Bill Evans (Piano): Undercurrent (140g)
Undercurrent (140g)
LP
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
Derzeit nicht erhältlich.
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Weitere Ausgaben von Undercurrent
- EUR 22,99* Bill Evans & Jim Hall: Undercurrent (180g) (Blue Vinyl) +2 Bonus Tracks LP, (180g) (Blue Vinyl) +2 Bonus Tracks
- EUR 11,99* Bill Evans & Jim Hall: Undercurrent (Poll Winners) CD, (Poll Winners)
- EUR 24,99* Bill Evans & Jim Hall: Undercurrent (180g) (2 Bonus Tracks) LP, (180g) (2 Bonus Tracks)
- EUR 21,99* Bill Evans & Jim Hall: Undercurrent (180g) (Limited Edition) (Blue Vinyl) +2 Bonus Tracks LP, (180g) (Limited Edition) (Blue Vinyl) +2 Bonus Tracks
- EUR 39,99* Bill Evans & Jim Hall: Undercurrent (140g) (Limited Numbered Edition) LP, (140g) (Limited Numbered Edition)
- EUR 26,99* Bill Evans & Jim Hall: Undercurrent (180g) (White Vinyl) LP, (180g) (White Vinyl)
- EUR 21,99* Bill Evans & Jim Hall: Undercurrent (remastered) (180g) (Limited Edition) LP, (remastered) (180g) (Limited Edition)
- EUR 34,99* Bill Evans & Jim Hall: Undercurrent (180g) LP, (180g)
- EUR 19,99* Bill Evans & Jim Hall: Undercurrent (SHM-CD) CD, (SHM-CD), Japan-Import
Ähnliche Artikel
+ Jim Hall
Duett-Alben waren 1962 selten und Begegnungen dieser Qualität sind immer noch rar. Bill Evans und Jim Hall, zwei Giganten des modernen Jazz, befanden sich zu dieser Zeit in kreativer Höchstform. Evans leitete sein eigenes Trio und Hall arbeitete zu dieser Zeit mit dem Quartett von Sonny Rollins.
Bei einer Reihe von Standards und Jazz-Originalen fordern und ergänzen sich diese beiden Meister auf brillante Weise. Neu abgemischt und in 24 Bit remastered, klingt diese Neuauflage von Undercurrent, die zwei weitere Stücke (Tracks 7 & 8) und zwei alternative Takes (Tracks 9 & 10) enthält, die dem Originalalbum von United Artists hinzugefügt wurden, außergewöhnlich.
Born in Fort Worth, Texas in 1930, Ornette Coleman began playing alto sax in 1944 and tenor soon after, and is almost entirely self-taught. From the beginning Coleman chose the path less traveled, concerning himself with pitch and melody and trying to extract qualities of the human voice with his horn. The result was a sound in jazz that no one had ever heard before, sparking the "free jazz" revolution, which soon became one of its major currents. Despite an early lack of comprehension over what Coleman was doing, the titles of his early albums suggest that Coleman himself knew exactly how his music would influence the jazz world (Tomorrow Is the Question, Something Else), it was just a question of time. This, Coleman's second album, recorded in 1959 in Los Angeles was produced by one of Coleman's early supporters, Lester Koenig of the great Contemporary Records, and features Don Cherry on trumpet, Percy Heath / Red Mitchell on bass and Shelly Manne on drums. It was during this time that Coleman's career began to take off, thanks in part to John Lewis of the Modern Jazz Quartet who got Coleman and Cherry spots at the School of Jazz in Lenox, Massachusetts. This same year Coleman recorded his watershed album "The Shape of Jazz to Come".
Bei einer Reihe von Standards und Jazz-Originalen fordern und ergänzen sich diese beiden Meister auf brillante Weise. Neu abgemischt und in 24 Bit remastered, klingt diese Neuauflage von Undercurrent, die zwei weitere Stücke (Tracks 7 & 8) und zwei alternative Takes (Tracks 9 & 10) enthält, die dem Originalalbum von United Artists hinzugefügt wurden, außergewöhnlich.
Born in Fort Worth, Texas in 1930, Ornette Coleman began playing alto sax in 1944 and tenor soon after, and is almost entirely self-taught. From the beginning Coleman chose the path less traveled, concerning himself with pitch and melody and trying to extract qualities of the human voice with his horn. The result was a sound in jazz that no one had ever heard before, sparking the "free jazz" revolution, which soon became one of its major currents. Despite an early lack of comprehension over what Coleman was doing, the titles of his early albums suggest that Coleman himself knew exactly how his music would influence the jazz world (Tomorrow Is the Question, Something Else), it was just a question of time. This, Coleman's second album, recorded in 1959 in Los Angeles was produced by one of Coleman's early supporters, Lester Koenig of the great Contemporary Records, and features Don Cherry on trumpet, Percy Heath / Red Mitchell on bass and Shelly Manne on drums. It was during this time that Coleman's career began to take off, thanks in part to John Lewis of the Modern Jazz Quartet who got Coleman and Cherry spots at the School of Jazz in Lenox, Massachusetts. This same year Coleman recorded his watershed album "The Shape of Jazz to Come".
- Tracklisting
Die Hörproben gehören zum Artikel Bill Evans & Jim Hall: Undercurrent (Poll Winners) (CD). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
- 1 My funny valentine
- 2 I hear a rhapsody
- 3 Dream gypsy
- 4 Romain
- 5 Skating in central park
- 6 Darn that dream
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