Cristobal de Morales: Missa Queramus cum Pastoribus
Missa Queramus cum Pastoribus
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+5 geistliche Werke
+Mouton: Queramus cum pastoribus
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Cristóbal de Morales, um 1500 in Sevilla geboren, stand bis zu seinem Tod 1553 meist im Dienst spanischer Kathedralen. Soweit die biographischen Fakten. Anhand des Klangs seiner Musik ist Morales jedoch weniger eindeutig als Spanier zu identifizieren als Tomás Luis de Victoria, sein berühmter Landsmann aus dem 16. Jahrhundert. Es wäre denkbar, dass ein längerer Auslandsaufenthalt den Akzent von Morales’ musikalischer Ausdrucksweise verändert hat: Zwischen 1535 und 1545 war er vorwiegend in Rom tätig, als Sänger im päpstlichen Chor. Doch haben sowohl seine frühesten in Avila und Plasencia entstandenen Kompositionen als auch seine Spätwerke aus der Zeit in Toledo und Malaga kosmopolitische Anklänge. Während die Musik Victorias aufgrund ihrer Intensität und ihres Pathos für uns wie der Inbegriff des Spanischen klingt, erscheint Morales als Meister seines Fachs, dessen Schöpfungen nationale Schranken übersteigen und dessen musikalische Interessen, ebenso wie sein Ruhm, weit über sein Heimatland hinausreichten.
Born in Seville around 1500, Cristóbal de Morales spent the greater part of his life in the service of Spanish cathedrals, up to his death in 1553. Those are the biographical facts. Judged by the sound of his music, however, Morales is far less easy to identify as a Spaniard than is his most famous sixteenth-century compatriot, Tomás Luis de Victoria. A long period spent abroad may have modified the accent of Morales’s musical voice; between 1535 and 1545 he worked largely in Rome as a singer in the papal choir. But even his earliest compositions, written in Avila and Plasencia, and his late works, dating from the years in Toledo and Málaga, have a cosmopolitan quality about them. If the music of Victoria sounds to us quintessentially Spanish by virtue of its intensity and pathos, then Morales appears instead a master craftsman whose works transcend nationality, and whose musical interests, like his reputation, extended far beyond his native land.
'EI coro de la Catedral de Westminster está excelente … El disco es recomendable; muy bello' (CD Compact, Spain)
'This distinguished composer is now suitably represented on disc. Highly recommended' (Fanfare, USA) 'A very worthwhile introduction to some marvellous music by Morales' (Early Music Review)
'The choral sound is sumptuous…James O’Donnell gives us a reading that sounds engaged and expressive while maintaining good choral discipline' (American Record Guide)
Product-Information:
Born in Seville around 1500, Cristóbal de Morales spent the greater part of his life in the service of Spanish cathedrals, up to his death in 1553. Those are the biographical facts. Judged by the sound of his music, however, Morales is far less easy to identify as a Spaniard than is his most famous sixteenth-century compatriot, Tomás Luis de Victoria. A long period spent abroad may have modified the accent of Morales’s musical voice; between 1535 and 1545 he worked largely in Rome as a singer in the papal choir. But even his earliest compositions, written in Avila and Plasencia, and his late works, dating from the years in Toledo and Málaga, have a cosmopolitan quality about them. If the music of Victoria sounds to us quintessentially Spanish by virtue of its intensity and pathos, then Morales appears instead a master craftsman whose works transcend nationality, and whose musical interests, like his reputation, extended far beyond his native land.
Rezensionen
'EI coro de la Catedral de Westminster está excelente … El disco es recomendable; muy bello' (CD Compact, Spain)
'This distinguished composer is now suitably represented on disc. Highly recommended' (Fanfare, USA) 'A very worthwhile introduction to some marvellous music by Morales' (Early Music Review)
'The choral sound is sumptuous…James O’Donnell gives us a reading that sounds engaged and expressive while maintaining good choral discipline' (American Record Guide)
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Andreas Christi famulus (Motette)
- 2 Sancta Maria, succurre miseris (Motette)
- 3 Clamabat autem (Motette)
- 4 O sacrum convivium (Motette nach Palestrinas Missa)
- 5 Regina caeli (Marian. Antiphon a 6)
- 6 Queramus cum pastoribus (Motette)
Queramus cum pastoribus (Messe zu 5 Stimmen)
- 7 Nr. 1 Kyrie
- 8 Nr. 2 Gloria
- 9 Nr. 3 Credo
- 10 Nr. 4 Sanctus
- 11 Nr. 5 Benedictus
- 12 Nr. 6 Agnus Dei
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