With choral music at the heart of the musical life of the Baltics it is not surprising that the medium has been a central preoccupation for many of their composers. A degree of isolation from international trends in new music (frequently turning into outright proscription) meant that the centre of gravity for composers in the west of the Soviet Union was very different from that of their colleagues beyond the Iron Curtain. And while there is certainly no such thing as a pan-Baltic style—this recording offers only a glimpse of the choral riches to be found in these three tiny countries—all the composers on the disc share a number of characteristics: a sure-footed handling of choral orchestration, lucidity of texture, a pragmatic use of ‘avant-garde’ effects (shorn of their ideological baggage), a fondness for cluster-chords and diatonically saturated harmony, and the frequent use of ostinatos.
Stephen Layton has single-handedly brought many of these composers to the attention of audiences and choirs in the West—and through his sensitive and inspirational direction, has won many fans for this repertoire. Together with his brilliant young choir, who sing this repertoire with ‘passion and purity’, he is the ideal guide to this beautiful and enchanting music.
'A fascinating collection of choral works … centring on a Mass setting by Latvian Ugis Praulins … Probably the single most impressive moment in the work is the end of the Credo, whose increasing waves of spoken affirmation of faith are haloed by bell-like choral roulades … Einfelde's music is altogether more introverted, darker than that of Praulins but beautifully crafted and jewel-like … [Angelis suis Dominis and Pater noster by Miskinis] These are works of absolutely luminous beauty' (Gramophone)
'The Choir of Trinity College Cambridge enjoys the urgent heartbeat of this music … Missa Rigensis contains many wonders, including a buoyant Gloria which vanishes magically into the long acoustic perspectives of the Lady Chapel, Ely Cathedral, where this disc was most sensitively produced and engineered … Stephen Layton conducts this music with all the rigour, colour and craft characteristic of his work' (BBC Music Magazine)
Missa Rigensis (2002)
1. Satz: Kyrie eleison
2. Satz a: Gloria
2. Satz b: Gloria. Domine Deus
2. Satz c: Gloria: Quoniam solus sanctus
3. Satz a: Credo in unum Deum
3. Satz b: Credo: Deum de Deo
3. Satz c: Credo: Crucifixus
3. Satz d: Credo: Credo in Spiritum sanctum
4. Satz: Sanctus
5. Satz: Agnus Dei
Lieder nach Gedichten von Fricis Barda Nr. 1-3 (2003)