Detailinformationen

Rhapsodie für Cello & Klavier op. 21 "Pampeana Nr. 2";
5 Canciones populares argentinas op. 10;Punena Nr. 2 "Hommage
a Paul Sacher";Cellosonate op. 49

  • Künstler: Mark Kosower, Jee-Won Oh
  • Label: Naxos, DDD, 2006
  • Bestellnummer: 4281075
  • Erscheinungstermin: 30.5.2008
  1. 1 Pampeana No. 2, Op. 21 Start
  2. 2 5 Canciones populares argentinas, Op. 10 (arr. M. Kosower): No. 4. Chacarera Start
  3. 3 5 Canciones populares argentinas, Op. 10 (arr. M. Kosower): No. 1. Triste Start
  4. 4 5 Canciones populares argentinas, Op. 10 (arr. M. Kosower): No. 3. Zamba Start
  5. 5 5 Canciones populares argentinas, Op. 10 (arr. M. Kosower): No. 2. Arrorro Start
  6. 6 5 Canciones populares argentinas, Op. 10 (arr. M. Kosower): No. 5. Gato Start
  7. 7 Punena No. 2, Op. 45, "Hommage a Paul Sacher": I. Harawi Start
  8. 8 Punena No. 2, Op. 45, "Hommage a Paul Sacher": II. Wayno karnavalito Start
  9. 9 Cello Sonata, Op. 49: I. Allegro deciso Start
  10. 10 Cello Sonata, Op. 49: II. Adagio passionato Start
  11. 11 Cello Sonata, Op. 49: Iii. Presto Mormoroso Start
  12. 12 Cello Sonata, Op. 49: IV. Allegro con fuoco Start

Produktinfo

One of the most important South American composers of the 20th century, Alberto Ginastera embraced both old and new in the creation of an original style rooted in Argentine folk and popular music while incorporating increasingly modernist techniques. The works on this recording span Ginastera's entire compositional output. The Cinco canciones populares argentinas are derived directly from folk-music but in Pampeana No. 2 the use of folk-music is more symbolic. Puneña No. 2 is a tour de force for solo cello that explores all registers of the instrument as well as a wide range of extended techniques. Ginastera himself wrote of the Sonata, Op. 49, one of his last works from his Neo-Expressionist period: "Strong rhythms, lyrical singing, and a mysterious atmosphere are, I think, the characteristics of this work consisting of four movements"."

Pressestimmen

FonoForum 11 / 08: "Mark Kosower bleibt den unzähligen technischen Hürden dieser Musik nichts schuldig und bietet mit seiner Interpretation ein überzeugendes Plädoyer für ein Werk, das es verdient hätte, zum Standardrepertoire zu zählen."

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