BWV 13 "Meine Seufzer, meine Tränen";BWV 16 "Herr Gott,
Dich loben wir";BWV 32 "Liebster Jesu, mein Verlangen";
BWV 72 "Alles nur nach Gottes Willen"

Tonformat: stereo & multichannel (Hybrid)
  • Künstler: Rachel Nicholls, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki
  • Label: BIS, DDD, 2008
  • Bestellnummer: 2446664
  • Erscheinungstermin: 3.2.2009

Alles Nur Nach Gottes Willen Bwv 72 (Kantate)

  1. 1 Chor: Alles nur nach Gottes Willen Start
  2. 2 Rezitativ: O selger Christ, der allzeit seinen Willen Start
  3. 3 Arie: Mit allem, was ich habe und bin Start
  4. 4 Rezitativ: So glaube nun! Start
  5. 5 Arie: Mein Jesus will es tun Start
  6. 6 Choral: Was mein Gott will, das g'scheh allzeit Start

Liebster Jesu, Mein Verlangen Bwv 32 (Kantate)

  1. 7 Arie: Liebster Jesu, mein Verlangen Start
  2. 8 Rezitativ: Was ists, dass du mich gesuchet? Start
  3. 9 Arie: Hier, in meines Vaters Stätte Start
  4. 10 Rezitativ: Ach! heilger und großer Gott Start
  5. 11 Arie: Nun verschwinden alle Plagen Start
  6. 12 Choral: Mein Gott, öffne mir die Pforten Start

Meine Seufzer, Meine Tränen Bwv 13 (Kantate)

  1. 13 Arie: Meine Seufzer, meine Tränen Start
  2. 14 Rezitativ: Mein liebster Gott lässt mich dennoch Start
  3. 15 Choral: Der Gott, der mir hat versprochen Start
  4. 16 Rezitativ: Mein Kummer nimmet zu Start
  5. 17 Arie: Ächzen und erbärmlich Weinen Start
  6. 18 Choral: So sei nun, Seele, deine Start

Herr Gott, Dich Loben Alle Wir Bwv 130 (Kantate)

  1. 19 Chor: Herr Gott, dich loben wir Start
  2. 20 Rezitativ: So stimmen wir Start
  3. 21 Arie: Lasst uns jauchzen, lasst uns freuen Start
  4. 22 Rezitativ: Ach treuer Hort Start
  5. 23 Arie: Geliebter Jesu, du allein Start
  6. 24 Choral: All solch dein Güt wir preisen Start


The present volume in the cantata cycle of the Bach Collegium Japan and Masaaki Suzuki consists of four works, all written for performances in January 1726. Among these is the New Year’s cantata Herr Gott, dich loben wir, BWV16 (Lord God, we praise you). Less extrovert than some other Bach cantatas written for this particular day, it makes up for the lack of trumpets and timpani by the richness of the complex writing, including a virtuosic horn part. Also included is Liebster Jesu, mein Verlangen, BWV32 (Dearest Jesus, my desire), one of Bach’s so-called ‘Concertos in Dialogo’ in which the composer has allocated the role of the soul to the soprano and the words of Jesus to the bass. The cantata opens with an aria for the soul, searching yearningly for its saviour. The two are brought together in the fourth movement, an accompagnato recitative, which leads into a love duet that could have graced any opera stage of the period. Meine Seufzer, meine Tränen, BWV13 (My sighs, my tears), is another memorable example of Bach’s expressive genius: based on a single detail from the story of the Wedding at Cana, the subject matter of the cantata text is abandonment and hopelessness, but also the confidence that the hour of will come when ‘the light of joy will be lit in the sorrowful breast of the believer’. The libretto provides Bach with all the necessary keywords for a colourful, expressive and multifaceted piece of music: an introductory tenor lament, exquisitely scored for two recorders and oboe da caccia, a heartfelt prayer from the alto, and a bass aria full of tense dissonance all receive a final release in the concluding chorale setting. Masaaki Suzuki and the choir and orchestra of BCJ bring these works to full effect, aided by a fine team of soloists in which soprano Rachel Nicholls makes her first appearance in this series.

EUR 19,99*

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