Detailinformationen

Eine Werkeinführung in englischer Sprache mit einem 94-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
  • Künstler: Jando, BRTN Philharmonic Orchestra Brussels, Rahbari
  • Label: Naxos, DDD, 92
  • Bestellnummer: 6440538
  • Erscheinungstermin: 29.4.2002
  • Tracklisting
  • Mitwirkende

Disk 1 von 2

  1. 1 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: On Beethove
  2. 2 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Opening phr
  3. 3 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Musical Aco
  4. 4 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The 'questi
  5. 5 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: ...and answ
  6. 6 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The opening
  7. 7 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Starting wi
  8. 8 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The rhythmi
  9. 9 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase One,
  10. 10 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase One,
  11. 11 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The propert
  12. 12 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase Two:
  13. 13 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings
  14. 14 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Repetition
  15. 15 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: From soft t
  16. 16 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Mega-repeti
  17. 17 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: But no two
  18. 18 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: More variat
  19. 19 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Return to o
  20. 20 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Clarinets,
  21. 21 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: 'New' insis
  22. 22 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: With the da
  23. 23 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: First violi
  24. 24 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Sudden chan
  25. 25 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Arrival at
  26. 26 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Unusual pro
  27. 27 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Rhythmic cl
  28. 28 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: winds fall
  29. 29 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Winds answe
  30. 30 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Crescendo l
  31. 31 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Beginning o
  32. 32 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Strings rei
  33. 33 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A simple, r
  34. 34 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The nature
  35. 35 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The nature
  36. 36 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A typically
  37. 37 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Repetitious
  38. 38 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Then come f
  39. 39 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Even greate
  40. 40 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Entire Deve
  41. 41 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The Develop
  42. 42 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Increased u
  43. 43 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Arrival at
  44. 44 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Beginning o
  45. 45 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: More Beetho
  46. 46 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Harmonic rh
  47. 47 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Prevailing
  48. 48 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Violins and
  49. 49 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A hush fall
  50. 50 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Clarinet ta
  51. 51 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: First violi
  52. 52 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Beethoven s
  53. 53 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: First movem
  54. 54 Jeremy Siepmann: Second Movement: Scene by the Brook: General introduction; the birth of a melody
  55. 55 Jeremy Siepmann: Second Movement: Scene by the Brook: Brook music quickens; syncopated horns; theme changes hands; evocation of birdsong
  56. 56 Jeremy Siepmann: Second Movement: Scene by the Brook: The 'motto' theme introduced by violins and treated to round-like overlappings
  57. 57 Jeremy Siepmann: Second Movement: Scene by the Brook: Transitional 'bridge' theme sets off for new key group. But is it? And does it?
  58. 58 Jeremy Siepmann: Second Movement: Scene by the Brook: Will he, or won't he? Beethoven keeps us guessing
  59. 59 Jeremy Siepmann: Second Movement: Scene by the Brook: The run-up to the Second Group
  60. 60 Jeremy Siepmann: Second Movement: Scene by the Brook: Arrival at the Second Group; but where is the actual Second Subject?
  61. 61 Jeremy Siepmann: Second Movement: Scene by the Brook: A new tune is introduced by the bassoon
  62. 62 Jeremy Siepmann: Second Movement: Scene by the Brook: Tune is repeated three times
  63. 63 Jeremy Siepmann: Second Movement: Scene by the Brook: ...which the full orchestra now takes up in varied form
  64. 64 Jeremy Siepmann: Second Movement: Scene by the Brook: Theme carried by flutes and first violins in a charmingly waltz-like development
  65. 65 Jeremy Siepmann: Second Movement: Scene by the Brook: A reminder of precedent
  66. 66 Jeremy Siepmann: Second Movement: Scene by the Brook: Back to the prevailing triple-metre with violins, bassoons and flutes
  67. 67 Jeremy Siepmann: Second Movement: Scene by the Brook: Another reminder of precedent...
  68. 68 Jeremy Siepmann: Second Movement: Scene by the Brook: ...and a cue to some unexpected departures
  69. 69 Jeremy Siepmann: Second Movement: Scene by the Brook: The transformational magic of Beethoven's 'tone-painting' - and a new varation
  70. 70 Jeremy Siepmann: Second Movement: Scene by the Brook: Conversation of clarinet, flute and oboe on the way to the Development
  71. 71 Jeremy Siepmann: Second Movement: Scene by the Brook: Harmonic movement emphasised by violins; oboe takes up the First Subject
  72. 72 Jeremy Siepmann: Second Movement: Scene by the Brook: Flute and oboe discuss the First Subject, before arriving together at the Transitio
  73. 73 Jeremy Siepmann: Second Movement: Scene by the Brook: Gains in volume and intensity lead to a new key-change
  74. 74 Jeremy Siepmann: Second Movement: Scene by the Brook: More thematic transformation through the agency of tone-colour
  75. 75 Jeremy Siepmann: Second Movement: Scene by the Brook: Harmonic fluideity - instability - as the central engine of the Development section
  76. 76 Jeremy Siepmann: Second Movement: Scene by the Brook: Harmonic instability, thematic dissolution increase, then lessen with approach of R
  77. 77 Jeremy Siepmann: Second Movement: Scene by the Brook: Recap. and transformation: key and material are right, but what a change of present
  78. 78 Jeremy Siepmann: Second Movement: Scene by the Brook: Just when we know what's coming, Beethoven changes the rules (or at least the harmo
  79. 79 Jeremy Siepmann: Second Movement: Scene by the Brook: Transformation by reorchestration; switch to long sustained chords; then everything
  80. 80 Jeremy Siepmann: Second Movement: Scene by the Brook: The silence is broken by voices of nightingale (flute), quail (oboe) and cuckoo (cl
  81. 81 Jeremy Siepmann: Second Movement: Scene by the Brook: First violins bring back motto theme
  82. 82 Jeremy Siepmann: Second Movement: Scene by the Brook: Cue to complete movement on CD 2

Disk 2 von 2

  1. 1 Jeremy Siepmann: Second movement (complete)
  2. 2 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Beethoven And The Scherzo: An Intro
  3. 3 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Immediate Response; Part One Is Ans
  4. 4 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Entire Orchestra Gives Out Opening
  5. 5 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: A Mustical Ball Game. The Contrast
  6. 6 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: After Quietly Teasing Suspense, Bee
  7. 7 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Clarinet Joins In, Then Horn Takes
  8. 8 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Strings Sweep The Village Musicians
  9. 9 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: The Air Is Alive With The Sound Of
  10. 10 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Coda; Begins As The Movement Itself
  11. 11 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Original Layout Compressed; Order O
  12. 12 Jeremy Siepmann: Symphony No. 6 In F Major, Op. 68, "pastoral": Iii. Merry Gathering Of Country Folk: Third Movement (Complete)
  13. 13 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Unparalled portrait of nature's power over humanity, wi
  14. 14 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Self-generating form and terror of total unpredictabili
  15. 15 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: The 'lashing rain' motif - downward-driving arpeggios f
  16. 16 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: The 'lightning' motif, and its recurrnece later in the
  17. 17 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: 'Rain' motif, derived from descending scale pattern fro
  18. 18 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Shivering tremolandos from the strings and increasingly
  19. 19 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Steady crescendo in strings; terrifying, downward spell
  20. 20 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Extremes of dynamic contrasts; the unsettling, disturbi
  21. 21 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Abandonment of melody, and most traces even of rhythm;
  22. 22 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Storm dispersed, the sun reappears, bathing sodden eart
  23. 23 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Cue to complete preformance of Fourth Movement
  24. 24 Jeremy Siepmann: Symphony No. 6 in F major, Op. 68, "Pastoral": IV. Thunderstorm: Fourth movement (complete)
  25. 25 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: 'Yodelling' figure from clarinet, then ho
  26. 26 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Details of instrumental magic in the inte
  27. 27 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Main theme heard three times in a row - a
  28. 28 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Now we get the whole orchestra, playing f
  29. 29 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Transition to the next section, based on
  30. 30 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: The rhythmic basis of new transition them
  31. 31 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Another rhythmic details of extended tran
  32. 32 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: ...and is then heard in expanded version,
  33. 33 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: New phrase, introduced by violins, brings
  34. 34 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Main theme, re-orchestrated; unexpected d
  35. 35 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Hints of a return to main theme; long 'pe
  36. 36 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Main theme returns, but significantly alt
  37. 37 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Running commentary now heard in the middl
  38. 38 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Part Three of main theme given to entire
  39. 39 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Extended coda; overlapping variations of
  40. 40 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Suddenly the scene changes. A variation o
  41. 41 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: The crowning glory, as the Shepherd's Son
  42. 42 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Cue into complete performance of Fifth Mo
  43. 43 Jeremy Siepmann: Fifth Movement: Shepherd's Song - Happy and Thankful Feelings After the Storm: Fourth and Fifth movements (complete)

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