Ottorino Respighi (1879-1936): Il Tramonto für Gesang & Kammerorchester

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Detailed Information

+Martucci: La Canzone dei Ricordi;Notturno op. 70 Nr. 1

  • Artist: Carol Madalin, English Chamber Orchestra, Alfredo Bonavera
  • Label: Hyperion , DDD, 1987
  • Order number: 3275803
  • Release date: 23.10.2009

La Canzone dei ricordi (1886 / 87) (7 Lieder (Pagliara))

  1. 1 Nr. 1 No ... svaniti non sono i sogni Start
  2. 2 Nr. 2 Cantava'l ruscello la gala canzone Start
  3. 3 Nr. 3 Fior di ginestra, io sono lo scolar Start
  4. 4 Nr. 4 Su'l mar la navicella Start
  5. 5 Nr. 5 Un vago mormorio mi giunge Start
  6. 6 Nr. 6 A'l folto bosco, placida ombria Start
  7. 7 Nr. 7 No ... svaniti non sono i sogni Start
  1. 8 Notturni op. 70 Nr. 1-2 / für Klavier 1891 - für Orchester 1901 Nr. 1 (Ges-dur) Start
  2. 9 Il Tramonto (1914) (für Singstimme(n) und Instrument(e) (Ascoli nach Shelley)) Start

Product Information

Giuseppe Martucci (geboren 1856 in Capua, gestorben 1909 in Neapel) lebte ein kurzes, aber intensives Leben. Er war ein Pianist von internationalem Rang, stark bewundert von Liszt und Rubinstein, sowie ein großartiger Dirigent, Komponist und Rektor des Liceo Musicale di Bologna, wo er auch Kompositionsunterricht gab.

Das ganze Werk ist reine musikalische Poesie, intensive Ausdruckskraft, kristallen und doch farbig in seiner Instrumentierung, harmonisch delikat. Doch ungeachtet, ob die Stimmung nun sanft, nachdenklich, freudevoll oder traurig ist, entfernt sich der kreative Impuls des Komponisten niemals weit von den Fäden des Grundkonzepts. Der Hauptgedanke wird gekonnt entfaltet und formt die Musik bis zu ihrem Abschluss.

Product-Information:


Giuseppe Martucci (born in Capua in 1856, died in Naples in 1909) lived a short but intense life. He was a pianist of international fame, much admired by Liszt and Rubinstein, as well as a great conductor, a composer, and the Dean of the Liceo Musicale di Bologna where he also taught composition.

The whole work is pure musical poetry, intense in its expressiveness, crystalline yet colourful in its instrumentation, and delicate in its harmonies. But whether the mood is tender, contemplative, joyful or sad, the composer’s imagination never strays from the links of the basic conception. The main idea is masterfully unfolded and moulds the music to the very end.

The link between the two vocal works presented here is their obvious craftsmanship and immediate power of captivation. Both are written by masters of the genre; they both offer easy-flowing, yet never banal, melodies, and they both tell of forsaken love—one through betrayal, the other through death.

Rezensionen


'A praiseworthy achievement in every respect … Carol Madalin sings both works beautifully' (Gramophone)

'A glorious work [and] a most lovely record. Recommended with all possible enthusiasm' (The Penguin Guide to Compact Discs)

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