BFI Film Classics

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Melanie Williams: A Taste of Honey, Buch

Melanie Williams
A Taste of Honey

BFI Film Classics

A Taste of Honey (1961) is a landmark in British cinema history. In this book, Melanie Williams explores the many, extraordinary ways in which it was trailblazing. It is the only film of the British New W…

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Robert B. Ray: All the President's Men, Buch

Robert B. Ray
All the President's Men

BFI Film Classics

Alan J. Pakula's political thriller All the President's Men (1976) was met with immediate critical and commercial success upon its release, finishing second at the box office and earning seven Academy Awa…

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Claire Henry: Eraserhead, Buch

Claire Henry
Eraserhead

BFI Film Classics

A surreal and darkly humorous vision, David Lynch's Eraserhead (1977) has been recognised as a cult classic since its breakout success as a midnight movie in the late 1970s. Claire Henry's study of the f…

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Llewella Chapman: From Russia With Love, Buch

Llewella Chapman
From Russia With Love

BFI Film Classics

Often hailed as the 'best' James Bond film, From Russia With Love (1963) is celebrated for its direction by Terence Young, memorable performances from Sean Connery in his second outing as 007, Pedro Armen…

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Michael Newton (Leiden University, Netherlands): It's a Wonderful Life, Buch

Michael Newton
It's a Wonderful Life

BFI Film Classics

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, …

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David Forrest: Kes, Buch

David Forrest
Kes

BFI Film Classics

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel fr…

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Barbara Mennel: Mädchen in Uniform, Buch

Barbara Mennel
Mädchen in Uniform

BFI Film Classics

Leontine Sagan's Mädchen in Uniform (1931) is a groundbreaking German film that defied established societal norms, showcasing the power of women, both behind and in front of the camera. Adapted from Chri…

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Demetrios Matheou (journalist, critic and programmer, UK): Mean Streets, Buch

Demetrios Matheou
Mean Streets

BFI Film Classics

Mean Streets was Martin Scorsese's third feature film, and the one that confirmed him as a major new talent. On its premiere at the New York Film Festival in 1973, the critic Pauline Kael hailed the film …

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Darlene J. Sadlier: Memories of Underdevelopment, Buch

Darlene J. Sadlier
Memories of Underdevelopment

BFI Film Classics

Tomás Gutiérrez Alea's Memories of Underdevelopment (1968) is a classic of Cuban revolutionary culture, and is hailed as a prime example of a radical style of 1960s political filmmaking that became known …

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Eric G. Wilson (Wake Forest University, USA): Point Blank, Buch

Eric G. Wilson
Point Blank

BFI Film Classics

John Boorman's Point Blank (1967) has long been recognised as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting i…

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Kristi Irene McKim (Hendrix College, USA): Rushmore, Buch

Kristi Irene McKim
Rushmore

BFI Film Classics

Earning critical acclaim and commercial success upon its 1998 release, Rushmore-the sophomore film of American auteur Wes Anderson-quickly gained the status of a cult classic. A melancholic coming-of-age …

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Richard Dyer: Seven, Buch

Richard Dyer
Seven

BFI Film Classics

David Fincher's Seven (1995) follows two detectives, David Mills (Brad Pitt) and William Somerset (Morgan Freeman), as they investigate a series of gruesome murders. One of the most acclaimed films of the…

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Dr Brad Prager (University of Missouri, USA): The Deer Hunter, Buch

Dr Brad Prager
The Deer Hunter

BFI Film Classics

Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the hu…

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David Weir: The Leopard (Il Gattopardo), Buch

David Weir
The Leopard (Il Gattopardo)

BFI Film Classics

Luchino Visconti's The Leopard (Il Gattopardo, 1963) tells the story of an aristocratic Sicilian family adjusting to the realities of political and commercial modernity after the unification Italy during …

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Pamela Hutchinson (freelance writer and critic, London, UK): The Red Shoes, Buch

Pamela Hutchinson
The Red Shoes

BFI Film Classics

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave th…

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Kevin Jackson: Withnail and I, Buch

Kevin Jackson
Withnail and I

BFI Film Classics

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison's production company, and drawing heavily on first-time writer-director …

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James S. Williams: Xala, Buch

James S. Williams
Xala

BFI Film Classics

Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new…

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