Enrico Rava: On The Dance Floor: Live At The Rome Auditorium
On The Dance Floor: Live At The Rome Auditorium
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
lieferbar innerhalb einer Woche
(soweit verfügbar beim Lieferanten)
(soweit verfügbar beim Lieferanten)
-19%
EUR 20,99**
EUR 16,99*
- Label: ECM, 2012
- Bestellnummer: 2873089
- Erscheinungstermin: 24.8.2012
+ Andrea Tofanelli, Mauro Ottolini, Giovanni Guidi u.a.
Dieses bemerkenswerte Album bricht mit Enrico Ravas eigener Tradition. Auf all seinen ECM Alben bis zurück zu "The Pilgrim And The Stars" aus dem Jahr 1974 hat der Trompeter immer seine eigenen Kompositionen in den Vordergrund gestellt. Nicht in diesem Fall. Auf "On the Dancefloor" richtet der große Italienische Musiker seinen Fokus mit Begeisterung auf das musikalische Universum von Michael Jackson und vor allem seine späten Aufnahmen, wie etwa "History" und "Invincible", die Rava selbst zu seinen Favoriten zählt.
Es war kurz nach Jacksons Tod, beeinflusst auch durch dessen mediale Präsenz, als Rava realisiert, dass er bisher "einen der großen Protagonisten des 20. Jahrhunderts in Musik und Tanz" zu wenig beachtet hatte. "Ich verspürte den Wunsch, tiefer in Michaels Welt einzutauchen und es gab nur einen Weg dies zu tun: Seine Songs zu spielen."
"On the Dancefloor" ist das wunderbare Ergebnis dieser musikalischen Entdeckung und Enrico Rava spielt hier sehr leidenschaftlich, getragen von der Energie des "Parco della Musica Jazz Lab", die Musik eines anderen - auf seine Weise.
Rava setzt mit dieser "Überraschung" seine eindrucksvolle Reihe großartiger Aufnahmen bei ECM fort.
This live album breaks with Enrico Rava’s own traditions. In his ECM albums, all the way back to 1974’s “The Pilgrim And The Stars”, Rava has set his own compositions in the foreground. Not this time. Nor does he pay tribute to aspects of jazz history. Instead, on “Rava on the Dance Floor” the great Italian trumpeter (b. 1939) enthusiastically turns his attention to the musical universe of the late Michael Jackson. And in this unexpected context, drawing also upon the energy of the Parco della Musica Jazz Lab band, he delivers impassioned and extroverted trumpet playing.
Rava acknowledges that he had paid scant attention to Michael Jackson during the singer’s earthly existence, and it wasn’t until June 2009 and the days after Jackson’s death that Enrico, curiosity piqued by the intensity of the media coverage, began to listen to his music in earnest, finding himself more and more attracted by its range of possibilities. “What finally convinced me,” he says, “was the contagious riff of ‘Smooth Criminal’. The fact is that, from a certain moment on, Michael Jackson simply invaded my life. My wife and I bought all the Jackson discs and videos we could find. And my long and dull road trips were transformed into enthusiastic listening sessions. It became clear to me that for years I had ignored one of the great protagonists of 20th century music and dance. A total artist, a perfectionist, a genius. I was especially knocked out by the film ‘This is it’, which documents the rehearsals for that extraordinary show. How amazing to see that 50-year old Peter Pan, so fragile and vulnerable, transformed into a benevolent but absolute authority on stage, in control of every small detail, correcting a spotlight, the emphasis of a bass note, a dancer’s step, or the length of a musical pause.”
Challenging conventional pop wisdom, Rava considers the later Jackson albums to be the better ones, with “History” and “Invincible” as particular favourites. He praises the call-and-response of “Stranger In Moscow” and the melody of “Speechless”, considers “Little Susie” a masterpiece, and endorses also Jackson’s affection for the Charlie Chaplin tune “Smile.”
“I felt the necessity to delve deeper into Jackson’s music by adding something of myself to it. In Mauro Ottolini I found the ideal partner for the arrangements. The band could only be the PMJL. And the place the Auditorium Parco della Musica di Roma, where everything got its start.” (It was after a concert at the Auditorium that Rava had first learned of Jackson’s death).
The PMJL Parco della Musica Jazz Lab is an ensemble produced by the Foundation Musica per Roma with a focus on young jazz talents. Its projects to date have all been directed by Enrico Rava, and the line-up on “Rava On The Dance Floor” includes pianist Giovanni Guidi from Enrico’s regular quintet (as heard on the recent “Tribe” album).
Arranger Mauro Ottolini has released a number of albums as a leader, and has played with international musicians including Carla Bley, Bill Frisell and Maria Schneider.
“Rava On The Dance Floor” was recorded live at the Auditorium Parco della Musica di Roma on 20th May and 30th November 2011 by Roberto Lioli, Massimiliano Cervini, Luca Padovano and mixed at Udine’s Artesuono studio.
(ecmrecords. com)
,,Knackiger Funk, beseelte Balladen - ein Vergnügen für alle Beteiligten." (Stereo, Oktober 2012)
,,... wie Rava mithilfe des Arrangeurs Mauro Ottolini die schnittigen Stücke in den Jazz-Kosmos überführt, ist schon bravourös. (...) Wie der über 70-jährige Rava die Energie dieser Musik in sich aufnimmt, das ist ein Vergnügen für sich." (Jazzthing, September / Oktober 2012)
Es war kurz nach Jacksons Tod, beeinflusst auch durch dessen mediale Präsenz, als Rava realisiert, dass er bisher "einen der großen Protagonisten des 20. Jahrhunderts in Musik und Tanz" zu wenig beachtet hatte. "Ich verspürte den Wunsch, tiefer in Michaels Welt einzutauchen und es gab nur einen Weg dies zu tun: Seine Songs zu spielen."
"On the Dancefloor" ist das wunderbare Ergebnis dieser musikalischen Entdeckung und Enrico Rava spielt hier sehr leidenschaftlich, getragen von der Energie des "Parco della Musica Jazz Lab", die Musik eines anderen - auf seine Weise.
Rava setzt mit dieser "Überraschung" seine eindrucksvolle Reihe großartiger Aufnahmen bei ECM fort.
Product Information
This live album breaks with Enrico Rava’s own traditions. In his ECM albums, all the way back to 1974’s “The Pilgrim And The Stars”, Rava has set his own compositions in the foreground. Not this time. Nor does he pay tribute to aspects of jazz history. Instead, on “Rava on the Dance Floor” the great Italian trumpeter (b. 1939) enthusiastically turns his attention to the musical universe of the late Michael Jackson. And in this unexpected context, drawing also upon the energy of the Parco della Musica Jazz Lab band, he delivers impassioned and extroverted trumpet playing.
Rava acknowledges that he had paid scant attention to Michael Jackson during the singer’s earthly existence, and it wasn’t until June 2009 and the days after Jackson’s death that Enrico, curiosity piqued by the intensity of the media coverage, began to listen to his music in earnest, finding himself more and more attracted by its range of possibilities. “What finally convinced me,” he says, “was the contagious riff of ‘Smooth Criminal’. The fact is that, from a certain moment on, Michael Jackson simply invaded my life. My wife and I bought all the Jackson discs and videos we could find. And my long and dull road trips were transformed into enthusiastic listening sessions. It became clear to me that for years I had ignored one of the great protagonists of 20th century music and dance. A total artist, a perfectionist, a genius. I was especially knocked out by the film ‘This is it’, which documents the rehearsals for that extraordinary show. How amazing to see that 50-year old Peter Pan, so fragile and vulnerable, transformed into a benevolent but absolute authority on stage, in control of every small detail, correcting a spotlight, the emphasis of a bass note, a dancer’s step, or the length of a musical pause.”
Challenging conventional pop wisdom, Rava considers the later Jackson albums to be the better ones, with “History” and “Invincible” as particular favourites. He praises the call-and-response of “Stranger In Moscow” and the melody of “Speechless”, considers “Little Susie” a masterpiece, and endorses also Jackson’s affection for the Charlie Chaplin tune “Smile.”
“I felt the necessity to delve deeper into Jackson’s music by adding something of myself to it. In Mauro Ottolini I found the ideal partner for the arrangements. The band could only be the PMJL. And the place the Auditorium Parco della Musica di Roma, where everything got its start.” (It was after a concert at the Auditorium that Rava had first learned of Jackson’s death).
The PMJL Parco della Musica Jazz Lab is an ensemble produced by the Foundation Musica per Roma with a focus on young jazz talents. Its projects to date have all been directed by Enrico Rava, and the line-up on “Rava On The Dance Floor” includes pianist Giovanni Guidi from Enrico’s regular quintet (as heard on the recent “Tribe” album).
Arranger Mauro Ottolini has released a number of albums as a leader, and has played with international musicians including Carla Bley, Bill Frisell and Maria Schneider.
“Rava On The Dance Floor” was recorded live at the Auditorium Parco della Musica di Roma on 20th May and 30th November 2011 by Roberto Lioli, Massimiliano Cervini, Luca Padovano and mixed at Udine’s Artesuono studio.
(ecmrecords. com)
Rezensionen
,,Knackiger Funk, beseelte Balladen - ein Vergnügen für alle Beteiligten." (Stereo, Oktober 2012)
,,... wie Rava mithilfe des Arrangeurs Mauro Ottolini die schnittigen Stücke in den Jazz-Kosmos überführt, ist schon bravourös. (...) Wie der über 70-jährige Rava die Energie dieser Musik in sich aufnimmt, das ist ein Vergnügen für sich." (Jazzthing, September / Oktober 2012)
- Tracklisting
Disk 1 von 1 (CD)
- 1 Speechless
- 2 They Don't Care About Us
- 3 Thriller
- 4 Privacy
- 5 Smile
- 6 I Just Can't Stop Loving You / Smooth Criminal
- 7 Little Susie
- 8 Blood On The Dance Floor
- 9 History
