Detailinformationen

Eine Werkeinführung in englischer Sprache
mit einem 136-seitigen Booklet.
Autor & Sprecher: Jeremy Siepmann

  • Künstler: Slovak Philharmonic Orchestra, Gunzenhauser
  • Label: Naxos, DDD, 01
  • Bestellnummer: 5635564
  • Erscheinungstermin: 1.7.2002

Disk 1 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Quiet Beginning: Sorrow, Syncopation, And Sequence Start
  2. 2 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Instrumental Colour As A Prime Element: Clarinets And Start
  3. 3 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Opening Tune Again, With Different Instrumental Co Start
  4. 4 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The First Big Surprise: Strings, Shattering Drumbeats, Start
  5. 5 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Cellos And Basses Take Us Into A New Key While Flutes Start
  6. 6 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Horns, Violas, And Cellos Introduce A New Idea, Soon T Start
  7. 7 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Tiny Detail From The Opening Culminates In A Wild Dr Start
  8. 8 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Introduction Complete Start
  9. 9 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Solo Horn Introduces The Main Theme, Perkily Answere Start
  10. 10 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Theme Moves To G Major; Answering Phrase From Flut Start
  11. 11 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Long Crescendo, Tremolo Strings, Back To Tonic And Big Start
  12. 12 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Transition To The Secondary Theme Through The Use Of S Start
  13. 13 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Three-Bar Groupings And Again The Use Of Sequence, Spe Start
  14. 14 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Sequence Continues To Rise, And The Four-Bar Phras Start
  15. 15 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The First Violins Start Off The Next Phrase, But The M Start
  16. 16 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violins Fall Silent; The Violas And Cellos Answer Start
  17. 17 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": So Now We Have A Two-Bar Group, Made Up Of Statement A Start
  18. 18 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Same Thing Again (Though Not Quite The Same) Start
  19. 19 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Transition Complete. The Secondary Theme Arrives, With Start
  20. 20 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'bagpipe Drone' Is Taken Over By Cellos, With Thei Start
  21. 21 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Tune Is Taken Up By Cellos And Double-Basses, 'sha Start
  22. 22 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violins Continue A Pattern Of Steady Pairs, And Th Start
  23. 23 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Unexpectedly, We Find Ourselves Back With The Secondar Start
  24. 24 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Again We Hear The Shortened Version Of The Secondary T Start
  25. 25 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Suspense Is Heightened As Everything Slows Down Start
  26. 26 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": This Beautiful Flute Tune Is Said To Resemble 'swing L Start
  27. 27 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Big Crescendo Leads To A Final Statement Of The Clos Start
  28. 28 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Development Section Begins With A Conversation Bet Start
  29. 29 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Beginning Of The Closing Theme Is Taken Up In Turn Start
  30. 30 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Sequential Chirping From The Oboes Based On The 'answe Start
  31. 31 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Much Of The Development Comes From A Diminution Of The Start
  32. 32 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Tiny Detail Becomes A Major Ingredient, Giving An Ag Start
  33. 33 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Through A Sequence Of Keys So Quickly That It Is Hard Start
  34. 34 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme From Massed Cellos And Double-Basses, T Start
  35. 35 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": After That Major Climax, We Arrive At The Threshold Of Start
  36. 36 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak Flouts Tradition By Setting The Secondary Theme Start
  37. 37 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Tumultuous Convulsion Of The Coda Brings The First Start
  38. 38 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Humpty Dumpty: Putting The Bits Back Together Again Start
  39. 39 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": First Movement (Complete) Start
  40. 40 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Very Opening Chords Unmistakably Herald The Arriva Start
  41. 41 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Role Of Instrumentation In Setting The Scene... Start
  42. 42 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": ...And In Enhancing The Quality Of One Of The Most Fam Start
  43. 43 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Cor Anglais Is Joined By The Clarinet, Creating A Start
  44. 44 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": For The Closing Part Of The Tune, There Is Another New Start
  45. 45 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Closing Bar Is Repeated By Clarinets And Bassoons, Start
  46. 46 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Back To The Start To Hear The Whole Of The Story So Fa Start
  47. 47 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Change Of Scoring: The Slow Opening Chords Return, T Start
  48. 48 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Changes In Scoring Are Just Beginning. Start
  49. 49 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Flutes And Oboes Introduce A New Tune, Over Hushed Start
  50. 50 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Memorable Combination Of Continuous, Asymmetrical Me Start
  51. 51 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Back In That Woodland Glade, The Light And Shadows Hav Start
  52. 52 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Next Section Is New And Forward-Looking, Yet Also Start
  53. 53 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": An Abrupt Change Of Mood, Much Discussion And Embellis Start
  54. 54 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Subjectivity And Expertise; Sourek And Tovey Disagree; Start
  55. 55 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Cue To Whole Movement Start
  56. 56 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Second Movement (Complete) Start

Disk 2 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak, Beethoven, And The Scherzo. Dvorak Purposely C Start
  2. 2 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Using A Little Fanfare, Dvorak Further Builds Up Expec Start
  3. 3 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": When The Theme Is Revealed, We Find That It Is Not Exa Start
  4. 4 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Two Little Bursts Of Rhythm Provide The Seeds From Whi Start
  5. 5 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": It Is The Second Half Of The Theme That Dominates. Start
  6. 6 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Back To The Beginning To Hear The Whole Of This Openin Start
  7. 7 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Without Ever Being Remotely 'academic' Or 'intellectua Start
  8. 8 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak's Very Czech Love Of Combining Conflicting Rhyt Start
  9. 9 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Clearly Transitional Passage, Obsessed With The Rhyt Start
  10. 10 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Sooner Than We May Have Expected, We Seem To Have Arri Start
  11. 11 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A New Kind Of Tone Quality Sheds A Subtly Different Li Start
  12. 12 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Flutes And Oboes Now Chime In With An Answering Va Start
  13. 13 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": ...And The Cellos And Bassoons Take Up The Original Ve Start
  14. 14 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A False Alarm: It Was Not The Traditional Trio Section Start
  15. 15 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Soon, After A Very Rapid Build, The Scherzo Proper Doe Start
  16. 16 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Orchestral Texture Thins Dramatically, And We Appr Start
  17. 17 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Trio Section Is Reminiscent More Of The 'old World Start
  18. 18 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": In The Second Half Of The Trio, A New Tune Emerges, A Start
  19. 19 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Of The Trio Returns Against A Much Full Start
  20. 20 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Then It Is All A Matter Of Repeats, Until We Reach The Start
  21. 21 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Third Movement (Complete) Start
  22. 22 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Like The First Movement, The Fourth Begins Not With It Start
  23. 23 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme: An Imposing March, Introduced By Trump Start
  24. 24 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme, Part Two. A Codetta-Like Passage Close Start
  25. 25 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'transitional' Theme, While Outwardly Contrasting, Start
  26. 26 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Point Of Future Obsession Start
  27. 27 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Second Half Of This 'transitional' Theme Is Given Start
  28. 28 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'obsession' Takes Root, With A Ten-Fold Repetition Start
  29. 29 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Hidden Traps In Sonata-Form Terminology: 'second M Start
  30. 30 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Unexpected Entry And Subsequent Ubiquity Of 'three Start
  31. 31 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": We Meet The Mice Again, Now In The Cellos And Double-B Start
  32. 32 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": More 'three Blind Mice' Material Start
  33. 33 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Mice Return To The Basement, Where The Bassoons Ha
  34. 34 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Next, They Are Back With The Clarinets Who Pass Them B
  35. 35 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Now They Return To The High Winds, Delicately Trilling
  36. 36 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Relief, At Last: The Mice Back Off, Making Way For A R
  37. 37 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Mice Yield To Woodpeckers; The Main Theme Is Now D
  38. 38 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Triplets Of The 'transitional' Theme Are Now Hande
  39. 39 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Reminders Of Past Movements Begin To Fly By, Thick And
  40. 40 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": In Fact There Are Three Bits Of Quotation Going On Her
  41. 41 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violas React Every Time The 'goin' Home' Theme Is
  42. 42 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Rhythm Of The Opening Of The 'goin' Home' Theme Do
  43. 43 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The March Theme Reappears As A Mendelssohnian Fairy; T
  44. 44 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": We Reach An Interesting Point: Have We Heard The Begin
  45. 45 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Perhaps This Is It? Back For A Reminder Of The Theme P
  46. 46 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Tovey Places The Start Of The Recapitulation Here.
  47. 47 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Recast In Pathetic Rather Than Heroic T
  48. 48 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": This Unexpected Crisis In Confidence Plays A Major Rol
  49. 49 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Returns - Not Complete, But Chopped Up
  50. 50 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": A Glorious Thematic Stew; High Drama, A Powerful Build
  51. 51 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Dramatic Highpoint Of The Mov., An Astonishing Tra
  52. 52 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": The Same Chords Again, This Time Blasted Out By The En
  53. 53 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Now We Are Into The Finishing Stretch, But The Surpris
  54. 54 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Summary, Context, And Cue Into The Whole Movement
  55. 55 Jeremy Siepmann: An Introduction To # Dvorak Symphony No. 9, "from The New World": Fourth Movement (Complete)

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