Gwenifer Raymond: You Never Were Much Of A Dancer (CD)

Gwenifer Raymond

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Label:: Tompkins Square
Aufnahmejahr ca.:: 2018
UPC/EAN:: 0856225005562
Erscheinungstermin:: 28.6.2018

Album digital in HD (Werbung)

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Product Information

Tompkins Square is very proud to announce the signing of Welsh multi-instrumentalist, Gwenifer Raymond. Hailing from Cardiff and now residing in Brighton, she began playing guitar at the age of eight. Early praise via The Wire, MOJO, and many more. In her own words: "When I was about eight years old a pretty formative thing happened to me ... my mum bought me a tape of Nirvana's Nevermind and what I heard blew my little 8 year old mind. I don't know what it was about that wall of sound that so captured me, but I spent many hours running around the house with headphones on, volume at full blast, and Nevermind on repeat. I spent all my teenage years playing either guitar or drums in various punk and rock outfits around the Welsh valleys, but around that time I was also getting seriously into older stuff, Dylan, The Velvet Underground and the like. I found that a common influence amongst these guys was pre-war delta and country blues, as well as Appalachian music. Eventually I discovered Mississippi John Hurt, Skip James and Roscoe Holcomb, and they became the holy trinity of musicians I so wanted to able to play like. Eventually, I tracked down a blues man in Cardiff who could teach me and it was in studying these guys that I was introduced to John Fahey and the whole American Primitive thing. American Primitive was the first time it had occurred to me that you didn't really need anything more than one solo instrument to fully express yourself, especially when those feelings and moods refuse to be articulated in words, sometimes it's a mystery to yourself what it is you're expressing. I still play in hard rock and punk bands and love to wail and hit my guitar with a complete lack of any subtlety or nuance, but in the end I think that all these things are really part of a circle, feeding back into itself. It's all just a lineup of strange mutations."