Detailinformationen

Eine Werkeinführung in englischer Sprache mit einem 94-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
  • Künstler: Jando, BRTN Philharmonic Orchestra Brussels, Rahbari
  • Label: Naxos, DDD, 92
  • Bestellnummer: 3665525
  • Erscheinungstermin: 30.4.2001
  • Tracklisting
  • Mitwirkende

Disk 1 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Brahms: Introduction; Opening Horn Call And Piano's Answer
  2. 2 Jeremy Siepmann: An Introduction To # Brahms: Rising Three-Note Scalewise Pattern
  3. 3 Jeremy Siepmann: An Introduction To # Brahms: Quicker, Descending Six-Note 'answer'
  4. 4 Jeremy Siepmann: An Introduction To # Brahms: Second, Answering Phrase
  5. 5 Jeremy Siepmann: An Introduction To # Brahms: First Main Theme Completed By Orchestra
  6. 6 Jeremy Siepmann: An Introduction To # Brahms: Peace Shattered As Piano Bursts Back In Like A Tiger
  7. 7 Jeremy Siepmann: An Introduction To # Brahms: Variant Of Opening Horn Call In Bass
  8. 8 Jeremy Siepmann: An Introduction To # Brahms: Orchestra Returns; Beginning Of Exposition Proper
  9. 9 Jeremy Siepmann: An Introduction To # Brahms: Big, 'singing' Theme In Orchestra; Piano 'forgotten'
  10. 10 Jeremy Siepmann: An Introduction To # Brahms: Call To Arms By Strings; Marshalling Of Orchestral Forces
  11. 11 Jeremy Siepmann: An Introduction To # Brahms: Piano Re-Enters Fry With Massive Expansion Of Opening Figure
  12. 12 Jeremy Siepmann: An Introduction To # Brahms: Piano 'explores' Two Main Facets Of Opening Theme
  13. 13 Jeremy Siepmann: An Introduction To # Brahms: Transition. Sense Of Key Weakened. Piano And Orchestra Come Together
  14. 14 Jeremy Siepmann: An Introduction To # Brahms: Piano And Orchestra 'argue' Over Speed Of Thematic Three-Note Rise
  15. 15 Jeremy Siepmann: An Introduction To # Brahms: Piano And Orchestra In Friendly Dialogue Before Piano Falls Away
  16. 16 Jeremy Siepmann: An Introduction To # Brahms: 'winged' Harmonic Shadow Of Pure Pianistic Tone-Colour
  17. 17 Jeremy Siepmann: An Introduction To # Brahms: New 'transitional' Theme From Orchestra Developed By Piano
  18. 18 Jeremy Siepmann: An Introduction To # Brahms: After Indecision And Discussion, The Mood Suddenly Turns Playful
  19. 19 Jeremy Siepmann: An Introduction To # Brahms: Reminder Of Second Main Theme In Its Original Form
  20. 20 Jeremy Siepmann: An Introduction To # Brahms: Ttransfomation Of Second Main Theme By Piano
  21. 21 Jeremy Siepmann: An Introduction To # Brahms: Piano Hijacks Orchestra's 'call To Arms'
  22. 22 Jeremy Siepmann: An Introduction To # Brahms: Piano And Orchestra, Now Allies, Explore Theme, But With Piano Leading
  23. 23 Jeremy Siepmann: An Introduction To # Brahms: Dramatic Eruption Of Orchestra Leads To The Development Section
  24. 24 Jeremy Siepmann: An Introduction To # Brahms: Pianistic 'tiger' Replaced By Gentle Reflective, Soft-Spoken Poet
  25. 25 Jeremy Siepmann: An Introduction To # Brahms: Transformed 'tiger' Theme Amicably Shared By Piano And Orchestra
  26. 26 Jeremy Siepmann: An Introduction To # Brahms: An Apparently New Theme - But Battlle Hymn Of The Republic?
  27. 27 Jeremy Siepmann: An Introduction To # Brahms: Brief, Downward-Driving Section Prepares For The Recapitulation
  28. 28 Jeremy Siepmann: An Introduction To # Brahms: On The Threshold Of The Recapitulation
  29. 29 Jeremy Siepmann: An Introduction To # Brahms: Recapitulation: The Magical Return
  30. 30 Jeremy Siepmann: An Introduction To # Brahms: From Gate-Crashing Tiger To Celestial Tenderness - And A Surprise
  31. 31 Jeremy Siepmann: An Introduction To # Brahms: And Unexpected And Portentus Change Of Mood, Suggesting Tragedy
  32. 32 Jeremy Siepmann: An Introduction To # Brahms: Summation
  33. 33 Jeremy Siepmann: An Introduction To # Brahms: First Movement (Complete)
  34. 34 Jeremy Siepmann: An Introduction To # Brahms: Second Movement: The Upward-Driving Opening Gambit, Piano Alone
  35. 35 Jeremy Siepmann: An Introduction To # Brahms: Downward-Driving Answer From Lower Strings
  36. 36 Jeremy Siepmann: An Introduction To # Brahms: Theme Vs Melody
  37. 37 Jeremy Siepmann: An Introduction To # Brahms: Eerie, Unharmonised, 'white' Sound Of Second Theme
  38. 38 Jeremy Siepmann: An Introduction To # Brahms: Second Theme Taken Up And Developed By Piano
  39. 39 Jeremy Siepmann: An Introduction To # Brahms: Expectation And Surprise; Harmonic Fluidity And Intensifying Drama
  40. 40 Jeremy Siepmann: An Introduction To # Brahms: Return (And Transformation) Of Theme Two
  41. 41 Jeremy Siepmann: An Introduction To # Brahms: Theme One Returns In Orchestra; Theme Three Emerges In Major Mode
  42. 42 Jeremy Siepmann: An Introduction To # Brahms: Sequence Of Fragmentary Episodes Begins With Unexpected Fanfare
  43. 43 Jeremy Siepmann: An Introduction To # Brahms: Variant Of Theme Three In Piano
  44. 44 Jeremy Siepmann: An Introduction To # Brahms: Rescored Variant Of 'fanfare' Theme; From Grandeur To Solemnity
  45. 45 Jeremy Siepmann: An Introduction To # Brahms: Rhapsodic Variant Of Fanfare, This Time For Piano Alone
  46. 46 Jeremy Siepmann: An Introduction To # Brahms: Recapitulation Of Opening, With Piano And Orchestra Reversing Roles
  47. 47 Jeremy Siepmann: An Introduction To # Brahms: Theme Two Transformed By New Instrumentation
  48. 48 Jeremy Siepmann: An Introduction To # Brahms: Cue And Second Movement (Complete)

Disk 2 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Brahms: Introduction, Cue And First Main Theme
  2. 2 Jeremy Siepmann: An Introduction To # Brahms: Theme One Taken Up By Strings And Solo Oboe; Piano's Entry
  3. 3 Jeremy Siepmann: An Introduction To # Brahms: Complex Variant Of Theme One With Very Different Speed And Rhythm
  4. 4 Jeremy Siepmann: An Introduction To # Brahms: Orchestra And Piano In Mixed Variants Of Theme One, Now Intensified
  5. 5 Jeremy Siepmann: An Introduction To # Brahms: Theme Two, Hushed And 'tuneless', With Piano, Clarinets And Strings
  6. 6 Jeremy Siepmann: An Introduction To # Brahms: Oboe Theme Returns, Now Delicately Embroidered By The Piano
  7. 7 Jeremy Siepmann: An Introduction To # Brahms: Cue And Third Movement (Complete)
  8. 8 Jeremy Siepmann: An Introduction To # Brahms: Finale: Introduction, Cue And Main Theme
  9. 9 Jeremy Siepmann: An Introduction To # Brahms: Violins Take Up Tune, With Winds And Piano Accompanying
  10. 10 Jeremy Siepmann: An Introduction To # Brahms: Piano Introduces Part 2 Of The Main Theme
  11. 11 Jeremy Siepmann: An Introduction To # Brahms: Part 3 Of The Theme, Led By Piano, In 'fiercely' Self-Confident Mood
  12. 12 Jeremy Siepmann: An Introduction To # Brahms: First Episode, Part 1
  13. 13 Jeremy Siepmann: An Introduction To # Brahms: First Episode, Part 2
  14. 14 Jeremy Siepmann: An Introduction To # Brahms: Piano Hands Theme Over To Clarinets And Bassoons
  15. 15 Jeremy Siepmann: An Introduction To # Brahms: First Episode, Part 3, In Piano, First; Then Flutes And Oboes
  16. 16 Jeremy Siepmann: An Introduction To # Brahms: Strings And Flutes Take Theme, With Bubbling Commentary From Piano
  17. 17 Jeremy Siepmann: An Introduction To # Brahms: Tipsy Dancers (Piano And Winds) Return, Tiring; Strings Take Over
  18. 18 Jeremy Siepmann: An Introduction To # Brahms: In The Central Episode, The Orchestra Throws Down A Dramatic Challenge
  19. 19 Jeremy Siepmann: An Introduction To # Brahms: ... To Which The Piano Duly Responds With A Stormy Outburst
  20. 20 Jeremy Siepmann: An Introduction To # Brahms: Piano Kick-Starts Run-Up To Final Section In A Variant Of The Main Theme
  21. 21 Jeremy Siepmann: An Introduction To # Brahms: Orchestra Sets Off On Jaunty March, Later Joined By The Piano
  22. 22 Jeremy Siepmann: An Introduction To # Brahms: Piano Propels Orchestra Into Final Section
  23. 23 Jeremy Siepmann: An Introduction To # Brahms: Summation And Cue To The Movement As A Whole
  24. 24 Jeremy Siepmann: An Introduction To # Brahms: Finale (Complete)

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