Leonard Bernstein - The 1953 American Decca Recordings (5 CDs)

Leonard Bernstein - The 1953 American Decca Recordings

New York Stadium Symphony Orchestra, Leonard Bernstein

5 CDs

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

Leonard Bernstein - The 1953 American Decca Recordings, 5 CDs

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Beethoven: Symphonie Nr. 3
+Dvorak: Symphonie Nr. 9 "Aus der neuen Welt"
+Schumann: Symphonie Nr. 2
+Brahms: Symphonie Nr. 4
+Tschaikowsky: Symphonie Nr. 6 "Pathetique"
+"Listening Guide" - Leonard Bernstein erläutert die Werke (in engl. Spr.)

Künstler: New York Stadium Symphony Orchestra, Leonard Bernstein
Label: Decca, ADD, 1953
Erscheinungstermin: 30.3.2018
Serie: Original Masters

Rezensionen

FonoForum 03/05: "Da hat Universal ganz tief in die geheime Schatzkiste des Archivs gegriffen: Die Aufnahmen, die Leonard Bernstein im Sommer 1953 mit den New Yorker Philharmonikern unter ihrem sommerlichen Pseudonym 'Stadium Orchestra' für die amerikanische Decca einspielte, sind hierzulande praktisch unbekannt. Diese Aufnahmen lassen bereits den souveränen Zugriff und die leidenschaftliche Identifikation mit der dargebotenen Musik spüren."

Tracklisting
Details
Mitwirkende

Disk 1 von 5 (CD)

Sinfonie Nr. 3 Es-dur op. 55 "Eroica"

1 Ludwig van Beethoven: 1. Allegro con brio
2 Ludwig van Beethoven: 2. Marcia funebre Adagio assai
3 Ludwig van Beethoven: 3. Scherzo Allegro vivace
4 Ludwig van Beethoven: 4. Finale Allegro molto

Musical Analysis Bernstein on Beethoven?s Symphony No. 3, op. 55, "Eroica"

5 "Simplicity itself..." 1st movement (Original Version)
6 "I always feel this gigantism" 2nd movt. (Original Version)
7 "We have just been examining..." 3rd movt. (Original Version)

Disk 2 von 5 (CD)

Musical Analysis Bernstein on Beethoven?s Symphony No. 3, op. 55, "Eroica"

1 "All that we have said" 4th movt. (Original Version)
2 "The study of the Eroica is a lifetime work, ..." (Original Version)

Sinfonie Nr. 9 e-moll op. 95 "Aus der Neuen Welt"

3 Antonin Dvorak: 1. Adagio - Allegro molto
4 Antonin Dvorak: 2. Largo
5 Antonin Dvorak: 3. Scherzo Molto vivace
6 Antonin Dvorak: 4. Allegro con fuoco

Musical Analysis: Bernstin on Dvorák, Symphony No. 9, op. 95, "From the New World"

7 1. "Does this music sound like the New World to you?" 3rd movt., Trio II; 1st movt. (Original Version)
8 2. "We come now to the second movement, which has a charming melody, ..." 2nd movt. (Original Version)
9 3. "The third movement is a marvel of ingenuity and deftness" 3rd movt. (Original Version)
10 4. "And now the last movement. In general I should say that this is the most Slavic of all" 4th movt. (Original Version)
11 5. "The final claim of those who argue for the New World Symphny as American music, ..." 4th movt., cont. (Original)

Disk 3 von 5 (CD)

Sinfonie Nr. 2 C-dur op. 61

1 Robert Schumann: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
2 Robert Schumann: 2. Scherzo Allegro vivace
3 Robert Schumann: 3. Adagio espresssivo
4 Robert Schumann: 4. Allegro molto vivace

Musical Analysis: Bernstein on Schumann, Symphony No. 2, op. 61

5 1. "Robert Schumann has been dead..." 3rd movement, opening theme (Original Version)
6 2. "To my mind Schumann follows in this tradition" (Original Version)

Sinfonie Nr. 2 C-dur op. 61 (Original Version)

7 Robert Schumann: 1. excerpt: sostenuto assai - un poco piú vivace - Allegro ma non troppo (Musical Analysis)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, op. 61

8 4. "And so we have arrived at the Allegro section..." 1st movt. cont. (Original Version)

Sinfonie Nr. 2 C-dur op. 61 (Original Version)

9 Robert Schumann: 2. excerpt: Scherzo (Musical Analysis)
10 Robert Schumann: 3. excerpt: Adagio espressivo (Musical Analysis)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, op. 61

11 7. "Even in the final movement" 4th movt. (Original Version)

Disk 4 von 5 (CD)

Symphony No. 4 in E minor, Op. 98

1 Johannes Brahms: 1. Allegro non troppo (Original Version)
2 Johannes Brahms: 2. Andante moderato (Original Version)
3 Johannes Brahms: 3. Allegro giocoso - Poco meno presto - Tempo I (Original Version)
4 Johannes Brahms: 4. Allegro energico e passionato - Più allegro (Original Version)

Musical Analysis: Bernstein on Brahms, Symphony No. 4, op. 98, first movement

5 1. "Brahms? Fourth Symphony in E minor is today ..." 4th movt., opening theme (Original Version)
6 2. "Our journey begins without introduction..." (Original Version)
7 3. "Do you see now what a symphonic theme is?" (Original Version)
8 4. "Now, think of it - we have so far only had 44 bars of music" (Original Version)
9 5. "Here is that second theme" (Original Version)
10 6. "This brings us to the development section proper" (Original Version)
11 7. And here we are back home, ready for the rehearing of the exposition, ..." (Original Version)
12 8. "So we arrive at the coda" (Original Version)
13 9. "Well, we have had a microscopic look at symphonic method" (Original Version)

Disk 5 von 5 (CD)

Sinfonie Nr. 6 h-moll op. 74 "Pathétique"

1 Peter Iljitsch Tschaikowsky: 1. Adagio - Allegro non troppo (Original Version)
2 Peter Iljitsch Tschaikowsky: 2. Allegro con grazia (Original Version)
3 Peter Iljitsch Tschaikowsky: 3. Allegro molto vivace (Original Version)
4 Peter Iljitsch Tschaikowsky: 4. Finale Adagio lamentoso - Andante

Musical Analysis: Bernstein on Tchaikovsky, Symphony No. 6, op. 74, "Pathetique"

5 1. "Now there is a melody, a pure orchestral song..." 1st movt. (Original Version)
6 2. "Now the development section erupts..." 1st movt. cont. (Original Version)
7 3. "Now one would think that Tchaikovsky had really exploited the device of scales" 2nd movt (Original Version)
8 4. "Jumping now to the famous third movement, the great March..." 3rd movt. (Original Version)
9 5. "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." 4th movt. (Original)
10 6. "Now I don?t want to give you the impression that scales are the only unifying force in this work" (Original Version)