Inspired by the poetry of Alda Merini and her studies with composer Garret List, Italian violinist-composer Silvia Tarozzi turned to the song form after being involved for many years in contemporary music and free improvisation.
Over the course of nearly a decade, Tarozzi practiced setting the poetry of Alda Merini to music and then replacing it with her own to reflect her own life experiences. As a result, Mi specchio e rifletto is a wondrous combination of baroque folk, avant-garde, and progressive music art-song that feels both poetic and earnestly autobiographical. Echoes of past masterpieces reverberate throughout: the gentle chamber explorations of Penguin Cafe Orchestra, the science fiction of Franco Battiato's 'Fetus', the abstract free jazz flourishes of Maria Monti's 'Il Bestiario', the sweetness of Caterina Casseli's 'Primavera'.
As a solo performer, Tarozzi is a long time collaborator with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, Jürg Frey, Michael Pisaro, Catherine Lamb, Sébastien Roux, and many others. She previously released Philip Corner 'Extreemizms: Early & Late' on Unseen Worlds in 2018.
La Forza Del Canto
La Sostanza Dell'affetto
Mi Specchio E Rifletto
Hai Nella Bocca Un Silenzio
... E Non Volevi Le Ali
Che Cos'è Una Primavera
Parlavi Di Un Bambino
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