Johann Sebastian Bach (1685-1750): Transkriptionen für Klavier Vol.5

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Präludien & Fugen BWV 539 & 541 (Goedicke);Präludium
BWV 855a aus "Clavierbüchlein für WF Bach" (Siloti);
Sinfonia zur Kantate BWV 35 (Siloti);Air aus BWV 1068
(Siloti);Adagio aus Violinsonate BWV 1018 (Siloti);
Fuge BWV 575 (Goedicke);Andante aus Sonate für Violine
solo BWV 1003 (Siloti);Passacaglia BWV 582 (Catoire);
Siciliano aus Flötensonate BWV 1031 (Siloti);
Toccata & Fuge BWV 538 "Dorische" (Kabalewsky)

  • Artist: Hamish Milne, Klavier
  • Label: Hyperion , DDD, 2004
  • Order number: 9659011
  • Release date: 24.6.2005

Präludium Und Fuge G-dur Bwv 541

  1. 1 Präludium Start
  2. 2 Fuge Start
  1. 3 Präludium H-moll Bwv 855a (aus Clavierbüchlein Für W. F. Bach) Start

Geist Und Seele Wird Verwirret Bwv 35 (kantate) (bearb. Für Klavier) (auszug)

  1. 4 Präludium Start

Präludium Und Fuge D-moll Bwv 539

  1. 5 Präludium Start
  2. 6 Fuge Start

Suite (ouvertüre) Für Orchester Nr. 3 D-dur Bwv 1068 (bearb. Für Klavier)

  1. 7 2.. Air Start

Sonate Für Violine Und Cembalo F-moll Bwv 1018 (bearb. Für Klavier Solo)

  1. 8 Adagio Start
  1. 9 Fuge C-moll Bwv 575 Start

Sonate Für Violine Solo A-moll Bwv 1003 (bearb. Für Klavier) (auszug)

  1. 10 Andante Start
  1. 11 Passacaglia C-moll Bwv 582 Start

Sonate Für Flöte Und Cembalo Es-dur Bwv 1031 (bearb. Für Klavier) (auszug)

  1. 12 Siciliano Start

Toccata Und Fuge D-moll Bwv 538 "dorische"

  1. 13 Toccata Start
  2. 14 Fuge Start

Product Information

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The fifth volume in Hyperion’s enlightening voyage through the distinguished legacy of piano transcriptions of Bach masterpieces brings us to a fascinating programme of Russian realizations. In his accompanying essay Hamish Milne makes an ardent case for the transcriber’s art, tracing a history of Bach performance through the ages which gives the lie to the conventional obscurity-before-Mendelssohn theory. A continuous tradition can be followed which sees Bach’s legacy constantly being reinvented in the language of the day, and nowhere was this tradition more vigorous than in Russia. This recital is underpinned by monumental transcriptions by Goedicke and Catoire whose pianistic complexities comprehensively interpret those areas of performance practice, notably tempo and rubato, which Bach left to the performer’s instinct. At once audacious and characterful, these pillars of the genre are offset by delicate transcriptions by Alexander Siloti which serve as a fascinating and fastidious codification of the aristocratic pianism of the day. Concluding Hamish Milne’s masterful programme comes Kabalevsky’s mighty transcription of the ‘Dorian’ Toccata and Fugue; whatever may be lacking in subtlety, one can hardly deny the thrilling power of the climaxes. Hamish Milne’s performances are a revelation. In the monumental grandeur of his playing, contrasted with an exquisite range of colour and glorious singing lines, his playing embodies the tradition of the golden age of pianism from which these transcriptions emerged.

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'This is a welcome return to the recording studio for a British pianist who has maintained a consistently high standard for many years. Hamish Milne is associated with Russian music, so he is a natural choice for a selection of Russian music transcriptions - Volume Five of a hopefully long series from Hyperion … If we buy this CD, more will surely be recorded, so don't hesitate, please' (Pianist)

'Milne plays the more outgoing works with the sharp articulation and gestural clarity that makes his Medtner so refreshing (his left-hand profile is especially notable) - and he gives the more restrained of the Siloti bonbons (wisely scattered throughout the disc) the delicacy they need. Good sound and excellent notes. All in all, a fine continuation of a most welcome series' (Fanfare, USA)

EUR 19.99*

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