Joseph Haydn: Symphonien Nr.76-78
Symphonien Nr.76-78
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Zu beginn der 80er Jahre des 18. Jahrhunderts stand Haydn seit annähernd 20 Jahren im Dienst des Fürsten Nikolaus Esterházy. Doch obwohl ihn seine Pflichten die meiste Zeit des Jahres bei Hof festhielten, waren seine Musik und sein Ruf längst durch ganz Europa bis nach Spanien und England vorgedrungen. dass zu jener Zeit noch kein nennenswertes Urheberrecht existierte, war die Verbreitung von Musik häufig das Werk von Verlegern, die keine Bedenken hatten, Raubgravuren von Stimmbüchern (der üblichen Publikationsform) zu erstellen, wann immer sie handschriftlicher Versionen skrupelloser Kopisten habhaft werden konnten. Haydn hatte naheliegende Einwände gegen Veröffentlichungen seiner Musik, die ihm finanziell nichts einbrachten, war jedoch andererseits in Geschäftsdingen umsichtig genug, seine Werke oft von mehr als nur einem Verleger herausgeben zu lassen. Das galt auch für die Sinfonien Nr. 76, 77 und 78, die in den ersten Jahren nach 1780 bei nicht weniger als drei Verlagen erschienen: bei Torricella in Wien, Boyer in Paris und Forster in London. (Mozart versuchte es ihm gleichzutun, indem er einem Verleger ein Manuskript verkaufte und dann die Musik noch einmal aus dem Gedächtnis niederschrieb, um sie einem zweiten anbieten zu können.)
By the early 1780s Haydn had been in the employ of Prince Nikolaus Esterházy for some twenty years. Yet, although his duties kept him at court for much of the year, his music and his reputation had already reached right across Europe, as far as Spain and England. Since there were no copyright laws to speak of in those days, dissemination of music was often through the work of publishers who had no compunction in re-engraving pirated versions of orchestral parts (the usual form of publication) if they could lay their hands on manuscript versions by disreputable copyists. Haydn, though obviously averse to publications of his music that gave him no financial reward, was astute enough a businessman often to have his works brought out by more than one publisher. Such was the case with Symphonies 76, 77 and 78, issued in the early 1780s by no fewer than three companies: Torricella in Vienna, Boyer in Paris and Forster in London. (Mozart tried a similar ploy by selling a manuscript to one publisher and then writing the music out again from memory to sell to another.)
'These recordings are aglow with aural warmth and tonal beauty; they bubble with vitality. Glory follows upon glory with Haydn's memorable melodies and wonderful harmonies leaping from page to the ear. These recordings sparkle with enthusiasm as well as a love of the repertoire' (Fanfare, USA)
Product-Information:
By the early 1780s Haydn had been in the employ of Prince Nikolaus Esterházy for some twenty years. Yet, although his duties kept him at court for much of the year, his music and his reputation had already reached right across Europe, as far as Spain and England. Since there were no copyright laws to speak of in those days, dissemination of music was often through the work of publishers who had no compunction in re-engraving pirated versions of orchestral parts (the usual form of publication) if they could lay their hands on manuscript versions by disreputable copyists. Haydn, though obviously averse to publications of his music that gave him no financial reward, was astute enough a businessman often to have his works brought out by more than one publisher. Such was the case with Symphonies 76, 77 and 78, issued in the early 1780s by no fewer than three companies: Torricella in Vienna, Boyer in Paris and Forster in London. (Mozart tried a similar ploy by selling a manuscript to one publisher and then writing the music out again from memory to sell to another.)
Rezensionen
'These recordings are aglow with aural warmth and tonal beauty; they bubble with vitality. Glory follows upon glory with Haydn's memorable melodies and wonderful harmonies leaping from page to the ear. These recordings sparkle with enthusiasm as well as a love of the repertoire' (Fanfare, USA)
Rezensionen
H.C. v. Dadelsen in FonoForum 9/92:" Die hier erschienene sechste CD der begonnenen Gesamtaufnahme von Haydn-Sinfonien zeigt, daß Roy Goodman sich die Differenziertheit und Intensität im Detail bewahrt hat und nicht ins Routinierte, Heruntergespülte abgleitet."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
Sinfonie Nr. 76 Es-Dur
- 1 1. Allegro
- 2 2. Adagio, ma non troppo
- 3 3. Menuet: Allegretto
- 4 4. Finale: Allegro, ma non troppo
Sinfonie Nr. 77 B-Dur
- 5 1. Vivace
- 6 2. Andante sostenuto
- 7 3. Menuetto: Allegro
- 8 4. Finale: Allegro spiritoso
Sinfonie Nr. 78 c-moll
- 9 1. Vivace
- 10 2. Adagio
- 11 3. Menuetto: Allegretto
- 12 4. Finale: Presto
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