Detailinformationen

  • Künstler: Sebastien Guillot, Cembalo
  • Label: Naxos, DDD, 2004
  • Bestellnummer: 8646241
  • Erscheinungstermin: 17.4.2006
  1. 1 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 1 (Contrapunctus 1) Start
  2. 2 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 2 (Contrapunctus 3) Start
  3. 3 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 3 (Contrapunctus 2) Start
  4. 4 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 4 (Contrapunctus 5) Start
  5. 5 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 5 (Contrapunctus 9) Start
  6. 6 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 6 (Contrapunctus 10 And 14) Start
  7. 7 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 7 (Contrapunctus 6) Start
  8. 8 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 8 (Contrapunctus 7) Start
  9. 9 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Canon In Hypodiapason (Contrapunctus 16) Start
  10. 10 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 10 (Contrapunctus 8) Start
  11. 11 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 11 (Contrapunctus 11) Start
  12. 12 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Canon In Hypodiatessaron, Al Roverscio E Per Augmentationem Start
  13. 13 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 13 (A) Forma Recta (Contrapunctus 12a) Start
  14. 14 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 13 (B) Forma Inversa (Contrapunctus 12b) Start
  15. 15 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 14 (Forma Inversa) (Contrapunctus 13) Start
  16. 16 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Canon Al Roverscio Et Per Augmentationem (Contrapunctus 15) Start
  17. 17 Die Kunst Der Fuge (The Art Of Fugue), Bwv 1080: Fugue 19 (Fragment Of A Fugue With Several Subjects) (Contrapunctus 20) Start

Produktinfo

Bach's last work, The Art of Fugue, was published shortly after his death. This recording uses the surviving autograph material from the last decade of Bach's life, breaking off at the point where, according to his second son C. P.E. Bach, Johann Sebastian uses the letters of his own name, B-A-C-H, to introduce a new countersubject. It takes a true master of the keyboard to negotiate the labyrinthine corridors of this monumental work.

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