Benjamin Britten: Billy Budd op.50
Billy Budd op.50
Philip Langridge, Simon Keenlyside, John Tomlinson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox
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- Künstler: Philip Langridge, Simon Keenlyside, John Tomlinson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox
- Label: Chandos, DDD, 99
- Erscheinungstermin: 12.5.2000
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Product Information
The novelist Herman Melville wrote his first draft of what he finally called Billy Budd in 1886. It was a thirty-two-line poem with a short prose introduction. The third draft of the story, by now a novella, ends with the poem which was its starting point. In 1948 it was agreed that the novelist E. M. Forster would supply Britten with a libretto for Billy Budd – it was to be Forster’s first libretto – and he knew Melville’s novella from lectures he had given on it at Cambridge.
The setting is a warship – HMS Indomitable – in the Royal Navy commanded by Captain Edward Fairfax Vere, and John Claggart – the evil Master-at-Arms –s the opposite of the young innocent, stammering Billy Budd. With the fear of mutiny ever present, Claggart brings a false charge of mutiny against Billy, and Vere sees them both in his cabin. Asked to defend himself, Billy stammers and, in his frustration aims a blow at Claggart who falls dead. At a hastily (and illegally) summoned court-martial, Vere refuses to save Billy who is duly hanged. The opera is framed by a prologue and epilogue sung by Vere as an old man. Filled with guilt and remorse, still haunted by these events.
The appeal of Billy Budd as a subject to both Forster and Britten is easily appreciated. Melville’s novella is on one level a splendidly dramatic story; on another it has wider meanings: the Indomitable is a metaphor for the world and there are biblical allusions – Billy seen as the Christ figure with his one and only predestined end. In Melville’s text there is use of homo-erotic symbolism and of the words »erect« and »ejaculate«. It is all part of the book’s theme of Good and Evil, and in this context the destruction of innocence by authority.
The Opera was first performed in December 1951, but in 1960 Britten reduced it from four acts to two making a tauter and more dramatic version, the version recorded here.
Rezensionen
»A strong challenger to Britten’s own historic recording of his searing opera and perhaps the best thing Richard Hickox has yet done on disc. The Chandos recording quality is first rate, the chorus overwhelming and the casting inspired.« Sunday Telegraph
Rezensionen
G. Persche in FonoForum 9/00: »Simon Kennlyside ist ein vorzüglicher Budd. Die quälende Zerrissenheit des Kapitäns Vere gewinnt bei Philip Langridge eindringlich Laut; John Tomlinson zeichnet die gefährliche Gemeinheit des Schiffs-Profossen Claggart mit Genuss. Atemberaubend die Chor-Szenen.«- Tracklisting
- Details
- Mitwirkende
Disk 1 von 3 (CD)
Billy Budd (Oper in 2 Akten) (revidierte Fassung 1961) (Gesamtaufnahme)
- 1 I'am an old man (Prolog)
- 2 Pull me, bantams! (1. Akt / 1. Szene)
- 3 Boat ahoy!
- 4 First man forward
- 5 Your name?
- 6 Billy Budd, king of the birds!
Disk 2 von 3 (CD)
- 1 I heard, your honour!
- 2 Come along, kid!
- 3 Christ! The poor chap...
- 4 What's that? What's those whistles?
- 5 Starry Vere we call him
- 6 Boy! (2. Szene)
- 7 Gentlemen, the king!
- 8 Ay, at Spithead...
- 9 We are, sir. Claggart is an able one
- 10 Blow her away (3. Szene)
- 11 We're off to Samoa
- 12 Hi! you...a...a...!
- 13 Over the water
- 14 Come here
- 15 Billy!...Hist! Billy Budd!
- 16 Dansker, old friend
Disk 3 von 3 (CD)
- 1 I don't like the look of the mist... (2. Akt / 1. Szene)
- 2 With great regret I must disturb your honour
- 3 Deck ahoy!
- 4 Volunteers! Call for boarding volunteers!
- 5 There you are again, Master-at-Arms
- 6 Oh, this cursed mist!
- 7 Claggart, John Claggart, beware! (2. Szene)
- 8 Master-at-Arms and foretopman...
- 9 God o' mercy!
- 10 Gentlemen, William Budd here...
- 11 William Budd, you are accused...
- 12 Poor fellow, who could save him?
- 13 I accept their verdict
- 14 Look! (3. Szene)
- 15 Here! Baby!
- 16 And farewell to ye...
- 17 Interlude (4. Szene)
- 18 According to the articles of war...
- 19 Down all hands!
- 20 We comitted his body to the deep (Epilog)
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