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    2. Alle Rezensionen von BHU bei jpc.de

    BHU

    Aktiv seit: 13. November 2020
    "Hilfreich"-Bewertungen: 23
    16 Rezensionen
    Il Pirata Il Pirata (CD)
    31.07.2024
    Booklet:
    5 von 5
    Gesamteindruck:
    4 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    4 von 5

    Marina Rebeka take on il Pirata

    Compared to the rec on Opera Rara, this recording has a lot to offer. In the overture and introducione the orchestra sounds rather uneven.
    But.
    The voices of Rebeka and Camareno truly capture the drama. The interplay with Vasallo are great too.
    Il Proscritto (Melodramma tragico in 3 Akten) Il Proscritto (Melodramma tragico in 3 Akten) (CD)
    18.10.2023
    Booklet:
    3 von 5
    Gesamteindruck:
    3 von 5
    Klang:
    2 von 5
    Künstlerische Qualität:
    3 von 5
    Repertoirewert:
    4 von 5

    A new Mercadante opera

    When an opera is not heard before its more difficult to get an impression. But. Rizzi's tempi are a bit too fast, and the singers suffers from a tight conducting. Neither Roberts nor Vargas are particularly suited to Mercadante. The possibility for a expression is always evident, but not used, this hampers most singers.
    Where has the old standard from Opera Rara gone? It's not too meticulously rehearsed in detail, and there are subtilities which should have come forward.
    With the exceptions of some fantastic clarinet solos around the score, I find the recording rather immature and opportunistic. Opera Rara knows better.
    Lelio op. 14b Lelio op. 14b (CD)
    29.01.2023
    Booklet:
    2 von 5
    Gesamteindruck:
    3 von 5
    Klang:
    3 von 5

    Could be done better

    The merit lies in the orchestra which is very precise. The six different part has different textual sources. The poetic lines in Berlioz are well defined played.
    The main drawback here, are the use of a German actor narrator, with the music sung in original French. There is no French singers. The clash between French and German does not suit the music.
    There is noises from the audience.
    Macbeth (Deluxe-Ausgabe mit Blu-ray Audio) Macbeth (Deluxe-Ausgabe mit Blu-ray Audio) (CD)
    18.12.2021
    Booklet:
    4 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    5 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    A Macbeth recording for ever

    The recording is based on the famous Strehler La Scala production from 1975. Even the live prima from 7.dec 1975 are available on Myto.
    The tempi in this recording is drawn out, in which details becomes more audible, i e the Prelude, the sleepwalking scene. Abbado manage to give the witches scenes a sense of diabolic foreboding. Much the same happends in the balletsequence.
    Cappucilli and Verrett is vocaly strong Macbeths. The underlying sense of guilt becomes more and more audible.
    Klavierkonzert Klavierkonzert (CD)
    01.12.2021
    Booklet:
    4 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    An distinguised recording

    This cd with music by Carl Arnold are a greatly interesting. The sextett are perhaps the most interesting feature. Powerful and sensitive playing by Torgersen. The sextett are obviously moulded on composers like Spohr, Berwald in its structure, but very original.
    Cembalokonzerte in f, F, G & h Cembalokonzerte in f, F, G & h (SACD)
    31.08.2021
    Booklet:
    4 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    Terrific playing by Sabine Bauer

    If one love virituosity, this Benda recording are the right choice. Sabine Bauer display a very secure technical versality through the recording, esp. in the F major concert this is evident.
    The intensity is a relief throughout.
    Highly recomended.
    I Cherusci I Cherusci (CD)
    29.07.2021
    Booklet:
    1 von 5
    Gesamteindruck:
    2 von 5
    Klang:
    1 von 5
    Künstlerische Qualität:
    1 von 5
    Repertoirewert:
    1 von 5

    A recording to avoid

    The maindrawback in this recording, is the Concerto de Bassus orchestra. Its not up to an expected standard. The playing are imprecise and uninwolved. The singers sounds tired and without energy.
    My interest was lost four minutes into the recording.
    Nonett nach KV 428 Nonett nach KV 428 (CD)
    08.06.2021
    Booklet:
    4 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    A real Mozart recording

    Mozart always deserves admiration and respect for the musics genuin simplicity. The output in 36 years are enormous.

    Consortium Classicum delivers an interesting contribution. And the happy harmony in Mozart comes to life. All pieces are played with sensitivity.
    Enjoy and listen!
    Cavalleria Rusticana Cavalleria Rusticana (CD)
    11.04.2021
    Booklet:
    3 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    4 von 5

    Intense dramatic Cavalleria Rusticana

    If one is looking for a dramatic performance of Cavalleria Rusticana, this recording is the thing. The steely dramatic voice of Rasa shapes and forms the character of Santuzza.
    At some points the dramatic irony comes too close to reality.
    Emma di Resburgo Emma di Resburgo (CD)
    17.02.2021
    Booklet:
    1 von 5
    Gesamteindruck:
    2 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    1 von 5
    Repertoirewert:
    1 von 5

    Meyerbeer?

    The ensemblework are mostly good, and its audible that the performance are well rehearsed.
    The issue here is Kermes as the heroine. The voice sounds thin, sharp. Does Kermes have a voiceproblem or are the part too big for her?
    The performance does not raise excitement nor a wish for more.
    Its one listening and then forgotten.
    Romilda e Costanza Romilda e Costanza (CD)
    17.02.2021
    Booklet:
    1 von 5
    Gesamteindruck:
    1 von 5
    Klang:
    1 von 5
    Künstlerische Qualität:
    2 von 5
    Repertoirewert:
    5 von 5

    Another awful Meyerbeer/Willbad recording

    Neither singers, choir nor orchestra are up to the level of similar recordings on the Opera Rara label. Its audible almost from the first bar, that the recording are not enough rehearsed. There is little/no disipline anywhere. The interpretation are mostly gone. The cast itself looks good, but the reality are quite different.
    After many years of recordings both the Festival and Naxos should be aware of the fact that bad/under rehearsed/noisy recordings does not sell, nor have any value. To create solid benchmarkrecordings demands lot more.
    And the ethical knowledge reg this should be 100% present.
    Attila Attila (CD)
    15.02.2021
    Booklet:
    1 von 5
    Gesamteindruck:
    3 von 5
    Klang:
    3 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    2 von 5

    Too short

    The recording are basically a great one. But the score used are marred by too many cuts and omissions.
    Mancini sounds insecure in the aria in the prologue, but becomes more secure in the following acts.
    Giulini conducts the music with the style of early Verdi. Due to the cuts many musical highlights are too truncated.
    Nabucco Nabucco (CD)
    07.02.2021
    Booklet:
    3 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    Best Nabucco

    The recording are from 1951, with an audience attending.
    All singers have dramatic voices.
    Perhaps the most memorable moments are the act one finale, abigales long difficult aria from act two and the Donna Chi Sei.
    There is tremendous dramatic power all the way.
    Orfeo ed Euridice (Wiener Fassung 1762) Orfeo ed Euridice (Wiener Fassung 1762) (CD)
    06.01.2021
    Booklet:
    3 von 5
    Gesamteindruck:
    4 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    5 von 5

    An interesting Orfeo.

    Compared to other records, this version of Orfeo with Iestyn Davis have a lot to offer.
    Gluck is played rather lighthanded, so its not so oratorylike as other versions. Once Orfeo/Davis starts to sing, there a journey to acknowledge. One feels pity for the character.
    In the scene with the furies, the struggle is real. And the surprised Orfeo in the Elyseum are beatiful.
    The following duet with Euridice are panic-stricken, and the great Che faro senza Euridice are filled with sorrow.
    The other soloists does a great a job. The version are rather short, 80 minutes. But its great listening.
    Cembalokonzerte C-Dur,F-Dur,G-Dur,A-Dur Cembalokonzerte C-Dur,F-Dur,G-Dur,A-Dur (CD)
    22.11.2020
    Booklet:
    2 von 5
    Gesamteindruck:
    1 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    2 von 5
    Repertoirewert:
    3 von 5

    A strange recording

    This is four cembalo concertos by Platti and one violinconcerto.
    The way the cembalo is played, are the real thing here.
    There is a quartet of instruments accompaning. The result are a thin hoarse sound which not help to make the music flow. There should have been 12 or 16 in the orchestra.
    Norma Norma (CD)
    13.11.2020
    Booklet:
    3 von 5
    Gesamteindruck:
    4 von 5
    Klang:
    5 von 5
    Künstlerische Qualität:
    5 von 5

    The definitive Norma

    This performance Norma was one of the most celebrated performances at La Scala during the 50ths. Callas as Norma are divine, from Casta Diva through the finales, Norma are portraid as a warrior woman and friend.
    Perhaps the strongest moments comes at the end, the In mia man duet are filled with hatred. During the last few minutes of the opera, the orchestra sings on their instruments. A divine moment.
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