Detailinformationen

+Bach: Konzerte für Oboe D'Amore BWV 1053 & 1055

  • Künstler: Thomas Stacy, Toronto Chamber Orchestra, Kevin Mallon
  • Label: Naxos, DDD, 2007
  • Bestellnummer: 1000058
  • Erscheinungstermin: 2.5.2008
  1. 1 Oboe Concerto In G Major, Twv 51:G3: I. Amabile Scorrendo Start
  2. 2 Oboe Concerto In G Major, Twv 51:G3: Ii. Allegro Start
  3. 3 Oboe Concerto In G Major, Twv 51:G3: Iii. Adagio Start
  4. 4 Oboe Concerto In G Major, Twv 51:G3: Iv. Vivace Start
  5. 5 Oboe D'amore Concerto In A Major, Bwv 1055: I. Allegro Start
  6. 6 Oboe D'amore Concerto In A Major, Bwv 1055: Ii. Larghetto Start
  7. 7 Oboe D'amore Concerto In A Major, Bwv 1055: Iii. Allegro Ma Non Tanto Start
  8. 8 Oboe D'amore Concerto In D Major, Bwv 1053: I. Allegro Start
  9. 9 Oboe D'amore Concerto In D Major, Bwv 1053: Ii. Siciliano Start
  10. 10 Oboe D'amore Concerto In D Major, Bwv 1053: Iii. Allegro Start
  11. 11 Oboe D'amore Concerto In A Major, Twv 51:A2: I. Siciliano Start
  12. 12 Oboe D'amore Concerto In A Major, Twv 51:A2: Ii. Allegro Start
  13. 13 Oboe D'amore Concerto In A Major, Twv 51:A2: Iii. Largo Start
  14. 14 Oboe D'amore Concerto In A Major, Twv 51:A2: Iv. Vivace Start

Produktinfo

Thomas Stacy is widely known through his recordings, television appearances and as English hornist with the New York Philharmonic. He also has a passion for playing the English horn's smaller relative, the oboe d'amore.

"Many listeners will recognize the distinctive sound of the oboe d'amore from having heard it in Bach's B Minor Mass, St Matthew Passion, where it is used in pairs, or in Ravel's Bolero. Hearing this instrument solo in these beautiful concerti may be a new experience for some. Telemann and Bach used the instrument brilliantly, requiring agile virtuosity in the fast movements and in the long lines of the heart-tugging slow movements, they made splendid show of the oboe d'amore's uniquely plaintive timbre." - Thomas Stacy"

Pressestimmen

FonoForum 10 / 08: "Auch wenn hier nicht auf Original-Instrumenten gespielt wird, versucht man doch, historisch "richtig" zu musizieren. Vor allem die langsamen Sätze gehen unmittelbar ins Herz."

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