+Scaramouche op. 165d;Sonate für Violine & Klavier Nr. 2;
Sonatina für Klarinette & Klavier op. 100;Le Printemps op. 18;
Cinema-Fantaisie d'apres "Le Boeuf sur le toit" op. 58b

  • Künstler: Jean-Marc Fessard;Frederick Pelassy, Eliane Reyes
  • Label: Naxos, DDD, 2008
  • Bestellnummer: 2460576
  • Erscheinungstermin: 30.8.2010
  1. 1 Suite, Op. 157b: I. Ouverture Start
  2. 2 Suite, Op. 157b: II. Divertissement Start
  3. 3 Suite, Op. 157b: Iii. Jeu Start
  4. 4 Suite, Op. 157b: IV. Introduction et Final Start
  5. 5 Scaramouche, Op. 165d (version for clarinet and piano): I. Vif Start
  6. 6 Scaramouche, Op. 165d (version for clarinet and piano): II. Modere Start
  7. 7 Scaramouche, Op. 165d (Version For Clarinet And Piano): Iii. Brazileira Start
  8. 8 Violin Sonata No. 2, Op. 40: I. Pastoral Start
  9. 9 Violin Sonata No. 2, Op. 40: II. Vif Start
  10. 10 Violin Sonata No. 2, Op. 40: Iii. Lent Start
  11. 11 Violin Sonata No. 2, Op. 40: IV. Tres vif Start
  12. 12 Clarinet Sonatina, Op. 100: I. Tres rude Start
  13. 13 Clarinet Sonatina, Op. 100: II. Lent Start
  14. 14 Clarinet Sonatina, Op. 100: Iii. Tres Rude Start
  15. 15 Le printemps, Op. 18 Start
  16. 16 Cinema-Fantaisie d'apres Le Boeuf sur le toit, Op. 58b Start


Darius Milhaud frequently composed music for stage and screen. The Suite derives from his incidental music for Jean Anouilh's play Le Voyageur. The outer movements of Scaramouche are taken from his stage music for Charles Vildrac's adaptation of Molière's Le Médecin volant, with the central movement drawn from the overture for Jules Supervielle's Bolivar. Le Printemps and the Cinéma-Fantaisie similarly rework previously composed music. In each case, Milhaud created new works whose sophistication, lively rhythms and elegance matter more than their origins. The two remaining works, the Violin Sonata No. 2 and the Sonatina for clarinet and piano, were freshly composed and show Milhaud's remarkable ingenuity.

EUR 7,99*

lieferbar innerhalb einer Woche
(soweit verfügbar beim Lieferanten)