Classics Explained:Bach,Brandenburgische Konzerte

Classics Explained:Bach,Brandenburgische Konzerte
2 CDs
CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

Bewertung:
lieferbar innerhalb 1-2 Wochen
(soweit verfügbar beim Lieferanten)
-11%
EUR 16,99**
EUR 14,99*

Der Artikel Classics Explained:Bach,Brandenburgische Konzerte wurde in den Warenkorb gelegt.

Ihr Warenkorb enthält nun 1 Artikel im Wert von EUR 14,99.

Zum Warenkorb Weiter einkaufen
  • Eine Werkeinführung in englischer Sprache mit einem 94-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
  • Künstler: Jando, BRTN Philharmonic Orchestra Brussels, Rahbari
  • Label: Naxos, DDD, 92
  • Bestellnummer: 6440529
  • Erscheinungstermin: 6.5.2002
  • Tracklisting
  • Mitwirkende

Disk 1 von 2

  1. 1 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi
  2. 2 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Introduction: Melody, Theme and Motif; Bach's opening gambit
  3. 3 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 and its function
  4. 4 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: The two elements of Motif No. 2 and the effect of their combination
  5. 5 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar
  6. 6 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3, introduced by the two recorders, has a kind of 'hovering'
  7. 7 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, 'directed' listen
  8. 8 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Bach reminds us of the opening
  9. 9 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 4 - a steadily rising derivative of Motif No. 1
  10. 10 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, a lovely, bouncy, syncopated flourish, in which all the i
  11. 11 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Opening Ritornello (complete)
  12. 12 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of al
  13. 13 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by
  14. 14 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, a varied repeat of Ritornello 1, arrives after much harm
  15. 15 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the 'fanfare' motif from which its firs
  16. 16 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin
  17. 17 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement
  18. 18 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists
  19. 19 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlie
  20. 20 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'mo
  21. 21 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provide
  22. 22 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Return to Ritornello 4 to hear sources of Episode 4, Part 2
  23. 23 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchang
  24. 24 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Return to opening Ritornello in order to enhance awareness of the cont
  25. 25 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5, beginning
  26. 26 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of
  27. 27 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement
  28. 28 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - First Movement: First Movement (complete)
  29. 29 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement
  30. 30 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The melody not much to write home about; nor is the meek 'answer' off
  31. 31 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Putting the two together, thereby establishing a relationship
  32. 32 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Contrast and syncopation - their relationship in opening section
  33. 33 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Listening from the 'botton up'
  34. 34 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The intertwining and alternation of solo and orchestra; the irregular
  35. 35 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The next orchestral phrase; slowing the pace but not the tempo
  36. 36 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete)
  37. 37 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The next section; foreground symmetry and background variety
  38. 38 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: The central section's groupings are hugely asymmetrical
  39. 39 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Cue to Second Movement as a whole
  40. 40 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Second Movement: Second Movement (complete)
  41. 41 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Introduction to the Third Movement...
  42. 42 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Fugue subject
  43. 43 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: First counter-subject
  44. 44 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject
  45. 45 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Bass entry of the subject
  46. 46 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Exposition (complete)
  47. 47 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives
  48. 48 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The difference a detail can make!
  49. 49 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Harmonic Rhythm defined; back to the beginning to find the seed...
  50. 50 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: ...and now the blossom
  51. 51 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The First Solo Episode; a confusion of terms; onwards, to the introduc
  52. 52 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 2 complete
  53. 53 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 2 dominated by thrilling virtuosity from the solo violin
  54. 54 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3: highly contrapuntal and dominated by subject-derivatives
  55. 55 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 continues: engine of harmonic motion repeated at higher p
  56. 56 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: the use of long, sustained, slightly syncopated
  57. 57 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 (complete)
  58. 58 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 3 - less solo than earlier ones, what with (albeit very d
  59. 59 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating
  60. 60 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Finishing Solo Exposition 3: orchestral cellos introduce what sounds
  61. 61 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Approaching the final Ritornello; stretto explained
  62. 62 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Cue to Finale Ritornello, noting tension-building 'pedal point' in cel
  63. 63 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Coda - the 'tail-piece', with its surprising 'hammer strokes'
  64. 64 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement
  65. 65 Johann Sebastian Bach: Brandenburg Concerto No. 4 in G - Third Movement: Third Movement (complete)

Disk 2 von 2

  1. 1 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif N
  2. 2 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Music, energy and relationship
  3. 3 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The outlines of a melody emerge
  4. 4 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The opening bar again
  5. 5 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 2: ta / dee-ya, dee-ya, dee-ya
  6. 6 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, and an important feature of its rhythm
  7. 7 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Beethoven Fifth Symphony (opening)
  8. 8 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 4
  9. 9 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5
  10. 10 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Motif No. 6
  11. 11 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Episode 1: a 'Love Duet'
  12. 12 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Episode 1 continued; violin and flute reverse direction of their theme
  13. 13 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: 'False' Ritornello; soloists interrupt; rising 'sighing' motif; harpsi
  14. 14 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand
  15. 15 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns, picking up at exactly the spot where it was int
  16. 16 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The harpsichord intervenes with derivative of Motif 4; key shifts from
  17. 17 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings this section to an end
  18. 18 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Harpsichord emerges as virtuoso; a series of expectations are frustrat
  19. 19 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: A backwards look; blurred distinctions between soloists and orchestra;
  20. 20 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Out of the Twilight Zone; a sequence of surprises
  21. 21 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: The epoch-making harpsichord cadenza and the final Ritornello
  22. 22 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement
  23. 23 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - First Movement: First Movement (complete)
  24. 24 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Introduction; the opening Ritornello
  25. 25 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block
  26. 26 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The flute motif
  27. 27 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Opening of the first solo episode
  28. 28 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block
  29. 29 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: The second main theme
  30. 30 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 2; violin and flute as 'orchestra'
  31. 31 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; inversion of original motifs
  32. 32 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: More on Episode 2
  33. 33 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared
  34. 34 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; key shifts from D major to F sharp minor
  35. 35 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 3: an exact transposition of Ritornello 1
  36. 36 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1
  37. 37 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 described in detail
  38. 38 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 4; second main theme's first appearance in a Ritornello
  39. 39 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Episode 4: dominated by inversions
  40. 40 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Cue to Second Movement
  41. 41 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete)
  42. 42 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Introduction: Ritornello 1
  43. 43 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: close juxtaposition of contrasting elements
  44. 44 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the 'answer', with countersubject in the violin
  45. 45 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a contrapuntal device
  46. 46 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a listening aid; a new theme
  47. 47 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Playing with the counter-subject; a musical game of tag
  48. 48 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Hidden rhythms: background variety behind foreground uniformity
  49. 49 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Fugal writing and the compatibility of parts; the Exposition
  50. 50 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Episode 1, taken by soloists, contains important 'seeds'
  51. 51 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The orchestra enters at last, but by stealth
  52. 52 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Stretto and musical football
  53. 53 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Key changes to B minor, introducing extensive Middle Section
  54. 54 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian 'development'
  55. 55 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject out in force: first four immediately consecutive ent
  56. 56 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Ambiguity of mode and a Scottish twist
  57. 57 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Middle Section sontinued; harpsichord dominates
  58. 58 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement
  59. 59 Johann Sebastian Bach: Brandenburg Concerto No. 5 in D - Third Movement: Last Movement (complete)