Billie Holiday: Lady In Satin
Lady In Satin
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
lieferbar innerhalb 2-3 Wochen
(soweit verfügbar beim Lieferanten)
(soweit verfügbar beim Lieferanten)
EUR 11,99**
EUR 10,99*
- Label: EssentialJazz, 1958
- Bestellnummer: 1826538
- Erscheinungstermin: 30.6.2009
Weitere Ausgaben von Lady In Satin
- EUR 11,99* Billie Holiday (1915-1959): Lady In Satin (+8 Bonus Tracks) (State Of Art Edition) CD, (+8 Bonus Tracks) (State Of Art Edition)
- EUR 8,99* Billie Holiday (1915-1959): Lady In Satin CD
- EUR 22,99* Billie Holiday (1915-1959): Lady In Satin (180g) (+8 Bonustracks) 1 LP, 1 CD, (180g) (+8 Bonustracks)
- EUR 21,99* Billie Holiday (1915-1959): Lady In Satin (180g) (Limited Edition) (Blue Vinyl) LP, (180g) (Limited Edition) (Blue Vinyl)
- EUR 9,99* Billie Holiday (1915-1959): Lady In Satin CD
- EUR 11,99* Billie Holiday (1915-1959): Lady In Satin (Stereo) CD, (Stereo)
- EUR 22,99* Billie Holiday (1915-1959): Lady In Satin (180g) (Limited Edition) (Translucent Purple Virgin-Vinyl) LP, (180g) (Limited Edition) (Translucent Purple Virgin-Vinyl)
- EUR 84,99* Billie Holiday (1915-1959): Lady In Satin (180g) (Limited Edition) (45 RPM) 2 LPs, (180g) (Limited Edition) (45 RPM)
- EUR 26,99* Billie Holiday (1915-1959): Lady In Satin (180g) LP, (180g)
- EUR 13,99* Billie Holiday (1915-1959): Lady In Satin (Limited Edition) CD, (Limited Edition), Japan-Import
- EUR 21,99* Billie Holiday (1915-1959): Lady In Satin (Blu-Spec CD2) CD, (Blu-Spec CD2), Japan-Import
+ Ray Ellis and His Orchestra
"Lady In Satin" markiert Billie Holidays letzten großen Hit und ihr vorletztes Album. Obwohl nach diesem Columbia Album einige Live-Aufnahmen entstanden, und sie sogar ein zweites Album mit Ray Ellis für MGM gemacht hat, war keines dieser Dokumente so dauerhaft wie Lady in Satin. In der Tat, liebte Billie dieses Album selbst. Die meisten Jazz-Fans betrachten Lady in Satin als letzte große Leistung von Billie Holiday.
Das Album fand Aufnahme in das Buch "1001 Albums You Must Hear Before You Die".
This is the most controversial of all Billie Holiday records. Lady Day herself said that this session (which finds her accompanied by Ray Ellis' string orchestra) was her personal favorite, and many listeners have found her emotional versions of such songs as "I'm a Fool to Want You," "You Don't Know What Love Is," "Glad to Be Unhappy," and particularly "You've Changed" to be quite touching. But Holiday's voice was essentially gone by 1958, and although not yet 43, she could have passed for 73. Ellis' arrangements do not help, veering close to Muzak; most of this record is very difficult to listen to. Late in life, Holiday expressed the pain of life so effectively that her croaking voice had become almost unbearable to hear. There is certainly a wide range of opinion as to the value of this set.
This release contains the classic original album Lady in Satin in its entirety. It marks Holiday's last big hit and her second to last album ever. As a bonus, we have included five ballads from a 1955 session with Harry Edison and Benny Carter, the rare 1957 studio version of "Fine and Mellow" with Lester Young, Coleman Hawkins and Ben Webster, and Holiday's only two performances from the 1958 Jazz at the Plaza concert.
Tracks #1-12 were originally issued in LP as Columbia CS 8048.
Personnel: Mel Davis (tp), J. J. Johnson, Urbie Green, Jack Green (tb}, Tom Mitchell (btb), Phil Bodner, Romeo Penque, Eddie Powell, Tom Parshley (reeds), Mal Waldron (p), Bradley Spinney, Bobby Rosengarden (xylophone), Barry Galbraith (g), Milt Hinton (b), Don Lamond (d), Ray Ellis (arr, cond) + String section, choir.
Recorded in New York City, on February 18, 19 & 20, 1958.
The bonus tracks #13-17, taken from the original album "Music for Torching" released as Verve MGV 8026. Personnel: Billie Holiday (vcl), Harry "Sweets" Edison (tp), Benny Carter (as), Jimmy Rowles (p), John Simmons (b) and Larry Bunker (d). Recorded in Los Angeles, on August 23 & 25, 1955.
Track #18 comes from the CBS special TV program "The Sound Of Jazz". Personnel: Billie Holiday (vcl), Doc Cheatham (tp), Vic Dickenson (tb), Lester Young, Ben Webster, Coleman Hawkins (ts), Mal Waldron (p), Danny Barker (g), Jim Atlas (b) and Jo Jones (d). Recorded in New York City, on December 5, 1957.
Tracks #19-20 taken from the collective live album "Jazz at the Plaza" (Columbia PC 32470). Personnel: Billie Holiday (vcl), Buck Clayton (tp), Mal Waldron (p), unknown bass and drums. Recorded at the Persian Room of the Plaza Hotel, New York, September 9, 1958.
Das Album fand Aufnahme in das Buch "1001 Albums You Must Hear Before You Die".
This is the most controversial of all Billie Holiday records. Lady Day herself said that this session (which finds her accompanied by Ray Ellis' string orchestra) was her personal favorite, and many listeners have found her emotional versions of such songs as "I'm a Fool to Want You," "You Don't Know What Love Is," "Glad to Be Unhappy," and particularly "You've Changed" to be quite touching. But Holiday's voice was essentially gone by 1958, and although not yet 43, she could have passed for 73. Ellis' arrangements do not help, veering close to Muzak; most of this record is very difficult to listen to. Late in life, Holiday expressed the pain of life so effectively that her croaking voice had become almost unbearable to hear. There is certainly a wide range of opinion as to the value of this set.
This release contains the classic original album Lady in Satin in its entirety. It marks Holiday's last big hit and her second to last album ever. As a bonus, we have included five ballads from a 1955 session with Harry Edison and Benny Carter, the rare 1957 studio version of "Fine and Mellow" with Lester Young, Coleman Hawkins and Ben Webster, and Holiday's only two performances from the 1958 Jazz at the Plaza concert.
Tracks #1-12 were originally issued in LP as Columbia CS 8048.
Personnel: Mel Davis (tp), J. J. Johnson, Urbie Green, Jack Green (tb}, Tom Mitchell (btb), Phil Bodner, Romeo Penque, Eddie Powell, Tom Parshley (reeds), Mal Waldron (p), Bradley Spinney, Bobby Rosengarden (xylophone), Barry Galbraith (g), Milt Hinton (b), Don Lamond (d), Ray Ellis (arr, cond) + String section, choir.
Recorded in New York City, on February 18, 19 & 20, 1958.
The bonus tracks #13-17, taken from the original album "Music for Torching" released as Verve MGV 8026. Personnel: Billie Holiday (vcl), Harry "Sweets" Edison (tp), Benny Carter (as), Jimmy Rowles (p), John Simmons (b) and Larry Bunker (d). Recorded in Los Angeles, on August 23 & 25, 1955.
Track #18 comes from the CBS special TV program "The Sound Of Jazz". Personnel: Billie Holiday (vcl), Doc Cheatham (tp), Vic Dickenson (tb), Lester Young, Ben Webster, Coleman Hawkins (ts), Mal Waldron (p), Danny Barker (g), Jim Atlas (b) and Jo Jones (d). Recorded in New York City, on December 5, 1957.
Tracks #19-20 taken from the collective live album "Jazz at the Plaza" (Columbia PC 32470). Personnel: Billie Holiday (vcl), Buck Clayton (tp), Mal Waldron (p), unknown bass and drums. Recorded at the Persian Room of the Plaza Hotel, New York, September 9, 1958.
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 I'm a fool to want you
- 2 For heaven's sake
- 3 You don't know what love is
- 4 I get along without you very well
- 5 For all we know
- 6 Violets for your furs
- 7 You've changed
- 8 It's easy to remember
- 9 But beautiful
- 10 Glad to be unhappy
- 11 I'll be around
- 12 The end of a love affair
- 13 Prelude to a kiss
- 14 A ghost of a chance
- 15 Gone with the wind
- 16 Come rain or come shine
- 17 What's new?
- 18 Fine and mellow
- 19 When your lover has gone
- 20 Don't explain
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