Classics Explained:Schubert/Forellenquintett

Classics Explained:Schubert/Forellenquintett
2 CDs
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  • Eine Werkeinführung in englischer Sprache mit einem 120-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
  • Künstler: Jando, Toth, Kodaly Quartett
  • Label: Naxos, DDD, 01
  • Bestellnummer: 6207701
  • Erscheinungstermin: 14.10.2002
  • Tracklisting
  • Mitwirkende

Disk 1 von 2

  1. 1 Introduction, origins
  2. 2 Imagery, analogy and the shape of the things to come; the opening flourish
  3. 3 The unusual presence of the double-bass
  4. 4 A palette of tone colours and the emergence of a theme
  5. 5 Trouble getting off the ground, but the key is not in doubt.
  6. 6 Jumping in queue: Schubert takes a lesson from Mozart.
  7. 7 Mozart demonstrates a traditional transition.
  8. 8 Destinarion clarified
  9. 9 Mozart confirms our arrival.
  10. 10 A Schubertian shocker from a later work
  11. 11 Rejoining the "Trout"; with a reminder
  12. 12 The piano joins the strings with yet a third variant of the theme.
  13. 13 A rhythmic motto: The "triplet motif"
  14. 14 We get it here.
  15. 15 We get it there.
  16. 16 We find it everywhere, even in the double-bass.
  17. 17 The strings' answer to the piano's opening flourish
  18. 18 The two-part structure of the "answering motif"...
  19. 19 ... but scarcerely ever the same way twice
  20. 20 The piano and strings now share the material for the first time.
  21. 21 Conversation as the first principle of chamber music
  22. 22 Opening (indrocutory) section heard complete
  23. 23 The violin and double-bass in partnership
  24. 24 The violin and piano swap roles.
  25. 25 Transition to second main theme; triplets now everywhere
  26. 26 On the threshold of the new theme
  27. 27 Second main theme (a "love duet"), shared by cello and viola
  28. 28 The abandonment of octaves in the piano changes the tone colour.
  29. 29 A surprising change of tone and a premonition
  30. 30 A return to lyricism, but the cello jumps the gun
  31. 31 A buoyant, skipping new theme is given to the solo piano.
  32. 32 Re-entry of the strings as the violin takes up the new theme
  33. 33 A transitional theme, and another Schubertian key-jump
  34. 34 We sense the imminent arrival of the closing theme.
  35. 35 A sudden, hushed key-change introduces part two of the closing theme.
  36. 36 The exposition comes to an end.
  37. 37 Cue to complete exposition
  38. 38 Music: Exposition complete
  39. 39 Introduction to the development; the genetic code of "key"
  40. 40 The contrasting aural properties of piano and violin
  41. 41 The ponderous double-bass is deatured in the first main theme
  42. 42 The strings are liberated from servitude, but are a long way from home.
  43. 43 A joyful conversation and a change of pace in the piano
  44. 44 The piano takes the melodic lead again.
  45. 45 A conversation between violin and piano leads to the exposition
  46. 46 ... But Schubert gets it "wrong".
  47. 47 Music: First movement (Complete)
  48. 48 Introduction to second movement
  49. 49 The violin now takes theme one.
  50. 50 The piano regains the theme.
  51. 51 The violin and piano round off first section with the new "closing" theme.
  52. 52 A major change of tone: A passing cloud and a dark new key
  53. 53 The piano abandons its octaves, but not its triplets, in the new "Hungarian" theme.
  54. 54 The Sun returns with a new theme, in two contrasting parts.
  55. 55 An evaporating dialogue between violin and piano
  56. 56 A major mood change as twilight falls
  57. 57 Cue to whole movement
  58. 58 Music: Second movement (Complete)

Disk 2 von 2

  1. 1 Introduction to the Scherzo - and a clear four-bar phrase...
  2. 2 ... "Answered" by two two-bar phrases
  3. 3 A disconcerting "echo"
  4. 4 Expectation, frustration and surprise
  5. 5 The phrase lenght expands from nine to fourteen bars
  6. 6 The beginning of the second half...
  7. 7 ... Or should it go from g minor to D major?
  8. 8 Doubts are sown as the tonality becomes elusive.
  9. 9 A varied reprise of part one, and the end of the Scherzo proper
  10. 10 A conversational start to the Trio section
  11. 11 Another Schubertian phrase extension
  12. 12 Two overlapping phrases add up to a single theme.
  13. 13 The piano adds a third phrase to the overlap.
  14. 14 The overlaps continue as the key drifts downwards.
  15. 15 Another Schubertian key-jump, now to B flat
  16. 16 A dramatic transformation of mood
  17. 17 Awakening from a dream: The main theme's return
  18. 18 Cue to complete Scherzo
  19. 19 Music: Third movement (Complete)
  20. 20 Enter the trout, at last; a meeting with the original
  21. 21 Music: "Die Forelle"
  22. 22 Back to the Quintet: The strings, headed by the violin, introduce the theme.
  23. 23 The first variation
  24. 24 The second variation
  25. 25 The third variation
  26. 26 The fourth variation, part one
  27. 27 The fourth variation, part two
  28. 28 The fifth variation
  29. 29 The final variation, part one: Violin and piano alone introduce the theme.
  30. 30 The final variation, part two: The cello takes the tune.
  31. 31 The final variation, part three: Piano and violin return as a duo...
  32. 32 The final variation, part four: ... As do the viola and cello.
  33. 33 The final variation, part five: The entire ensemble is reunited.
  34. 34 Music: Fourth movement (Complete)
  35. 35 Introduction to the finale: Schubert as wizard of repetition
  36. 36 Easily overlooked: The accompaniment from cello and double-bass
  37. 37 Contrasts of timbre and register
  38. 38 A repetition, and yet not a repetition
  39. 39 A journey begun; the phenomenon of musical gravity
  40. 40 The journey completed
  41. 41 The source of musical gravity
  42. 42 Music: Saint-Saëns - The Carnival of the Animals "The Pianists"
  43. 43 A scale of shifting tensions
  44. 44 Music: Beethoven, Symphony No. 1 (Finale)
  45. 45 Back to Schubert
  46. 46 The piano embellishes a scalewise descent.
  47. 47 A retrospective moment
  48. 48 Repetition more apparent than real
  49. 49 A taste of phrase rhythm
  50. 50 Shifting patterns of accentuation
  51. 51 The section reviewed
  52. 52 An increasingly sophisticated texture as parts interact
  53. 53 More phrase rhythm
  54. 54 A repetition from the strings...
  55. 55 ... And an answer from the piano
  56. 56 In transition to the secondary key
  57. 57 The origin of the second theme
  58. 58 The second main theme
  59. 59 The closing section begins, with a question answered.
  60. 60 The question repeated, a slightly different answer
  61. 61 First theme of closing section reviewed
  62. 62 Remembrance of things past
  63. 63 The piano and strings argue over the harmony.
  64. 64 Emergence of the final theme
  65. 65 An unecpected thunderstorm
  66. 66 The sound of silence
  67. 67 Cue to complete finale
  68. 68 Music: Finale (Complete)