Richard Strauss: Sämtliche Klavierlieder on 8 CDs
Sämtliche Klavierlieder
Juliane Banse, Michelle Breedt, Markus Eiche, Christian Elsner, Brigitte Fassbaender, Lucian Krasznec, Christiane Libor, Andreas Mattersberger, Martin Mitterrutzner, Anke Vondung, Manuel Walser, Christoph Berner, Burkhard Kehring, Malcolm Martineau, Wolfram Rieger, Nina Schumann
und weitere
8
CDs
CD (Compact Disc)
Conventional CD, playable with all CD players and computer drives, but also with most SACD or multiplayers.
Currently not available.
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- 179 Lieder; 2 Melodramen (Enoch Arden; Das Schloss am Meere)
- Artists:
- Anja-Nina Bahrmann, Juliane Banse, Michelle Breedt, Jeongkon Choi, Markus Eiche, Christian Elsner, Brigitte Fassbaender, Brenden Gunnell, Lucian Krasznec, Christiane Libor, Andreas Mattersberger, Martin Mitterrutzner, Anke Vondung, Manuel Walser, Christoph Berner, Burkhard Kehring, Malcolm Martineau, Wolfram Rieger, Nina Schumann
- Label:
- TwoPianists
- Year of recording ca.:
- 2013
- UPC/EAN:
- 6009801039312
- Release date:
- 9.6.2014
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Deluxe-Ausgabe mit zwei Booklets mit sämtlichen Liedtexten
Ein weiteres groß angelegtes Projekt zum 150. Geburtstag von Richard Strauss ist beim südafrikanischen Label TWO PIANISTS entstanden: Unter der Ägide der Mezzo-Sopranistin und Strauss-Expertin Brigitte Fassbaender und 13 von ihr handverlesenen Sängern und Sängerinnen wurden im vergangenen November mit 179 Liedern und zwei Melodramen sämtliche Strauss-Werke für Gesang und Klavier eingespielt, darunter auch die Weltpremieren “Aus der Kindheit” und “Herbstabend,” TrV226.
Diese als 9-CD-Box erscheinende Edition, die alle Werke in chronologischer Reihenfolge präsentiert, wird an Strauss‘ 150. Geburtstag, dem 11. Juni 2014, veröffentlicht und beim Richard-Strauss-Festival in Garmisch-Patenkirchen feierlich von Frau Fassbaender präsentiert werden.
To celebrate the 150th birthday of Richard Strauss, TwoPianists Records is proud to introduce a new, authoritative, 9-disc set of the complete works for voice and piano by Strauss—a seminal collection that is set to become the reference standard for these vocal masterpieces, not least because of the inclusion of the first ever recordings of two Strauss songs: “Aus der Kindheit” and “Herbstabend,” TrV226.
Under the artistic guidance of renowned mezzo-soprano, Strauss expert and stage director Brigitte Fassbaender, the project brings together 13 singers, handpicked by Fassbaender, to record the 179 extant songs and two melodramas that comprise Strauss’s oeuvre for voice and piano. Praised for their performances on the opera stage and in the concert hall, these German speaking singers, the majority of whom are notable Strauss interpreters, have more than done justice to the varying interpretive styles required by the songs.
Presented in chronological order, the collection makes for a fascinating aural experience and listeners will be intrigued by Strauss’ musical development: from his first song, composed at the age of 6 with his mother’s help in writing in the text, to the final song, “Malven,” composed at the age of 84 during the last year of his life. A further distinguishing factor of the present recording is that every effort has been made to remain true to Strauss’ original intentions, with each song (in its original key) being matched to the correct voice type.
Five distinguished pianists and three solo instrumentalists (violin, horn and trumpet), bring to life the thick orchestral textures of Strauss’ accompaniments, which comprise arguably some of the most fiendishly difficult piano writing in the late-Romantic song literature.
Strauss’ works for voice and piano exhibit the very best qualities that we have come to know from this composer: an innate gift for lyricism, a richness of harmonic colors and unmatched vocal allure. And yet, despite the popularity of a dozen or so of these songs, barely thirty of them, rather surprisingly, are regularly programmed in song recitals. This set therefore provides an invaluable source of authentic performances, captured in pristine sound and matched by scholarly musicianship – a noted contribution to Strauss’s recorded legacy that is sure to attract the attention of listeners, critics, performers and scholars worldwide.
Diese als 9-CD-Box erscheinende Edition, die alle Werke in chronologischer Reihenfolge präsentiert, wird an Strauss‘ 150. Geburtstag, dem 11. Juni 2014, veröffentlicht und beim Richard-Strauss-Festival in Garmisch-Patenkirchen feierlich von Frau Fassbaender präsentiert werden.
Product Information
To celebrate the 150th birthday of Richard Strauss, TwoPianists Records is proud to introduce a new, authoritative, 9-disc set of the complete works for voice and piano by Strauss—a seminal collection that is set to become the reference standard for these vocal masterpieces, not least because of the inclusion of the first ever recordings of two Strauss songs: “Aus der Kindheit” and “Herbstabend,” TrV226.
Under the artistic guidance of renowned mezzo-soprano, Strauss expert and stage director Brigitte Fassbaender, the project brings together 13 singers, handpicked by Fassbaender, to record the 179 extant songs and two melodramas that comprise Strauss’s oeuvre for voice and piano. Praised for their performances on the opera stage and in the concert hall, these German speaking singers, the majority of whom are notable Strauss interpreters, have more than done justice to the varying interpretive styles required by the songs.
Presented in chronological order, the collection makes for a fascinating aural experience and listeners will be intrigued by Strauss’ musical development: from his first song, composed at the age of 6 with his mother’s help in writing in the text, to the final song, “Malven,” composed at the age of 84 during the last year of his life. A further distinguishing factor of the present recording is that every effort has been made to remain true to Strauss’ original intentions, with each song (in its original key) being matched to the correct voice type.
Five distinguished pianists and three solo instrumentalists (violin, horn and trumpet), bring to life the thick orchestral textures of Strauss’ accompaniments, which comprise arguably some of the most fiendishly difficult piano writing in the late-Romantic song literature.
Strauss’ works for voice and piano exhibit the very best qualities that we have come to know from this composer: an innate gift for lyricism, a richness of harmonic colors and unmatched vocal allure. And yet, despite the popularity of a dozen or so of these songs, barely thirty of them, rather surprisingly, are regularly programmed in song recitals. This set therefore provides an invaluable source of authentic performances, captured in pristine sound and matched by scholarly musicianship – a noted contribution to Strauss’s recorded legacy that is sure to attract the attention of listeners, critics, performers and scholars worldwide.
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Tracklisting
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1 Track 1
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2 Track 2
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3 Track 3
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4 Track 4
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5 Track 5
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6 Track 6
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7 Track 7
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8 Track 8
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9 Track 9
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10 Track 10
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11 Track 11
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12 Track 12
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13 Track 13
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14 Track 14
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15 Track 15
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16 Track 16
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17 Track 17
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18 Track 18
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19 Track 19
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20 Track 20
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21 Track 21
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22 Track 22
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23 Track 23
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24 Track 24
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25 Track 25
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26 Track 26
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27 Track 27
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28 Track 28
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29 Track 29
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30 Track 30
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31 Track 31
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32 Track 32
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33 Track 33
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34 Track 34
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35 Track 35
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36 Track 36
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37 Track 37
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38 Track 38
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39 Track 39
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40 Track 40
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41 Track 41
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42 Track 42
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43 Track 43
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44 Track 44
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45 Track 45
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46 Track 46
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47 Track 47
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48 Track 48
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49 Track 49
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50 Track 50
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51 Track 51
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52 Track 52
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53 Track 53
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54 Track 54
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55 Track 55
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56 Track 56
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57 Track 57
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58 Track 58
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59 Track 59
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60 Track 60
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61 Track 61
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62 Track 62
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63 Track 63
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64 Track 64
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65 Track 65
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66 Track 66
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67 Track 67
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68 Track 68
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69 Track 69
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70 Track 70
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71 Track 71
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72 Track 72
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73 Track 73
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74 Track 74
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75 Track 75
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76 Track 76
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77 Track 77
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78 Track 78
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79 Track 79
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80 Track 80
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81 Track 81
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82 Track 82
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83 Track 83
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84 Track 84
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85 Track 85
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86 Track 86
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87 Track 87
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88 Track 88
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89 Track 89
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90 Track 90
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91 Track 91
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92 Track 92
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93 Track 93
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94 Track 94
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95 Track 95
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96 Track 96
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97 Track 97
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98 Track 98
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99 Track 99
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100 Track 100
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101 Track 101
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102 Track 102
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103 Track 103
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104 Track 104
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105 Track 105
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106 Track 106
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107 Track 107
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108 Track 108
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109 Track 109
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110 Track 110
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111 Track 111
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112 Track 112
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113 Track 113
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114 Track 114
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115 Track 115
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116 Track 116
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117 Track 117
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118 Track 118
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119 Track 119
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120 Track 120
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121 Track 121
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122 Track 122
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123 Track 123
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124 Track 124
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125 Track 125
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126 Track 126
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127 Track 127
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128 Track 128
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129 Track 129
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130 Track 130
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131 Track 131
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132 Track 132
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133 Track 133
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134 Track 134
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135 Track 135
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136 Track 136
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137 Track 137
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138 Track 138
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139 Track 139
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140 Track 140
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141 Track 141
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142 Track 142
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143 Track 143
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144 Track 144
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145 Track 145
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146 Track 146
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147 Track 147
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148 Track 148
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149 Track 149
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150 Track 150
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151 Track 151
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152 Track 152
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153 Track 153
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154 Track 154
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155 Track 155
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156 Track 156
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157 Track 157
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158 Track 158
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159 Track 159
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160 Track 160
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161 Track 161
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162 Track 162
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163 Track 163
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164 Track 164
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165 Track 165
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166 Track 166
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167 Track 167
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168 Track 168
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169 Track 169
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170 Track 170
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171 Track 171
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172 Track 172
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173 Track 173
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174 Track 174
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175 Track 175
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176 Track 176
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177 Track 177
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178 Track 178
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179 Track 179
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180 Track 180
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181 Track 181
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182 Track 182
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