Catherine Bott - Orpheus with his Lute (CD)

Mit Werken von: Jeremiah Clarke (1674-1707) , John Weldon (1676-1736) , John Eccles (1668-1735) , Thomas Chilcot (1700-1766) , Maurice Greene (1696-1755) , Thomas Arne (1710-1778) , Robert Woodcock (1690-1734) , Richard Leveridge (1670-1758) , John Christopher Smith (1712-1795) , Willem de Fesch (1687-1761) , Henry Purcell (1659-1695)

Mitwirkende: Catherine Bott, Rachel Brown, Peter Holman, The Parley of Instruments

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Lieder von Clarke, Weldon, Eccles, Chilcot, Greene, Arne, Woodcock, Leveridge, Smith, Fesch, Purcell

Künstler:: Catherine Bott, Rachel Brown, The Parley of Instruments, Peter Holman
Label:: Hyperion
Aufnahmejahr ca.:: 2003
UPC/EAN:: 0034571174501
Erscheinungstermin:: 17.5.2004

Product-Information:

This fiftieth release in Hyperion’s glorious ‘English Orpheus’ series takes us on a Shakespearean Odyssey through Titus Andronicus, Measure for Measure, Troilus and Cressida, Much Ado about Nothing, Henry VIII, Cymbeline, Love’s Labour’s Lost, A Midsummer Night’s Dream and The Tempest. Pride of place, of course, goes to Thomas Arne’s immortal settings, but the disc additionally explores some remarkable songs by his predecessors and contemporaries.

Rezensionen

'The Parley of Instruments, Rachel Brown, director Peter Holman and the Hyperion recording team all deserve applause' (Gramophone)

'With the programme arranged by play rather than chronology, creating an alluring stylistic variety within its 100-or-so-year span, and excellent sound, music for Shakespeare doesn't come much better than this' (BBC Music Magazine)

'I'm sure that if it wasn't for the pioneering series of recordings named The English Orpheus we would find ourselves less the richer for the discoveries this series has brought to our notions of English musical heritage' (The Organ)

'Programmed with Peter Holman's usual ingenuity and originality' (Goldberg Early Music Magazine)