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    1. Startseite
    2. Alle Rezensionen von MarkY bei jpc.de

    MarkY

    Aktiv seit: 30. Juli 2015
    "Hilfreich"-Bewertungen: 52
    6 Rezensionen
    Le Fabuleux Voyage Le Fabuleux Voyage (CD)
    10.04.2025

    Not what it seems - consider if it's what you want

    For me, this is the worst box I have ever bought - absolutely horrible. This of course needs explaining, and I wish somebody had posted this warning to save me from making this blunder.

    Since the box was from Alpha Classics with CD titles such as "Gaelic Songs and Dances of the 17th and 18th Centuries", "Constantinople 1453", I assumed - incorrectly - that I was getting early art music from across Europe and Asia. In ither words, 10 CDs along the lines of what Jordi Savall releases on Alia Vox, which I collect and enjoy.

    This is hardly my first Alpha Classics CD. For example - the 20CD box "La Poème Harmonique", which I purchased before this box, can be thoroughly recommended.

    What I was expecting is exactly not what I got. Instead I had 8 "world music" CDs (some with contemporary popular music mixed in). My wife asked "what the heck have you bought?" and "Do we have to listen to this?".

    The other 2 CDs are one of Bach excerpts arranged for a salon that you'll never want to listen to again, and one ("Gaelic Songs and Dances of the 17th and 18th Centuries") that is actually OK, although the Baltimore Consort do this repertory rather better.
    Instrumentenführer II - 1800-1950 (Deluxe-Ausgabe mit Buch) Instrumentenführer II - 1800-1950 (Deluxe-Ausgabe mit Buch) (CD)
    26.03.2025
    Gesamteindruck:
    5 von 5

    Strongly recommended book on musical instruments, with accompanying CDs

    This is actually the second book in the series by Jérôme Lejeune. The first "A Guide to Period Instruments" covers western musical instruments from mediaeval times until the end of the 18th century (see link below). This book takes over where the first book left off, covering the development and invention of musical instruments from 1800 until 1950. Unfortunately, there is no third book.

    The first book has the original French text and pictures on the left page, with the English and German translations facing these on the right page. The second book comes in three different versions - French only (original language), English only, German only. I purchased the English book, JPC apparently only sells the German book.

    Each of the books is accompanied by 8 CDs of 75' - 80' duration with musical excerpts illustrating the (historical) instruments, the instruments fully catalogued. The excerpts are taken from Ricercar's recording catalogue, with many licensed examples from other labels. The CDs can also be listened to as a program.

    The books are organized by instrument group, chronologically within each group. The CDs are organized chronologically and geographically. The descriptions in the book indicate the CD and track, but the CD track list does not indicate the page in the book - for this you have to look up the instrument in the index (and sometimes only the French name is listed in the index).

    For anybody who would like to know something about the development of the instruments such as the violon, or discover unusual instruments such as the Arpeggione (Schubert's sonata) or rarities such as a claviharp, this is the volume for you. Or even better, get both.

    BTW, the author of these two books has also written a series on the history of early music; the layout is similar - trilingual book with 8 illustrative CDs. These too can be strongly recommended.
    Meine Produktempfehlungen
    • Leitfaden durch die historischen Instrumente Leitfaden durch die historischen Instrumente (CD)
    Kapellmeister-Edition - Great German Conductors Kapellmeister-Edition - Great German Conductors (CD)
    11.04.2024
    Booklet:
    2 von 5
    Gesamteindruck:
    4 von 5
    Klang:
    4 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    3 von 5

    Less (variety) would be more (but at the bargain price, who's complaining?)

    Five "Kapellmeister" in Berlin, Dresden and Leipzig with 2 packed CDs each, with mostly shorter works and excerpts, alongside a smattering of major works. Recording quality is excellent for the age, the transfers have been carried out with care, obviously from original materials, The booklet lists the recording year and whether it was live. As a means of introducing the work of Blomstedt, Kegel, Masur, Sanderling and Suitner in the then DDR, the box can be thoroughly recommended.

    Unfortunately booklet details are scant and the essays brief. The very bulky box (12.3cm wide) can't make up its mind as to the order of the 5 CD boxes. The excellent quality of the transfers has been rather compromised by the poor quality of the packaging and accompanying documentation.

    The idea was apparently to package as many lollipops as possible onto 2 CDs, rather the giving us a more comprehensive selection of the important works alluded to in the booklets (e.g. single movements of Beethoven and Bruckner symphonies). For those for whom the other end of the scale - the massive "complete recordings of" is too much (e.g.. "Kurt Masur - The Complete Warner Classics" on 70CDs), this may come over as too little - I found myself thinking I'd been stuffed on hor d'oevre, rather than getting the main course. In that sense, a missed opportunity, one that could have been remedied by having 3-4 CDs per Kapellmeister, using the space to give us the bigger works for which they became famous.

    BTW, for Kurt Masur in Lepizig, the 16 CD box "Kurt Masur - Eurodisc recordings" can be strongly recommended. There is no duplication of material.

    Meister der Dresdner Kirchenmusik Meister der Dresdner Kirchenmusik (CD)
    17.02.2023
    Booklet:
    4 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    5 von 5

    Wonderful - don't miss it

    A low cost release of 10 CDs recorded by Carus between 1999 and 2015, centring on 18th church music from Dresden. Other than Bach's Mass in B minor, here performed in a 1733 version written for Dresden, the Schütz Symphoniae Sacrae III, and perhaps the Zelenka Te Deum a due cori, little of the music from the 5 other composers represented is particularly well known. Yet it is all worth hearing.

    The booklet notes are in German and English and appear to collect the individual essays from the original separate releases. Texts are supplied, but only in the original Latin or German, no translations are provided.
    Sämtliche Symphonien & Fragmente Sämtliche Symphonien & Fragmente (CD)
    20.04.2022
    Booklet:
    5 von 5
    Gesamteindruck:
    5 von 5
    Klang:
    5 von 5
    Künstlerische Qualität:
    5 von 5
    Repertoirewert:
    4 von 5

    Energetic performances on original instruments of the traditional Schubert symphony canon

    Original instrument performances of the standard Schubert symphony cycle are rather rare. The obvious alternatives are the Hanover Band cycle on Nimbus, released 30 years ago, and the Les Musiciens du Louvre cycle on Naïve (NLA). The cycles from the Residentie Orkest The Hague on Challenge Classics and B'rock Orchestra / René Jacobs on Pentatone are not yet complete.

    The English title of the box states Complete Symphonies and Fragments, as does the German title on the JPC web site. The booklet, correctly, omits the word "sämtliche" in the German version. As the owner of the 1984 ASMF / Marriner recording on Philips (NLA), I was unfortunately misled by the description of this new release. The booklet strangely and unnecessarily renumbers the Unfinished as No. 7 and the Great as No. 8.

    This new release contains fragments, with no attempt at completion, of D2A, D2B, D2G, D71C, D74A, D94A, nearly 6 minutes of Symphony 7 and 30" of the incomplete 3rd movement of Symphony 8. The ASMF recording has completions of Symphonies 7 (four movements) and 10 (three movements), 6'30" of the 3rd movement of Symphony 8, as well as the fragments D615 (two movements) and D708 (four movements), again with Brian Newbould's completions. Interestingly, CPO has issued Weingartner's completion of the 7th in the Weingartner edition (999 424-2).

    The performances are often brisk and always boisterous and exciting, the recording transparent and the musicians fully in control of their instruments. Some may be disturbed by a balance that slightly favours wind instruments over strings, but I rather wonder if that is more a result of our being used to the balance of a modern orchestra. I very much enjoyed the set.

    Is it too much to hope that L'Orfeo Barockorchester / Michi Gaigg could record supplementary volumes? The overtures listed in the booklet, but also the "missing" fragments from the Philips box?
    Jascha Horenstein - Reference Recordings Jascha Horenstein - Reference Recordings (CD)
    22.02.2021
    Booklet:
    1 von 5
    Gesamteindruck:
    1 von 5
    Klang:
    1 von 5
    Künstlerische Qualität:
    4 von 5
    Repertoirewert:
    4 von 5

    This is not the way to do it. Very disappointing.

    What seemed like a great way to get to know Horenstein's work / replace my LPs turned into an ever-increasing disappointment. Instead of getting hold of the original recordings, and transferring these with love and care, Profil has apparently just quickly transferred LPs, many of them of poor quality and with highly disturbing scratches, background noise and other damage, and shoved the result into a box without adequate documentation.

    They have not licensing the quality Unicorn recordings Horenstein made ca. 1970 (I unfortunately missed the Scribendum 5 CD release). Instead we get poor transfers of a low quality radio recordings of Mahler's 1st and 3rd (and don't get the 6th).

    This is a far call from what Decca, DG, RCA. Sony and Warner are doing with their artist collections. I will be steering clear of the Profil series, it's not worth the aggravation.
    Ein Kommentar
    Anonym
    10.07.2021

    völlig korrekt - und JPC: überdenke Dein Konzept bez. Bewertungen!

    wie kann man dieser wichtigen Information nur einen "Daumen runter" geben - und das noch ohne Erklärung dafür!
    NATÜRLICH sind diese Profil-VÖs angesichts der wunderbaren originalen Unicorn-LPs und sogar der nicht ganz so gut gelungenen Souvenirs-CDs von Unicorn völlig indiskutabel in der Qualität: Belegt, ohne Differenzierung und Präsenz im Klang - von der Aufmachung ganz zu schweigen. SCRIBENDUM ist da schon besser und momentan die einzige Alternative - oder eben die vergriffenen Sovenir-CDs second hand kaufen.
    WIE GUT das auf CD klingen könnte, kann man an der asiatischen Doppel-SACD von Mahlers 3ter mit Horenstein hören!
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