original Version)
- 6 2. Andante (Original Version)
- 7 3. Menuetto (Original Version)
- 8 4. Finale Presto (Original Version)
Symphony No.41 in C, K.551 - "Jupiter"
- 9 1. Allegro vivace (Original Version)
- 10 2. Andante cantabile (Original Version)
- 11 3. Menuetto Allegretto (Original Version)
- 12 4. Molto allegro (Original Version)
Disk 31 von 45
Clarinet Concerto In A, K.622
- 1 1. Allegro (Original Version)
- 2 2. Adagio (Original Version)
- 3 3. Rondo Allegro (Original Version)
Piano Concerto No.20 in D minor, K.466
- 4 1. Allegro (Original Version)
- 5 2. Romance (Original Version)
- 6 3. Rondo Allegro assai (Original Version)
Concert Rondo for Piano and Orchestra in D. K.382
- 7 Original Version
Rondo for Piano and Orchestra in A, K.386
- 8 Ed. Alfred Einstein
Disk 32 von 45
Piano Concerto No.19 in F, K.459
- 1 1. Allegro - Cadenza: Wolfgang Amadeus Mozart (Cadenzas: W.A. Mozart)
- 2 2. Allegretto (Cadenzas: W.A. Mozart)
- 3 3. Allegro assai - Cadenza: Wolfgang Amadeus Mozart (Cadenzas: W.A. Mozart)
Piano Concerto No.27 in B flat, K.595
- 4 1. Allegro (Original Version)
- 5 2. Larghetto (Original Version)
- 6 3. Allegro (Original Version)
Disk 33 von 45
La Boutique Fantasque
- 1 1. Overture (Original Version)
- 2 4. Tarantella (Original Version)
- 3 5. Mazurka (Original Version)
- 4 7. Cossack Danse (Original Version)
- 5 9. Can-Can (Original Version)
- 6 11. Valse lente (Original Version)
- 7 13. Nocturne (Original Version)
- 8 14. Galop (Original Version)
- 9 15. Finale (Original Version)
Scheherazade, Op.35
- 10 1. Largo e maestoso (Original Version)
- 11 2. Lento (Original Version)
- 12 3. Andantino quasi allegretto (Original Version)
- 13 4. Allegro molto (Original Version)
Disk 34 von 45
Symphony No.8 in B minor, D.759 - "Unfinished"
- 1 1. Allegro moderato (Original Version)
- 2 2. Andante con moto (Original Version)
Symphony No.1 in B flat, Op.38 - "Spring"
- 3 1. Andante un poco maestoso - Allegro molto vivace (Original Version)
- 4 2. Larghetto (Original Version)
- 5 3. Scherzo Molto vivace (Original Version)
- 6 4. Allegro animato e grazioso (Original Version)
Clarinet Concerto No.1 in F minor, Op.73
- 7 1. Allegro (Original Version)
- 8 2. Adagio ma non troppo (Original Version)
- 9 3. Rondo Allegretto (Original Version)
Disk 35 von 45
Die Fledermaus
- 1 Overture (Original Version)
Annen-Polka, Op.117
- 2 Arr. Richard Atzler
Kaiserwalzer, Op.437
- 3 Original Version
Tritsch-Tratsch-Polka, Op.214
- 4 Arr. Fr. Schimak
Radetzky-Marsch, Op.228
- 5 Arr. Ertl
An der schönen blauen Donau, Op.314
- 6 Original Version
- 7 Eljen a Magyar, Op.332
Geschichten aus dem Wienerwald, Op.325
- 8 Original Version
Disk 36 von 45
An der schönen blauen Donau, Op.314
- 1 Original Version
Wiener Blut, Op.354
- 2 Original Version
Perpetuum mobile, Op.257
- 3 Original Version
- 4 Pizzicato Polka (1870)
Die Fledermaus
- 5 Overture (Original Version)
Der Zigeunerbaron, Operetta in 3 Acts (Original Version)
- 6 Overture (Act 1)
Voices of Spring, Op.410 Frühlingsstimmen
- 7 Original Version
Rosen aus dem Süden, Op.388
- 8 Original Version
Morgenblätter, Op.279
- 9 Original Version
Annen-Polka, Op.137
- 10 Original Version
Tritsch-Tratsch-Polka, Op.214
- 11 Original Version
Radetzky-Marsch, Op.228
- 12 Arr. Alfred Pagel 1885-1948
Disk 37 von 45
Don Juan, Op.20
- 1 Original Version
Duet-Concertino for clarinet & bassoon
- 2 1. Allegro moderato (Original Version)
- 3 2. Andante (Original Version)
- 4 3. Rondo (Original Version)
- 5 Burlesque In D Minor For Piano And Orchestra, AV 85
Till Eulenspiegel's Merry Pranks Till Eulenspiegels lustige Streiche, Op. 28
- 6 Original Version
Disk 38 von 45
Le Sacre du Printemps (Revised version for Orchestra published 1947)
- 1 Introduction (Part 1: The Adoration of the Earth)
- 2 The Augurs of Spring: Dances of the Young Girls (Part 1: The Adoration of the Earth)
- 3 Ritual of Abduction (Part 1: The Adoration of the Earth)
- 4 Spring Rounds (Part 1: The Adoration of the Earth)
- 5 Ritual of the Rival Tribes (Part 1: The Adoration of the Earth)
- 6 Procession of the Sage (Part 1: The Adoration of the Earth)
- 7 Adoration of the Earth (Part 1: The Adoration of the Earth)
- 8 Dance of the Earth (Part 1: The Adoration of the Earth)
- 9 Introduction Largo (Part 2: The Sacrifice)
- 10 Mystical Circles of the Young Girls (Part 2: The Sacrifice)
- 11 Glorification of the Chosen Victim (Part 2: The Sacrifice)
- 12 Summoning of the Elders (Part 2: The Sacrifice)
- 13 Ritual of the Elders (Part 2: The Sacrifice)
- 14 Sacrificial Dance The Chosen One (Part 2: The Sacrifice)
Petrouchka (Version 1947)
- 15 The Shrovetide Fair - The Crowds - The Conjuring-trick (Scene 1)
- 16 Russian Dance (Scene 1)
- 17 Petrouchka's Room (Scene 2)
- 18 The Moor's Room - Dance of the Ballerina (Scene 3)
- 19 Waltz The Ballerina and the Moor (Scene 3)
- 20 The Shrovetide Fair Evening (Scene 4)
- 21 Dance of the Wet-nurses (Scene 4)
- 22 Dance of the Peasant and the Bear (Scene 4)
- 23 The Merchant and the Gipsies (Scene 4)
- 24 Dance of the Coachmen and the Grooms (Scene 4)
- 25 The Masqueraders (Scene 4)
Movements for Piano & Orchestra
- 26 1. I (Original Version)
- 27 2. II (Original Version)
- 28 3. Iii (Original Version)
- 29 4. IV (Original Version)
- 30 5. V (Original Version)
Disk 39 von 45
Capriccio for Piano & Orchestra
- 1 1. Presto (Original Version)
- 2 2. Andante Rapsodico (Original Version)
- 3 3. Allegro Capriccioso (Original Version)
Divertimento from "Baiser de la fée"
- 4 1. Sinfonia (Original Version)
- 5 2. Danses suisses (Original Version)
- 6 3. Scherzo (Original Version)
- 7 4. Pas de deux Adagio-Variation-Coda (Original Version)
Invitation to the Dance, Op.65 Aufforderung zum Tanze
- 8 Orchestrated by H. Berlioz 1803-1869
Konzertstück in F minor, Op.79 for Piano and Orchestra
- 9 Original Version
Disk 40 von 45
Symphony No.4 in F minor, Op.36
- 1 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo (Original Version)
- 2 2. Andantino in modo di canzone (Original Version)
- 3 3. Scherzo. Pizzicato ostinato - Allegro (Original Version)
- 4 4. Finale Allegro con fuoco (Original Version)
Swan Lake, Op.20 Suite
- 5 1. Scene - Swan Theme (Original Version)
- 6 2. Valse in A (Original Version)
- 7 3. Danse des petits cygnes (Original Version)
- 8 4. Scene (Original Version)
- 9 5. Danse Hongroise Czardas (Original Version)
The Sleeping Beauty, Op.66 - Suite
- 10 Waltz (Arranged by Leopold Weninger)
Nutcracker Suite, Op.71a
- 11 Waltz of the Flowers (Arranged by Leopold Weninger)
Eugene Onegin, Op.24 (Original Version)
- 12 Waltz (Act 2)
Disk 41 von 45
Symphony No.5 In E Minor, Op.64
- 1 1. Andante - Allegro con anima (Original Version)
- 2 2. Andante cantabile, con alcuna licenza - Moderato con anima (Original Version)
- 3 3. Valse Allegro moderato (Original Version)
- 4 4. Finale Andante maestoso - Allegro vivace (Original Version)
Ouverture solennelle "1812," Op.49
- 5 Orig. score/With cannon courtesy US Military Acad. West Point and bells L. Spelman Rockefeller Carillon/Riverside Church
Eugene Onegin, Op.24 (Original Version)
- 6 Valse (Act 2)
Eugene Onegin, Op.24
- 7 Polonaise (Original Version)
Disk 42 von 45
Symphony No.6 In B Minor, Op.74 -"Pathétique"
- 1 1. Adagio - Allegro non troppo (Original Version)
- 2 2. Allegro con grazia (Original Version)
- 3 3. Allegro molto vivace (Original Version)
- 4 4. Finale Adagio lamentoso - Andante (Original Version)
Violin Concerto in D, Op.35
- 5 1. Allegro moderato (Original Version)
- 6 2. Canzonetta Andante (Original Version)
- 7 3. Finale Allegro vivacissimo (Original Version)
Disk 43 von 45
Serenade for Strings in C, Op.48
- 1 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato (Original Version)
- 2 2. Walzer: Moderato Tempo di valse (Original Version)
- 3 3. Elégie: Larghetto elegiaco (Original Version)
- 4 4. Finale Tema russo: Andante - Allegro con spirito (Original Version)
Symphony No.6 In B Minor, Op.74 -"Pathétique"
- 5 1. Adagio - Allegro non troppo (Original Version)
- 6 2. Allegro con grazia (Original Version)
- 7 3. Allegro molto vivace (Original Version)
- 8 4. Finale Adagio lamentoso - Andante (Original Version)
Disk 44 von 45
Aida (Original Version)
- 1 Danza di piccoli schiavi mori (Act 2)
Aida
- 2 Sacred Dance of the Priestesses (Original Version)
- 3 Ballabile (Original Version)
Otello (Original Version)
- 4 Ballet Music (Act 3)
Nabucco
- 5 Overture (Original Version)
La forza del destino
- 6 Overture Sinfonia (Original Version)
I vespri siciliani
- 7 Overture (Original Version)
La traviata (Original Version)
- 8 Prelude (Act 1)
- 9 Prelude (Act 3)
Aida
- 10 Preludio (Original Version)
- 11 Sacred Dance of the Priestesses (Original Version)
Aida (Original Version)
- 12 Danza di piccoli schiavi mori (Act 2)
Aida
- 13 Ballabile (Original Version)
La Gioconda (Original Version)
- 14 Dance of the Hours (Act 3)
Disk 45 von 45
The Moldau from Má Vlast
- 1 Anfang der Probe (Probe)
- 2 Darf ich jetzt die Streicher haben, Adam (Probe)
- 3 6 Takte vor Berta (Probe)
- 4 Wenn auf die Harfe ein Vibrato gibt (Probe)
- 5 4 vor Caesar (Probe)
- 6 Ich möchte Ihnen vorschlagen (Probe)
- 7 Gehen wir jetzt weiter (Probe)
- 8 Vielleicht machen wir Streich (Probe)
- 9 Heinrich, jetzt spielen wir nämlich alle (Probe)
- 10 Original Version
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