Detailinformationen

Magnificate & Nunc Dimittis;Give me the wings of faith;
An Easter Sequence;Veni creator spiritus;What love is this
of thine;Crucifixus pro nobis;Choral Prelude über
"When I survey the wondrous Cross"

  • Künstler: Choir of St. John's College Cambridge, Christopher Robinson
  • Label: Naxos, DDD, 2002
  • Bestellnummer: 6524260
  • Erscheinungstermin: 1.4.2004
  1. 1 Magnificat Start
  2. 2 Magnificat and Nunc Dimittis, "Collegium Magdalenae Oxoniense": Nunc Dimittis Start
  3. 3 Give me the wings of faith Start
  4. 4 An Easter Sequence: Introit (for the First Sundy after Easter) Start
  5. 5 An Easter Sequence: Gradual (for the First Sunday after Easter) Start
  6. 6 An Easter Sequence: Offertory (for the First Sunday after Easter) Start
  7. 7 An Easter Sequence: Communion (for the First Sunday after Easter) Start
  8. 8 An Easter Sequence: Sortie (Antiphon at First Vespers of Ascension Day) Start
  9. 9 Veni creator spiritus Start
  10. 10 What love is this of thine? Start
  11. 11 Crucifixus pro nobis, Op. 38: Christ in the Cradle Start
  12. 12 Crucifixus pro nobis, Op. 38: Christ in the Garden Start
  13. 13 Crucifixus pro nobis, Op. 38: Christ in his Passion Start
  14. 14 Crucifixus pro nobis, Op. 38: Hymn Start
  15. 15 Rockingham: Chorale Prelude on 'When I survey the wondrous Cross' Start
  16. 16 Magnificat Start
  17. 17 Magnificat and Nunc Dimittis, "The Second Service", Op. 62: Nunc Dimittis Start

Produktinfo

Kenneth Leighton's distinctive compositional voice is characterized by rich, lush harmonies, subtle dissonance, rhythmic energy and a lilting, angular lyricism. Pithy thematic ideas and syncopated rhythms are allied to a brilliant mastery of counterpoint and a unique sense of melody borne of a lifelong love of hymns, chorale and chant. This collection features the two contrasting Canticle Settings, the Easter Sequence scored for boys' voices, organ and trumpet (played here by Crispian Steele-Perkins) and Crucifixus pro nobis, the austere, miniature masterpiece of a Passion setting for tenor, choir and organ which climaxes with one of English choral music's remarkable icons "Drop, drop, slow tears"."

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