Francesco Cavalli: Messa Concertata
Messa Concertata
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
Derzeit nicht erhältlich.
Lassen Sie sich über unseren eCourier benachrichtigen, falls das Produkt bestellt werden kann.
Lassen Sie sich über unseren eCourier benachrichtigen, falls das Produkt bestellt werden kann.
- +Canzonen zu 3, 4, 6, 8 Stimmen; 3 Motetten
Wir haben bei dieser Einspielung versucht, den Effekt zu reproduzieren, der unter Cavallis Leitung erzielt worden wäre. Zu diesem Zweck fand die Aufnahme in einem Bauwerk – der Kirche St. Jude in der Londoner Vorstadt Hampstead Garden – statt, die in bezug auf Größe und Akustik den Bedingungen der Markuskirche ähnlich ist. Wir haben durchgehend Solostimmen verwendet, da die italienischen Kirchenensembles der Zeit normalerweise eine Singstimme je Stimme hatten und die Mehrstimmigkeit des venezianischen Stils sich besonders auf das Zusammenspiel von Solisten und Instrumenten konzentrierte. Bei der Orgel handelt es sich um ein neues Instrument von Martin Goetze und Dominic Gwynn, welches einen Orgeltyp zum Vorbild hatte, der in den italienischen Barockkirchen häufig für das Continuo-Spiel verwendet wurde. Wie es dem Zuhörer ganz klar sein wird, kann dieses Instrument einen positiveren und charaktervolleren Beitrag zum Ensemble zu leisten als die kleinen Truhenorgeln mit Holzpfeifen, die normalerweise bei modernen Aufführungen und Einspielungen zum Einsatz kommen.
Francesco Cavalli was born on 14 February 1602 in the Venetian city of Crema where he was a choirboy in the cathedral. He entered the choir of St Mark's Venice in 1616 as a treble and worked there (with the exception of an extended visit to Paris from 1660 until 1662) until his death in 1676. He became second organist in 1639, first organist in 1665, and maestro di capella in 1668.
At St Mark's High Mass was virtually a continuous concert. The five movements of the Mass Ordinary would be interspersed with offertory and communion motets and with ensemble sonatas. While this recording is not meant to be an exact reconstruction of any particular service, it does seem important to include these additional pieces in their proper liturgical positions; they provide the sort of contrasts in scoring, idiom and mood that Cavalli would have been expecting when he wrote his Messa Concertata, the work which stands at the head of his Musiche sacre, the volume published in 1656 containing the majority of his surviving works. The Mass can therefore be regarded as being among his finest compositions.
‘A marvellous work’ (Classic CD)
‘This is a real winner. I don’t expect a better performance of the Messa Concertata to come along in the near future. Strongly recommended’ (Continuo)
‘Recommended’ (Fanfare)
‘Recomendado’ (CD Compact)
'This is a 'first' you should not miss' (BBC Music Magazine)
'Une belleza extraordinaria' (CD Compact, Spain)
Product-Information:
Francesco Cavalli was born on 14 February 1602 in the Venetian city of Crema where he was a choirboy in the cathedral. He entered the choir of St Mark's Venice in 1616 as a treble and worked there (with the exception of an extended visit to Paris from 1660 until 1662) until his death in 1676. He became second organist in 1639, first organist in 1665, and maestro di capella in 1668.
At St Mark's High Mass was virtually a continuous concert. The five movements of the Mass Ordinary would be interspersed with offertory and communion motets and with ensemble sonatas. While this recording is not meant to be an exact reconstruction of any particular service, it does seem important to include these additional pieces in their proper liturgical positions; they provide the sort of contrasts in scoring, idiom and mood that Cavalli would have been expecting when he wrote his Messa Concertata, the work which stands at the head of his Musiche sacre, the volume published in 1656 containing the majority of his surviving works. The Mass can therefore be regarded as being among his finest compositions.
Rezensionen
‘A marvellous work’ (Classic CD)
‘This is a real winner. I don’t expect a better performance of the Messa Concertata to come along in the near future. Strongly recommended’ (Continuo)
‘Recommended’ (Fanfare)
‘Recomendado’ (CD Compact)
'This is a 'first' you should not miss' (BBC Music Magazine)
'Une belleza extraordinaria' (CD Compact, Spain)
Rezensionen
Continuo: "Ein echter Gewinn! In nächster Zukunft wird es wohl keine bessere Interpretation der 'Messa Concertata' geben - daher: Höchste Empfehlung!"- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
Messa concertata
- 1 Kyrie
- 2 Gloria
- 3 Canzona à 6
- 4 O quam suavis et decora
- 5 Credo
- 6 Canzona à 4
- 7 Sanctus und Benedictus
- 8 O bone Jesu, o Jesu amabilis
- 9 Canzona à 3
- 10 Agnus Dei
- 11 Canzona à 8
