Joseph Haydn (1732-1809): Messen Nr.8 & 9 (Mariazellermesse & Paukenmesse)

Detailinformationen

  • Künstler: Trinity Choir, Rebel Baroque Orchestra, J. Owen Burdick
  • Label: Naxos, DDD, 2005
  • Bestellnummer: 1529217
  • Erscheinungstermin: 2.8.2010
  1. 1 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Kyrie Start
  2. 2 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Gloria: Gloria In Excelsis Deo Start
  3. 3 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Gloria: Gratias Agimus Tibi Start
  4. 4 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Gloria: Quoniam Tu Solus Sanctus Start
  5. 5 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Credo: Credo In Unum Deum Start
  6. 6 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Credo: Et Incarnatus Est Start
  7. 7 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Credo: Et Resurrexit Start
  8. 8 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Credo: Et Vitam Venturi Start
  9. 9 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Sanctus Start
  10. 10 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Benedictus Start
  11. 11 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Agnus Dei: Agnus Dei Start
  12. 12 Mass No. 8 In C Major, Hob.Xxii:8, "missa Cellensis", "mariazellermesse": Agnus Dei: Dona Nobis Pacem Start
  13. 13 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Kyrie Start
  14. 14 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Gloria: Gloria In Excelsis D Start
  15. 15 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Gloria: Qui Tollis Peccata M Start
  16. 16 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Gloria: Quoniam Tu Solus San Start
  17. 17 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Credo: Credo In Unum Deum Start
  18. 18 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Credo: Et Incarnatus Est Start
  19. 19 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Credo: Et Resurrexit Start
  20. 20 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Credo: Et Vitam Venturi Start
  21. 21 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Sanctus Start
  22. 22 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Benedictus Start
  23. 23 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Agnus Dei: Agnus Dei Start
  24. 24 Mass No. 10 In C Major, Hob.Xxii:9, "missa In Tempore Belli", "paukenmesse", "kriegsmesse": Agnus Dei: Dona Nobis Pacem Start

Produktinfo

As Haydn scholar H. C. Landon explains, 'it is clear that with this Missa Cellensis...he reached, and reached with panache and astonishing vigour, the popular style for which he had been so long and so diligently searching.' For this reason, the Mariazellermesse 'is both the precursor to Haydn's late Masses as well as the culmination of his early efforts in the genre.' Fourteen years elapsed before Haydn's setting of the Mass in Time of War, also known as the Paukenmesse because of his evocative use of the timpani; the work demonstrates Haydn's new approach to the Mass, including dramatic extremes and more frequent integration of solo and chorus.

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