Charles Mingus: Oh Yeah auf CD

Charles Mingus (1922-1979)

Oh Yeah

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

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Label:: Hallmark
Aufnahmejahr ca.:: 1961
UPC/EAN:: 5050457149321
Erscheinungstermin:: 30.9.2014

Weitere Ausgaben von Oh Yeah	Preis
Super Audio CD, (Atlantic 75 Series)	EUR 43,99*
2 LPs, (Atlantic 75 Series) (180g) (45 RPM)	EUR 71,99*
LP, (+ Bonustrack) (180g) (Limited-Edition)	EUR 21,99*
LP, (180g)	EUR 36,99*

Nach einigen Alben für Columbia & Candid kehrte Mingus für »Oh Yeah« zu Atlantic zurück.

Das Album wurde eines seiner wildesten und ungewöhnlichsten. Zusammen mit Roland Kirk durchbricht er musikalische Grenzen und viele Leute waren der Meinung, dass dies definitiv kein Jazz mehr sei.

Tracklisting

Disk 1 von 1 (CD)

1 HOG CALLIN' BLUES
2 DEVIL WOMAN
3 ECCLUSIASTICS
4 OH LORD DON'T LET THEM DROP THAT ATOMIC BOMB ON
5 EAT THAT CHICKEN
6 PASSIONS OF A MAN

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Charles Mingus (1922-1979)

Oh Yeah

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jpc-Schallplatten-Versandhandelsgesellschaft mbH
Lübecker Straße 9
49124 Georgsmarienhütte

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Diese Rezension bezieht sich auf Oh Yeah! (Atlantic 75 Series) (SACD)

Plattenretter

02.08.2025

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Mingus: Oh Yeah! A Mingus without Dolphy and Curson

This is a very weak release of Mingus, recorded 1961, after Eric Dolphy and Ted Curson had left the band of this all-time genius because he did not pay but only beat them. 1960 with Dolphy and Curson was the year of Mingus' best recordings regarding the Coleman-inspired no-piano linear improvisative line of Mingus' enormous creativity. Here he not only (1) lacks Dolphy and Curson, a loss he never could overcome, but makes more mistakes: (2) He replaces himself on double bass with Doug Watkins, what a loss! (3) He still does not seem to have clearly understood why Coleman had to get rid of the piano and plays it himself. With his comping he introduces chords into the linear improvisation, distroying everthing. He made fun of Coleman that Coleman would not be able to play a C major scale, now he makes fun of himself unknowingly. Of course, Bach experimented with harmonic structures in linear contrapunctual music and Beethoven experimented with the alternation fof harmonic and linear music in his late piano sonatas, in particular no. 31 where we find harmonic-fugal-harmonic-fugal-harmonic in the last sentence. I honor Mingus as one of the greatest composers of the 20th century, but he is not able to do the impossible combination of harmonic music like bebop and a linear contrapunctual music in the style of Coleman and the Mingus-Dolphy-Curson-Richmond band did in 1960. Even Bach and Beethoven had only limited success with this combination. All in all, this is the Mingus album absolutely only for Mingus historians, completely failing with his trial to combine these two worlds of music that are harder to combine than the worlds of the living and the dead. This recording is no fun, whereas all 1960 releases were all such an incredibly great fun to listen to.

Charles Mingus: Oh Yeah auf CD

Oh Yeah

Weitere Ausgaben von Oh Yeah

Tracklisting

Disk 1 von 1 (CD)

Mehr von Charles Mingus

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Bilder zur Produktsicherheit

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