Sebastian Fagerlund: Döbeln
Döbeln
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
- Künstler: Anu Komsi, Annika Mylläri, Lasse Penttinen, Sören Lillkung, Kokkola Opera Festival Orchestra, Sakari Oramo
- Label: BIS, DDD, 2009
- Bestellnummer: 4499244
- Erscheinungstermin: 21.7.2010
Fagerlund hat sich rasch als einer der interessantesten finnischen Komponisten seiner Generation etabliert. Typisch für seinen Stil ist ein reicher, fließender Klang mit Überlagerungen, doch ohne modernistische Härte. Komplizierte, teilweise klar motorisch ausgerichtete, oft synkopische Rhythmen kommen dazu. Doch schreibt er als Ausgleich oft auch lyrische, gefühlvolle Passagen. Seiner Instrumentalmusik wird ein auffällig dramaturgischer Aufbau bescheinigt, und so liegt es nahe, dass er sich mit „Döbeln“ nun der Oper zuwendet. Das zweiaktige Werk auf ein Libretto von Jusa Peltoniemi (auf schwedisch und finnisch) setzt auf der Geschichte des Offiziers Georg Carl von Döbeln (1758-1820) auf, der während des Krieges gegen Russland 1788-1790 von einer russischen Kugel am Kopf getroffen wurde. 1808 wurde er zum General befördert. Die Oper spielt nun mit Realität und Halluzinationen des in der Schlacht bei Porrasslami Verwundeten und Vorhersehungen seiner späteren Einsätze.
Born in 1972 Sebastian Fagerlund has rapidly emerged as one of the most interesting Finnish composers of his generation. At the core of his style is a richly sonorous, swiftly flowing idiom that is multi-layered in texture but avoids modernism's severity of tone. His rhythms are rich, sometimes clearly motoric, sometimes capriciously syncopated and more freely shaped. To counterbalance the rapid currents and rhythmic vivacity there are delicate, lyrically emotional passages. His music has often been tinged with a feeling of drama even when the forces are purely instrumental, and the move to opera, for the first time here in Döbeln, is thus completely natural. The main character of the opera is a historic figure, the Swedish General Georg Carl von Döbeln, a hero of the 1808-09 war over Finland between Russia and Sweden. The plot incorporates actual events during the war, but mixes them with fantasies and hallucinations in a many-faceted emotional mosaic. As the composer writes in his own liner notes: 'When I began to plan this work, the idea of a grand, epic and heroic war opera felt unnatural to me. I wanted to discover a story - and a way of realizing it - where drama could be combined with humour, without losing track of the serious subject: war and its effects on man.' The libretto by Finnish writer Jusa Peltoniemi is partly in Swedish and partly in Finnish, and includes eleven characters, ranging from a hospital orderly to the King of Sweden. These roles are distributed among five singers, supported by fifteen instrumentalists: piano, string quintet, seven wind-players and percussionists. With these limited forces, Fagerlund conjures up a sound-scape which is rich in colour, variation and emotional intensity. The direction is in the highly competent hands of Sakari Oramo, conducting a cast of leading Finnish singers from the West Coast Kokkola Opera. The comprehensive booklet includes the full Swedish / Finnish libretto with a parallel English translation, as well as a presentation of the composer and his work in four languages: English, Finnish, German and French. Packaged in a cardboard slipcase, this title also includes a full colour leaflet with photographs from the first performance, which took place in 2009.
Born in 1972 Sebastian Fagerlund has rapidly emerged as one of the most interesting Finnish composers of his generation. At the core of his style is a richly sonorous, swiftly flowing idiom that is multi-layered in texture but avoids modernism's severity of tone. His rhythms are rich, sometimes clearly motoric, sometimes capriciously syncopated and more freely shaped. To counterbalance the rapid currents and rhythmic vivacity there are delicate, lyrically emotional passages. His music has often been tinged with a feeling of drama even when the forces are purely instrumental, and the move to opera, for the first time here in Döbeln, is thus completely natural. The main character of the opera is a historic figure, the Swedish General Georg Carl von Döbeln, a hero of the 1808-09 war over Finland between Russia and Sweden. The plot incorporates actual events during the war, but mixes them with fantasies and hallucinations in a many-faceted emotional mosaic. As the composer writes in his own liner notes: 'When I began to plan this work, the idea of a grand, epic and heroic war opera felt unnatural to me. I wanted to discover a story - and a way of realizing it - where drama could be combined with humour, without losing track of the serious subject: war and its effects on man.' The libretto by Finnish writer Jusa Peltoniemi is partly in Swedish and partly in Finnish, and includes eleven characters, ranging from a hospital orderly to the King of Sweden. These roles are distributed among five singers, supported by fifteen instrumentalists: piano, string quintet, seven wind-players and percussionists. With these limited forces, Fagerlund conjures up a sound-scape which is rich in colour, variation and emotional intensity. The direction is in the highly competent hands of Sakari Oramo, conducting a cast of leading Finnish singers from the West Coast Kokkola Opera. The comprehensive booklet includes the full Swedish / Finnish libretto with a parallel English translation, as well as a presentation of the composer and his work in four languages: English, Finnish, German and French. Packaged in a cardboard slipcase, this title also includes a full colour leaflet with photographs from the first performance, which took place in 2009.
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (SACD)
Döbeln (Oper in 2 Akten)
- 1 Prolog (1. Akt)
- 2 The Operation - Interlude 1
- 3 The first dream: The king - Interlude 2
- 4 The second dream: Retreat - Interlude 3
- 5 The third dream: Ice fishing
- 6 The fourth dream: The burbot
- 7 Interlude 4 - The fifth dream: The shipwreck (2. Akt)
- 8 The sixth dream: Struggle
- 9 The seventh dream: Revolution - Interlude 5
- 10 The operation
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