Antonio Vivaldi (1678-1741):Beatus Vir RV 597
CD
EUR 18.99*
Antonio Vivaldi (1678-1741): Beatus Vir RV 795 (Psalm 111)
- Antonio Vivaldi (1678–1741)
- Beatus Vir RV 795 (Psalm 111)
- CD i **;
Detailed Information
RV 606;In exitu Israel RV 604;Nisi Dominus
RV 608
- Artist: Gritton, Stutzmann, Summers, Gibson, The King's Consort & Choir, King
- Label: Hyperion , DDD, 00
- Order number: 3351978
- Release date: 19.1.2001
Beatus vir RV 795
- 1 Beatus vir. Allegro Start
- 2 Gloria et divitiae. Allegro Start
- 3 Beatus vir Start
- 4 Exortum est in tenebris. Andante molto Start
- 5 Beatus vir Start
- 6 Jucundus homo. Allegro Start
- 7 Beatus vir Start
- 8 Im memoriam aeterna. Andante molto Start
- 9 Beatus vir Start
- 10 Paratum cor ejus. Andante Start
- 11 Beatus vir Start
- 12 Dispersit, dedit pauperibus. Andante Start
- 13 Gloria Patri, et Filio. Allegro Start
- 14 Peccator videbit. Largo Start
- 15 Gloria Patri, et Filio. Allegro Start
Salve Regina RV 617e
Nisi Dominus RV 608
Product Information
Product-Information:
The first work on volume 6 is a major, rarely heard Vivaldi choral work, the setting of Beatus Vir, RV795. Alongside typically ebullient writing for chorus and orchestra, the work presents astonishing solo writing. Susan Gritton's soprano, it almost goes without saying, is glorious, but Vivaldi's girls at the Pietà also included special altos—youngsters who were trained to sing unusually low: Beatus Vir presents some of the most remarkable of all this writing, including one aria—Peccator videbit, performed by Hilary Summers—which is perhaps the lowest alto aria ever written! Alongside such peculiarities, there is much wonderful music, not least of all a rich trio In memoria aeterna.
Also on the disc come two splendid choral psalm settings, In exitu Israel and Laudate Pueri. Susan Gritton sings a gloriously lyrical solo motet Salve Regina, as devout and ardent a religious setting as Vivaldi ever wrote. Gritton is surely now one of the great Vivaldi singers of our generation.
The remarkable French alto Nathalie Stutzmann, after a string of highly acclaimed recordings for other labels, makes a long-awaited début on Hyperion singing the famous setting of Nisi Dominus. Her singing is full of colour, variety and nuance, also demonstrating the astonishing coloratura and breath control which has made her one of France's most sought-after stars.
Rezensionen
‘Bravo to the King’s Consort, whose skilful performances are bringing this important repertoire to the attention of listeners as well as other performers’ (Schwann, USA)
‘Richly rewarding music, wonderfully performed. I’m eager to dive into Volumes 1 to 5’ (Opera News, USA)'Richly rewarding music, wonderfully performed' (Opera News)
'The performances fully live up to the remarkably high standards that informed the previous issues. A fine addition to one of the most rewarding series currently in progress' (Fanfare)
'Top marks again to King for his choice of soloists – in Stutzmann, above all, we have one of today’s best baroque voices' (Gramophone)
Press comments
J. Hillebrand in FonoForum 5 / 01: "Das Ereignis dieser Platte ist die erstmalig in der Serie mitwirkende Nathalie Stutzmann. Mit ihrer voluminösen, dunkel ge- färbten Stimme, extrem reduziertem Vibrato und einer wandlungsfähigen, doch nie übertrieben dramatisierenden Textausdeutung adelt sie das frühe "Nisi Dominus", Vivaldis ambitionierteste Psalmkomposition für Solo- gesang."EUR 19.99*
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