Flanger: Spirituals
Spirituals
LP
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
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- Label: Nonplace, 2005
- Erscheinungstermin: 27.9.2005
Ähnliche Artikel
Nonplace / BEIGE TURNS BRAUN!! Oliver Braun's new album is a peculiar skittery form of FUN---K. A counterattack on idiocy. Hip hop party bomb or guerrilla attack by a lo-resolution home orchestra, also including elements of house music and rhythm & blues.
A peculiar skittery form of Fun----k, the sounds of Cologne based Oliver
Braun are totally unlike those experienced elsewhere! His twisting
rhythms exorcise angst and casually sprawl their way through
unpredictable ramifications. A counterattack on idiocy. A tymbal
landscape sketched by James Brown (who in fact was black) suffering from
convulsions, and more besides: party bomb or guerrilla attack by a
lo-resolution home orchestra far removed from the temptations of vanity.
Braun´s third album also contains elements of House Music and Rhythm and
Blues, sliced up into fragments of real horns, double bass, piano,
accordion, claps and freakish vocals nuzzling up the toaster, the crotch
in one hand, the microphone in the other. It is a record characterised
by unsettling off kilter pacing and a fearless approach to ridicule
hip-hop codes. In a spasmodic jerky kind of way Braun brings the F---
back.
Beige turns Braun !
Braun released 2 albums under the name Beige, one on the Leaf label
2000, U. K. and "I Don´t Either" on Nonplace in 2001. He changed the
artist name from Beige to Braun (And The Mob) also because the new
record is not a one man show anymore. There are lots of direct
influences by other people (The Mob)/ see credits below.
The artwork of "as the veneer of dumbness starts to fade" refers to a
reknown 80ties release: Mark Stewart's "As The Veneer Of Democracy
Starts To Fade" (On-U sound). "It was "the" album of my life" states
Braun, also listening to some Adrian Sherwood remixes / productions at
this time. He was
irritated: "It sounds like to much dust on a sliding record needle I
really thought "there's something wrong" and I liked it, so I bought the
Stewart album - and then I was absolutely sure there´s something wrong
and I liked it much more, I really enjoyed this feeling of "there's
something wrong" until today it's a key-point of my work - and it's my
reference when i'm listening to music." (excerpt from interview with
Fader Magazine, Tokyo
2004)
The Wire 2002:
If you locked George Clinton, James Brown and a couple of hyperactive
kids in a room with an equivalent number of Casios and a primitive
sampler, they might come up with something along these skewed lines.
NME 2001:
You know the giant insects who live inside Planet Funk ? This is their
party soundtrack.
NME 2002:
Braun (brown) attempt to do for light brown what Eminem did for white.
BIG DADDY 2002:
I would even go as far to say that this has got the funk.
Press pictures: http://www. beige-electronica. com / japan_edition/
Tracklist:
01. da pluster up (aller a******! ist schwer)
02. if you dont have da f***! - buy it (dont be afraid - its just a
little piece of globashism) 03. da flash an da f***! (... dort oben
leuchten die sterne) 04. da haaaah! da huuuuh! da ph***! (need to have
the b***!) 05. da f***! of kopenhagen (abu ghureib styles) 06. survival
of the dumbest (da revenge of merzenich ...) 07. this piece of p****!
(da unbeschrieben is you ... ) 08. b. l.a. s.s. da f***!ateer (burnt! ish
schnaid da nischts weg!) 09. hihi! (... genau das machts ja so bitter)
10. explosions in b. e.i. g.e. (nothing has changed ...) 11. da schmonked
starlet (uh baby - ah ah ah!) 12. uff strass funden (un da f***! rinn
gemaked ...) 13. da calm down (ich mach das alles nur für geld und sex
und den f***!) 14. b***! da dom. rep (steinig ist der weg ...)
publisher: www. freibank. de
mastering: D&M (Berlin)
Credits / the mob
beige (ballon, harmonica, toys), braun (recording, arrangements,
guitars), jessica krueger (vocals), dennis kessler (vocals, saxophone,
trumpet, turk aldalla, violin), lars "the" kaiser (vocals), ana machado
and josé màrquez (vocals), sasha perera (vocals), robot koch (samples),
oren gerlitz (bass), michael nauss (bass) http: www (some very strange
stuff)
artist: www. beige-electronica. com
label: www. nonplace. de
A peculiar skittery form of Fun----k, the sounds of Cologne based Oliver
Braun are totally unlike those experienced elsewhere! His twisting
rhythms exorcise angst and casually sprawl their way through
unpredictable ramifications. A counterattack on idiocy. A tymbal
landscape sketched by James Brown (who in fact was black) suffering from
convulsions, and more besides: party bomb or guerrilla attack by a
lo-resolution home orchestra far removed from the temptations of vanity.
Braun´s third album also contains elements of House Music and Rhythm and
Blues, sliced up into fragments of real horns, double bass, piano,
accordion, claps and freakish vocals nuzzling up the toaster, the crotch
in one hand, the microphone in the other. It is a record characterised
by unsettling off kilter pacing and a fearless approach to ridicule
hip-hop codes. In a spasmodic jerky kind of way Braun brings the F---
back.
Beige turns Braun !
Braun released 2 albums under the name Beige, one on the Leaf label
2000, U. K. and "I Don´t Either" on Nonplace in 2001. He changed the
artist name from Beige to Braun (And The Mob) also because the new
record is not a one man show anymore. There are lots of direct
influences by other people (The Mob)/ see credits below.
The artwork of "as the veneer of dumbness starts to fade" refers to a
reknown 80ties release: Mark Stewart's "As The Veneer Of Democracy
Starts To Fade" (On-U sound). "It was "the" album of my life" states
Braun, also listening to some Adrian Sherwood remixes / productions at
this time. He was
irritated: "It sounds like to much dust on a sliding record needle I
really thought "there's something wrong" and I liked it, so I bought the
Stewart album - and then I was absolutely sure there´s something wrong
and I liked it much more, I really enjoyed this feeling of "there's
something wrong" until today it's a key-point of my work - and it's my
reference when i'm listening to music." (excerpt from interview with
Fader Magazine, Tokyo
2004)
The Wire 2002:
If you locked George Clinton, James Brown and a couple of hyperactive
kids in a room with an equivalent number of Casios and a primitive
sampler, they might come up with something along these skewed lines.
NME 2001:
You know the giant insects who live inside Planet Funk ? This is their
party soundtrack.
NME 2002:
Braun (brown) attempt to do for light brown what Eminem did for white.
BIG DADDY 2002:
I would even go as far to say that this has got the funk.
Press pictures: http://www. beige-electronica. com / japan_edition/
Tracklist:
01. da pluster up (aller a******! ist schwer)
02. if you dont have da f***! - buy it (dont be afraid - its just a
little piece of globashism) 03. da flash an da f***! (... dort oben
leuchten die sterne) 04. da haaaah! da huuuuh! da ph***! (need to have
the b***!) 05. da f***! of kopenhagen (abu ghureib styles) 06. survival
of the dumbest (da revenge of merzenich ...) 07. this piece of p****!
(da unbeschrieben is you ... ) 08. b. l.a. s.s. da f***!ateer (burnt! ish
schnaid da nischts weg!) 09. hihi! (... genau das machts ja so bitter)
10. explosions in b. e.i. g.e. (nothing has changed ...) 11. da schmonked
starlet (uh baby - ah ah ah!) 12. uff strass funden (un da f***! rinn
gemaked ...) 13. da calm down (ich mach das alles nur für geld und sex
und den f***!) 14. b***! da dom. rep (steinig ist der weg ...)
publisher: www. freibank. de
mastering: D&M (Berlin)
Credits / the mob
beige (ballon, harmonica, toys), braun (recording, arrangements,
guitars), jessica krueger (vocals), dennis kessler (vocals, saxophone,
trumpet, turk aldalla, violin), lars "the" kaiser (vocals), ana machado
and josé màrquez (vocals), sasha perera (vocals), robot koch (samples),
oren gerlitz (bass), michael nauss (bass) http: www (some very strange
stuff)
artist: www. beige-electronica. com
label: www. nonplace. de
- Tracklisting
Die Hörproben gehören zum Artikel Flanger: Spirituals (CD). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
- 1 Funeral march
- 2 Crime in the pale moonlight
- 3 How long is the wrong way (short version)
- 4 Down the river
- 5 Music is our secret code
- 6 Tiny Tina
- 7 Hope to hear back soon, honey
- 8 Peninsula
- 9 In my car (single version)
- 10 In my car (bolt mix)
- 11 How long is the wrong way (extended)
- 12 Crime in the pale moonlight (short version)