Martin Parr: The Photobook: A History. Vol.1, Gebunden

Description

This publication tells the story of photography via history of the photobook, revealing the ways in which photographers have influenced each other's work through their books, and consequently how their use of photography has developed over time. It features volumes by celebrated photographers ranging from William Henry Fox Talbot, Walker Evans and August Sander to Larry Clark and Nobuyoshi Araki, by way of Man Ray, Brassai and Christer Strömholm. Several innovative books by unknown and even anonymous photographers have also been included, offering an opportunity for readers to discover these exciting, overlooked works.
This volume explores more than 200 photobooks through 750 colour illustrations, detailed captions, and an illuminating text written by the photographer and critic, Gerry Badger. The books featured were selected by both Badger and the renowned contemporary photographer Martin Parr, whose passion for the photobook has made him a worl authority on the subject. They have chosen what they believe to be the most artistically and culturally important photobooks in the history of the medium. The illustrations not only focus on individual works featured in the books, but also present the volume itself as three-dimensional object, providing a true sense of the photobook as an artwork in its own right.

Blurb

While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience.

In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, The Photobook provides a comprehensive overview of the development of the photobook: from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the Modernist and propaganda books of the 1930s and 40s.

The selection of photographers compiled by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and inter-relationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters; each features a general introductory text that offers background information and highlights the dominant political and artistic influences on the photobook in the relevant period, followed by more detailed discussion of the individual photobooks.

The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Assimilated diligently by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks featuring the cover or jacket and a selection of spreads.