Fire Burning in Snow - Baroque Music from Latin America 3 (CD)

Mit Werken von: Diego Jose de Salazar (1660-1709) , Juan de Araujo (1646-1712)

Mitwirkende: Jeffrey Skidmore

CD

CD (Compact Disc)

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Anonymous: Hanacpachao cussicuinin
+Juan de Araujo: Dixit Dominus a 3 choros; Silencio; Dime, amor; A, de la region de luces!A, del cielo!; Fuego de amor!; En el muy gran Padre Ignacio; Dios de amor; A, del tiempo!
+Diego Jose de Salazar: Salga el torillo hosquillo!

Künstler:: Ex Cathedra Consort & Baroque Ensemble, Jeffrey Skidmore
Label:: Hyperion
Aufnahmejahr ca.:: 2007
UPC/EAN:: 0034571176000
Erscheinungstermin:: 22.2.2008

Product-Information:

‘For fire burning in snow is the effect of love’. The final line of Juan de Araujo’s Dime, amor gives this recording its title and conjures up the passion and dramatic contrasts which make this disc such a delight. Araujo has been described by many commentators as the greatest Latin American composer of the age, although much of his music is still rarely performed. Little is known about the man (he was a disruptive student in Lima and involved in litigation in La Plata), and there is almost certainly more material to uncover. He was born in Spain in 1648 and emigrated at a young age to South America with his parents. After a period as organist at Lima Cathedral he lived in Panama and Cuzco, where a few of his manuscripts are found, and from 1680 he spent the last thirty-two years of his life as organist at the cathedral of La Plata, now known as the Bolivian judicial capital of Sucre. This disc includes one of his largest pieces, the triple-choir setting in eleven parts of the first great Vesper Psalm Dixit Dominus. This substantial setting is through-composed and vividly captures the dramatic elements in the text with a dazzling display of polychoral techniques. Silencio is a ravishing, double-choir lullaby which makes a complete contrast with the dramatic exchanges in the triple-choir ¡A, del tiempo! and ¡A, de la región de luces!. The fiery ¡Fuego de amor! is written for four choirs. The extraordinary imagination of Araujo in his choice of texts, his sensitivity to word-setting, his melodic, harmonic and textural inventiveness are remarkable, if not breathtaking. Ex Cathedra’s uplifting recordings of Latin American Baroque polyphony are always eagerly awaited, and here they present more great music, hitherto hidden in obscurity but alive with melodic beauty and joy. Performances are infectiously energetic and dazzlingly stylish.

Rezensionen

'Araujo's music is very different: sophisticated and marvellously expressive, and Ex Cathedra makes the most of it. The poetry too is worthy of attention: very enjoyable' (Early Music Review)

'Jeffrey Skidmore and Ex Cathedra of Birmingham have made a hit recently, with their recording of South American music … Another hit which you can't keep out of your mind, released by Hyperion' (Daily Mail)

'The instrumental ensemble is exciting, vital, rhythmically alert … The music of Juan de Araujo … is unquestionably a good find' (Fanfare, USA)

'Jeffrey Skidmore not only has this repertoire thoroughly under his skin, but equally the ability to inspire his splendid forces to communicate his enthusiasm for it with colourful immediacy' (Goldberg)