Marcia Ball

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Aktueller Preis: EUR 15,99

Versandkosten (United States of America): EUR 19,90

Label:: Alligator
Aufnahmejahr ca.:: 2011
Artikelnummer:: 1146356
UPC/EAN:: 0014551494225
Erscheinungstermin:: 29.3.2011

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Aufgenommen in Austin und Nashville und produziert vom bekannten Songwriter, Musiker und Produzenten Gary Nicholson (Delbert McClinton, Wynonna Judd, T. Graham Brown), zeigt Roadside Attraction Marcia Ball auf einem kreativen Höhepunkt. Marcia Ball schrieb oder co-komponierte jeden Song, etwas was sie vorher noch nie in ihrer 40-jährigen Karriere getan hat. Auf der ganzen CD fügen ihre brillanten Musiker Energie und Schattierungen der Musik bei, die perfekt Marcia’s Klavierspiel, slice-of-life Texte und melodischen, geschichtenerzählenden Gesang ergänzen.

Seit ihrer ersten Veröffentlichung für Alligator im Jahr 2001 mit Presumed Innocent hat Marcia Ball mehr Beifall als je zuvor erhalten. Das 2003 veröffentlichte So Many Rivers setzte diesen Erfolg fort und das 2005 erschienene Live! Down the Road erhielt ebenso beeindruckendes Lob wie Peace, Love & BBQ im Jahr 2008.

Product-Information:

Texas-born, Louisiana-raised pianist / vocalist / songwriter Marcia Ball's new CD, Roadside Attractions, will be released on March 29, 2011. Ball's groove-laden New Orleans R&B, heart-wrenching ballads and driving Gulf Coast blues have made her a one-of-a-kind favorite of music fans all over the world. Her music mixes equal parts simmering soul fervor and rollicking Crescent City piano. Over the course of her 30-year career, Ball's infectious, intelligent and deeply emotional songs have won her a loud and loyal fan base. Roadside Attractions is Ball's fifth release for Alligator, and twelfth overall. Three of her previous four CDs have received Grammy nominations. Ball has also collected seven Blues Music Awards since 2001, including the 2009 "Pinetop Perkins Piano Player Of The Year" award, and was voted "Female Blues Artist Of The Year" and "Most Outstanding Musician--Piano" in the 2009 Living Blues Readers' Poll. Ball was inducted into the Gulf Coast Music Hall of Fame in 2010.

Recording in Austin and in Nashville, and produced by famed songwriter, musician and producer Gary Nicholson (Delbert McClinton, Wynonna Judd, T. Graham Brown), Roadside Attractions finds Marcia Ball at a creative peak. Ball wrote or co-wrote every song -- something she had never done over the course of her forty-year career. Throughout the proceedings, her stellar musicians add power and nuance to the music, perfectly complementing Ball's expert piano playing, slice-of-life lyrics and melodic, storytelling vocals.

Born in Orange, Texas in 1949 to a family whose female members all played piano, Ball grew up in the small town of Vinton, Louisiana, right across the border from Texas. She began taking piano lessons at age five, playing old Tin Pan Alley tunes from her grandmother's collection. From her aunt, Marcia heard more modern and popular music. But it wasn't until she was 13 that Marcia discovered the power of soul music. One day in 1962, she sat amazed while Irma Thomas delivered the most spirited performance the young teenager had ever seen.

In 1970, Ball set out for San Francisco. Her car broke down in Austin, and while waiting for repairs she fell in love with the city and decided to stay. It wasn't long before she was performing in the city's clubs with a progressive country band called Freda And The Firedogs, while beginning to perfect her songwriting skills. It was around this time that she delved deeply into the music of the great New Orleans piano players, especially Professor Longhair. "Once I found out about Professor Longhair," recalls Ball, "I knew I had found my direction."

When the band broke up in 1974, Marcia launched her solo career, signing to Capitol Records and debuting with the country-rock album Circuit Queen in 1978. Discovering and honing her own sound, she released six critically acclaimed titles on the Rounder label during the 1980s and 1990s. Her recordings and performances received glowing reviews in major music publications, and Marcia was featured on leading television and radio programs, including Austin City Limits and NPR's Fresh Air and Piano Jazz.

Since the release of her Alligator debut Presumed Innocent in 2001, Ball has received more popular and critical acclaim than ever before. 2003's So Many Rivers continued the push forward, with Billboard declaring, "Ball is a consummate pro -- a killer pianist, a great singer and songwriter. Powerful. Righteous." 2005's Live! Down The Road received equally impressive praise. The New Orleans Times-Picayune said simply, "Bayou boogie has a queen and her name is Marcia Ball." Billboard said, "Peace, Love & BBQ is a welcome ray of sunshine. This is a potent batch of tunes, highlighted by Ball's keyboard mastery."

Living the life she loves, Marcia has no plans of slowing down anytime soon. "Forty years of roadside attractions and the life of roaming ‘round has never worn thin," she proudly says. "I love it when the wheels start rolling, when the band starts playing, when the crowds start dancing." Now, with Roadside Attractions and a long list of high profile tour dates, Ball will bring her blend of Texas roadhouse boogie and Louisiana swamp blues to fans around the globe. "What's not to love about Marcia Ball?" asked The Austin Chronicle. "Scrumptious, Southern-fried boogies, blues, and ballads with the infectious street beat of New Orleans at the core." Clearly, in whatever city she performs or wherever her songs play, there is no better roadside attraction than the foot-stomping, soul-stirring music of the great Marcia Ball.

Rezensionen

,,Die mittlerweile auch schon mehr als 60 Lenze zählende Stimmungskanone hat alle Titel selbst verfasst. Sie singt beseelt wie je und verlässt sich auf ihre temperamentvolle Boogie-Piano-Präsenz, unternimmt aber auch außergewöhnlich gelungene Ausflüge in gekonnt inszenierte Melancholie ..." (Good Times, 06 / 07.2011)

,,Hier wie anderswo profitiert Balls Musik von Colin Lindens sensiblem Gitarrenspiel, der auch mit dem Slide tolle Akzente setzt. Zu Bass und Drums liefern hier und da ein paar Bläser den Chorus; Thad Scott bläst auch mal ein Saxsolo. Reese Wynans ergänzt bei zwei Songs die Tasten der Frontfrau mit fetter Orgel. Die hat alle Songs geschrieben, einige mit Unterstützung ihres Produzenten Gary Nicholson; und ihre Geschichten vom Leben auf der Straße, in abgewrackten Motels, von bekloppten Typen, über ihren Cajun-Daddy und natürlich die Liebe sind mal wieder das Hinhören wert." (bluesnews, Juli - September 2011)