Klappentext

If it is true that a painting can think visually , then it is also true that Diderot was the first to say sö- and he has spelled out this concept better than anyone else. Diderot s Salons show that the imaginal sense that arises from the engagement with a picture needs to be investigated using the concepts of ékphrasis and theatricality - the capacity to explore the power of pictures in relation to the composition of the scene, to the expressive and pantomimic gestures, and to what can be called a theory of affections .

The book will focus on an issue that pertains to the theory of pictures, on a question that is ground-breaking in the English-speaking academic context: how can we look at a picture in order to rethink aesthetics as a discipline that allows us to look at pictures from a philosophical point of view?

The Salons demonstrate that the imaginal process leading to knowledge always emerges from the picture itself, and that this process always needs to be supported by a method of inquiry that can rightly be called a philosophical method - as Diderot was a philosopher himself. Even when approaching this issue from a contemporary perspective, this method should always be related to the concepts of ékphrasis and theatricality. Fundamental, however, is also the pathetic , the emotionally stimulating, due to its essential relation to the enjoyment of pictures - something rooted in aesthetic disinterestedness, absorption and, conversely, voyeurism.