Detailinformationen

+Psalm of the Distant Dove;4 Choral Etudes;A Garden
Eastward

*** Milken Archive of American Jewish Music
  • Künstler: Ovitsky, Martinez, Bryn-Julson, Okerlund, BBC Singers, Seattle SO, Barcelona Symphony Orchestra, Schwarz, Mester
  • Label: Naxos, DDD, 1998-2000
  • Bestellnummer: 8015318
  • Erscheinungstermin: 18.7.2005
  1. 1 I. Malkhuyyot - Steven A. Ovitsky Start
  2. 2 II. Zikhronot - Steven A. Ovitsky Start
  3. 3 Iii. Shofarot - Steven A. Ovitsky Start
  4. 4 Prelude: My Lover Called - Ana Maria Martinez Start
  5. 5 Days Of Cold Are Past - Ana Maria Martinez Start
  6. 6 Prelude: The Dove Knows Her Mate - Ana Maria Martinez Start
  7. 7 Distant Dove - Ana Maria Martinez Start
  8. 8 Elegy - Ana Maria Martinez Start
  9. 9 Prelude: Birds Struggle - Ana Maria Martinez Start
  10. 10 Avi, Avi - Ana Maria Martinez Start
  11. 11 Yihyu L'ratzon - Bbc Singers Start
  12. 12 Hodu Ladonai - Bbc Singers Start
  13. 13 B'tzet Yisrael - Bbc Singers Start
  14. 14 Ki Lo Na'e - Bbc Singers Start
  15. 15 I. Fantasia - Phyllis Bryn-Julson Start
  16. 16 II. Scherzo - Phyllis Bryn-Julson Start
  17. 17 Iii. Free Variations - Phyllis Bryn-Julson Start

Produktinfo

Hugo Weisgall, one of the 20th century's most individualistic and creative composers, united an early affinity for the musical aesthetics of Schoenberg, Berg, and Webern with a lifelong commitment to and fascination with his Jewish heritage. His symphonic masterpiece, T'kiatot, is based on a central section of the traditional Rosh Hashana service in which the shofar (ram's horn) is sounded three times. The aweinspiring blasts of an actual shofar are set within a richly chromatic orchestral texture to brilliant effect. The song cycle Psalm of the Distant Dove, based on biblical and medieval Hebrew-Spanish poetry, celebrates the mystical, age-old relationship between God and His loving but suffering people Israel, represented by the image of a dove. Also inspired by the Golden Age of Spanish Jewry is A Garden Eastward, one of Weisgall's most rhapsodic vocal and orchestral conceptions, which the composer once called his "most beautiful work.""

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