Detailinformationen

Lully: Trios pour le Coucher du Roi
+Geoffroy: Dialogue pour le Clavessin et les Violes
+L. Couperin: Simphonie;Dalogue
+F. Couperin: La Superbe
+Roux: Suite Nr. 2 D-Dur
+Clerambault: Sonate G-Dur "La Felicite"
+Marais: Suite g-moll aus "Pieces en Trio"
+Rebel: Tombeau de Monsieur Lully

  • Künstler: London Baroque
  • Label: BIS, DDD, 2004
  • Bestellnummer: 7641213
  • Erscheinungstermin: 28.4.2005
  1. 1 Trios Pour Le Coucher Du Roi (18) For 2 Violins & Continuo, Lwv 35: Symphonie Start
  2. 2 Trios Pour Le Coucher Du Roi (18) For 2 Violins & Continuo, Lwv 35: Sarabande Start
  3. 3 Trios Pour Le Coucher Du Roi (18) For 2 Violins & Continuo, Lwv 35: Menuet Start
  4. 4 Trios Pour Le Coucher Du Roi (18) For 2 Violins & Continuo, Lwv 35: Chaconne Start
  5. 5 Dialogue pour la clavecin et les violes Start
  6. 6 Simphonies (5) for viols (Pièces pour les violes) Start
  7. 7 Work(s): Dialogue Start
  8. 8 La superbe, for 2 violins & continuo: I. [no tempo marking] Start
  9. 9 La superbe, for 2 violins & continuo: II. [Légèrement] Start
  10. 10 La Superbe, For 2 Violins & Continuo: Iii. Très Lentement Start
  11. 11 La superbe, for 2 violins & continuo: IV. Légèrement Start
  12. 12 La superbe, for 2 violins & continuo: V. Air tendre Start
  13. 13 La superbe, for 2 violins & continuo: VI. Gayement Start
  14. 14 Suite for 2 harpsichords No. 2 in D major: I. Allemande grave Start
  15. 15 Suite for 2 harpsichords No. 2 in D major: II. Courante Start
  16. 16 Suite For 2 Harpsichords No. 2 In D Major: Iii. Sarabande Start
  17. 17 Suite for 2 harpsichords No. 2 in D major: IV. Gavotte en Rondeau Start
  18. 18 Sonata La félicité: I. Lentement - Allegro - Lent Start
  19. 19 Sonata La félicité: II. Allegro Start
  20. 20 Sonata La Félicité: Iii. [piano] Start
  21. 21 Sonata La félicité: IV. [Allegro] Start
  22. 22 Suite for 2 treble instruments & continuo in G minor (Pièces en trio): Prélude Start
  23. 23 Le Tombeau de Monsieur Lully: I. Lentement Start
  24. 24 Le Tombeau de Monsieur Lully: II. Vif Start
  25. 25 Le Tombeau De Monsieur Lully: Iii. Lentement Start
  26. 26 Le Tombeau de Monsieur Lully: IV. [Vivement] Start
  27. 27 Le Tombeau de Monsieur Lully: V. Les Regrets Start

Produktinfo

The Italian-style trio sonata, honed by Corelli into a monument of seventeenth century classicism with its perfect balance of new-found tonality and assimilation of dance forms into art music, had a hard time finding a foothold in France. Among other aspects, the unwillingness to abandon the dance suite – possibly caused by the privileged position of ballet as a royal pastime at the court of Louis XIV – meant that French composers waited until the end of the century to compose "proper" trio sonatas. But a great deal of experimentation with the form went on before that, and not surprisingly one of the experimenters was the Italian "immigrant" Lully. His rôle at the court of the Sun-king included providing small-scale works for the Coucher du Roi, the nightly ceremony marking the king's withdrawal to bed. Beginning with some of these “bed-chamber pieces”, and comprising composers both unknown (Geoffroy, Clérambault) and well-known (Marais, Louis Couperin), this fascinating survey of the development of the trio sonata in 17th century France includes La Superbe by François Couperin – who in 1725 was to write L'apothéose de Lully (BIS-CD-1275), in which he proclaims the divine nature of his forerunner – and fittingly concludes with Jean-Ferry Rebel's Tombeau de Monsieur Lully, a synthesis of the 17th century lament with the new Italian trio sonata style. This disc is a sequel to BIS-CD-1455, on which London Baroque with incomparable expertise explored the same period in England, to the critics' acclaim – for example in The Strad: "These carefully considered performances radiate real empathy with the idiom, and the vitality and rhetoric with which violinists Ingrid Seifert and Richard Gwilt infuse their interpretations is emphatically illuminating. I await the next issue with eager anticipation."

Rezensionen


"Alles, was man sich von einer Interpretation dieser Musik nur wünschen kann, bieten sie auf: Charme, Eleganz, Eloquenz, Kraft, Biegsamkeit, Feuer, Innigkeit und, als wichtigstes von allem, Beseeltheit. Man entsteigt diesem musikalischen Bade nach 70 Minuten gereinigt und erquickt; damit hat London Baroque genau das erreicht, was Musik im Barock wollte..." Klassik Heute. com

EUR 19,99*

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