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    Classics Explained:Dvorak,Symphonie Nr.9

    Classics Explained:Dvorak,Symphonie Nr.9
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    • Eine Werkeinführung in englischer Sprache mit einem 136-seitigen Booklet. Autor & Sprecher: Jeremy Siepmann
    • Künstler: Slovak Philharmonic Orchestra, Gunzenhauser
    • Label: Naxos, DDD, 01
    • Bestellnummer: 5635564
    • Erscheinungstermin: 1.7.2002
    • Tracklisting
    • Mitwirkende

    Disk 1 von 2

    1. 1 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Quiet Beginning: Sorrow, Syncopation, And Sequence
    2. 2 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Instrumental Colour As A Prime Element: Clarinets And
    3. 3 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Opening Tune Again, With Different Instrumental Co
    4. 4 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The First Big Surprise: Strings, Shattering Drumbeats,
    5. 5 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Cellos And Basses Take Us Into A New Key While Flutes
    6. 6 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Horns, Violas, And Cellos Introduce A New Idea, Soon T
    7. 7 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Tiny Detail From The Opening Culminates In A Wild Dr
    8. 8 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Introduction Complete
    9. 9 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Solo Horn Introduces The Main Theme, Perkily Answere
    10. 10 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Theme Moves To G Major; Answering Phrase From Flut
    11. 11 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Long Crescendo, Tremolo Strings, Back To Tonic And Big
    12. 12 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Transition To The Secondary Theme Through The Use Of S
    13. 13 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Three-Bar Groupings And Again The Use Of Sequence, Spe
    14. 14 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Sequence Continues To Rise, And The Four-Bar Phras
    15. 15 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The First Violins Start Off The Next Phrase, But The M
    16. 16 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violins Fall Silent; The Violas And Cellos Answer
    17. 17 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": So Now We Have A Two-Bar Group, Made Up Of Statement A
    18. 18 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Same Thing Again (Though Not Quite The Same)
    19. 19 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Transition Complete. The Secondary Theme Arrives, With
    20. 20 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'bagpipe Drone' Is Taken Over By Cellos, With Thei
    21. 21 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Tune Is Taken Up By Cellos And Double-Basses, 'sha
    22. 22 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violins Continue A Pattern Of Steady Pairs, And Th
    23. 23 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Unexpectedly, We Find Ourselves Back With The Secondar
    24. 24 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Again We Hear The Shortened Version Of The Secondary T
    25. 25 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Suspense Is Heightened As Everything Slows Down
    26. 26 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": This Beautiful Flute Tune Is Said To Resemble 'swing L
    27. 27 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Big Crescendo Leads To A Final Statement Of The Clos
    28. 28 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Development Section Begins With A Conversation Bet
    29. 29 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Beginning Of The Closing Theme Is Taken Up In Turn
    30. 30 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Sequential Chirping From The Oboes Based On The 'answe
    31. 31 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Much Of The Development Comes From A Diminution Of The
    32. 32 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Tiny Detail Becomes A Major Ingredient, Giving An Ag
    33. 33 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Through A Sequence Of Keys So Quickly That It Is Hard
    34. 34 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme From Massed Cellos And Double-Basses, T
    35. 35 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": After That Major Climax, We Arrive At The Threshold Of
    36. 36 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak Flouts Tradition By Setting The Secondary Theme
    37. 37 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Tumultuous Convulsion Of The Coda Brings The First
    38. 38 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Humpty Dumpty: Putting The Bits Back Together Again
    39. 39 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": First Movement (Complete)
    40. 40 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Very Opening Chords Unmistakably Herald The Arriva
    41. 41 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Role Of Instrumentation In Setting The Scene...
    42. 42 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": ...And In Enhancing The Quality Of One Of The Most Fam
    43. 43 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Cor Anglais Is Joined By The Clarinet, Creating A
    44. 44 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": For The Closing Part Of The Tune, There Is Another New
    45. 45 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Closing Bar Is Repeated By Clarinets And Bassoons,
    46. 46 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Back To The Start To Hear The Whole Of The Story So Fa
    47. 47 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Change Of Scoring: The Slow Opening Chords Return, T
    48. 48 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Changes In Scoring Are Just Beginning.
    49. 49 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Flutes And Oboes Introduce A New Tune, Over Hushed
    50. 50 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Memorable Combination Of Continuous, Asymmetrical Me
    51. 51 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Back In That Woodland Glade, The Light And Shadows Hav
    52. 52 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Next Section Is New And Forward-Looking, Yet Also
    53. 53 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": An Abrupt Change Of Mood, Much Discussion And Embellis
    54. 54 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Subjectivity And Expertise; Sourek And Tovey Disagree;
    55. 55 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Cue To Whole Movement
    56. 56 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Second Movement (Complete)

    Disk 2 von 2

    1. 1 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak, Beethoven, And The Scherzo. Dvorak Purposely C
    2. 2 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Using A Little Fanfare, Dvorak Further Builds Up Expec
    3. 3 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": When The Theme Is Revealed, We Find That It Is Not Exa
    4. 4 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Two Little Bursts Of Rhythm Provide The Seeds From Whi
    5. 5 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": It Is The Second Half Of The Theme That Dominates.
    6. 6 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Back To The Beginning To Hear The Whole Of This Openin
    7. 7 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Without Ever Being Remotely 'academic' Or 'intellectua
    8. 8 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Dvorak's Very Czech Love Of Combining Conflicting Rhyt
    9. 9 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Clearly Transitional Passage, Obsessed With The Rhyt
    10. 10 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Sooner Than We May Have Expected, We Seem To Have Arri
    11. 11 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A New Kind Of Tone Quality Sheds A Subtly Different Li
    12. 12 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Flutes And Oboes Now Chime In With An Answering Va
    13. 13 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": ...And The Cellos And Bassoons Take Up The Original Ve
    14. 14 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A False Alarm: It Was Not The Traditional Trio Section
    15. 15 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Soon, After A Very Rapid Build, The Scherzo Proper Doe
    16. 16 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Orchestral Texture Thins Dramatically, And We Appr
    17. 17 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Trio Section Is Reminiscent More Of The 'old World
    18. 18 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": In The Second Half Of The Trio, A New Tune Emerges, A
    19. 19 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Of The Trio Returns Against A Much Full
    20. 20 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Then It Is All A Matter Of Repeats, Until We Reach The
    21. 21 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Third Movement (Complete)
    22. 22 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Like The First Movement, The Fourth Begins Not With It
    23. 23 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme: An Imposing March, Introduced By Trump
    24. 24 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme, Part Two. A Codetta-Like Passage Close
    25. 25 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'transitional' Theme, While Outwardly Contrasting,
    26. 26 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Point Of Future Obsession
    27. 27 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Second Half Of This 'transitional' Theme Is Given
    28. 28 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The 'obsession' Takes Root, With A Ten-Fold Repetition
    29. 29 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Hidden Traps In Sonata-Form Terminology: 'second M
    30. 30 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Unexpected Entry And Subsequent Ubiquity Of 'three
    31. 31 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": We Meet The Mice Again, Now In The Cellos And Double-B
    32. 32 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": More 'three Blind Mice' Material
    33. 33 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Mice Return To The Basement, Where The Bassoons Ha
    34. 34 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Next, They Are Back With The Clarinets Who Pass Them B
    35. 35 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Now They Return To The High Winds, Delicately Trilling
    36. 36 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Relief, At Last: The Mice Back Off, Making Way For A R
    37. 37 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Mice Yield To Woodpeckers; The Main Theme Is Now D
    38. 38 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Triplets Of The 'transitional' Theme Are Now Hande
    39. 39 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Reminders Of Past Movements Begin To Fly By, Thick And
    40. 40 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": In Fact There Are Three Bits Of Quotation Going On Her
    41. 41 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Violas React Every Time The 'goin' Home' Theme Is
    42. 42 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Rhythm Of The Opening Of The 'goin' Home' Theme Do
    43. 43 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The March Theme Reappears As A Mendelssohnian Fairy; T
    44. 44 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": We Reach An Interesting Point: Have We Heard The Begin
    45. 45 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Perhaps This Is It? Back For A Reminder Of The Theme P
    46. 46 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Tovey Places The Start Of The Recapitulation Here.
    47. 47 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Recast In Pathetic Rather Than Heroic T
    48. 48 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": This Unexpected Crisis In Confidence Plays A Major Rol
    49. 49 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Main Theme Returns - Not Complete, But Chopped Up
    50. 50 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": A Glorious Thematic Stew; High Drama, A Powerful Build
    51. 51 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Dramatic Highpoint Of The Mov., An Astonishing Tra
    52. 52 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": The Same Chords Again, This Time Blasted Out By The En
    53. 53 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Now We Are Into The Finishing Stretch, But The Surpris
    54. 54 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Summary, Context, And Cue Into The Whole Movement
    55. 55 Jeremy Siepmann : An Introduction To # Dvorak Symphony No. 9, "from The New World": Fourth Movement (Complete)