Ludwig van Beethoven: Klaviersonaten Nr.8,14,23 on Super Audio CD
Klaviersonaten Nr.8,14,23
The SACD uses a higher digital resolution than the audio CD and also offers the possibility to store multi-channel sound (surround sound). To enjoy the music in high-end quality, a special SACD player is required. Thanks to the hybrid function, most of the products marked "SACD" in our store can also be played on conventional CD players. In this case, however, the sound does not differ from that of a normal CD. In case of deviations, we point this out separately (non-hybrid).
- Sound Format:
- stereo & multichannel (Hybrid)
- Artists:
- Freddy Kempf, Klavier
- Label:
- BIS
- Year of recording ca.:
- 2004
- Item number:
- 1829013
- UPC/EAN:
- 7318599914602
- Release date:
- 3.2.2005
The first disc we released with Freddy Kempf playing Beethoven (BIS-CD-1120) was welcomed with great acclaim all over the world. English reviewers called his interpretations "fresh, vibrant readings presented in a fluent eagerly communicative style‚ (Gramophone) and judged that "Kempf's insight into the character of each of these Olympian masterpieces is astonishing and is allied to formidable virtuosity and musicianship" (Sunday Telegraph). Of course the great thing about Beethoven, as with all great music, is that there are no definitive performances. A performance by a musician with the skills, charisma and musical insights of a Freddy Kempf naturally awakens our appetites. Not because they will, perhaps, tell us more about Beethoven or more about Freddy Kempf, but because, if we are lucky, they will communicate insights into life itself; insights that words cannot convey, that paintings cannot depict, that moving images cannot even approach. Music, in the best instance, communicates at a level that other arts cannot reach. So the best compositions, interpreted by contemporary musicians of the highest calibre, are naturally a mouth-watering prospect. Like this new disc!
Reviews
FonoForum 04/05: "Schon nach den ersten Takten des stürmischen Allegro-di-molto-Hauptsatzes im Kopfsatz der 'Pathetique' war ich wie verzaubert von der ansatzlosen Bravour, dem Furor und der zwingenden Logik, mit der der 27-jährige Londoner diesem Stück die Spontaneität und revolutionäre Frische und Dramatik der ersten Stunde zurückzugeben versteht."Disk 1 von 1 (SACD)
Sonate für Klavier Nr. 8 c-moll op. 13 "Pathétique"
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1 1. Grave - Allegro di molto e con brio
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2 2. Adagio cantabile
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3 3. Rondo: Allegro
Sonate für Klavier Nr. 14 cis-moll op. 27 Nr. 2 "Mondscheinsonate"
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4 1. Adagio sostenuto
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5 2. Allegretto
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6 3. Presto agitato
Sonate für Klavier Nr. 23 f-moll op. 57 "Appassionata"
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7 1. Allegro assai
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8 2. Andante con moto
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9 3. Allegro ma non troppo
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