E. S.T. - Esbjörn Svensson Trio:Leucocyte
2 LPs
EUR 22.99*
Georg Philipp Telemann (1681-1767): Hamburgische Kapitänsmusik (1724) TVWV 15: 2
- Georg Philipp Telemann (1681–1767)
- Hamburgische Kapitänsmusik (1724) TVWV 15: 2
- Super Audio CD i **;
Detailed Information
einem Text von Johann Philipp Praetorius)
+Serenata "Geliebter Aufenthalt beglückter Stille"
Sound: stereo & multichannel (Hybrid)
- Artist: Magdalena Podkoscielna, Andreas Post, Matthias Vieweg, Ekkehard Abele, Telemannisches Collegium Michaelstein, Ludger Rémy
- Label: CPO , DDD, 2005
- Order number: 4501446
- Release date: 21.7.2008
- 1 Track 1 Start
- 2 Track 2 Start
- 3 Track 3 Start
- 4 Track 4 Start
- 5 Track 5 Start
- 6 Track 6
- 7 Track 7 Start
- 8 Track 8 Start
- 9 Track 9 Start
- 10 Track 10 Start
- 11 Track 11 Start
- 12 Track 12 Start
- 13 Track 13 Start
- 14 Track 14 Start
- 15 Track 15 Start
- 16 Track 16 Start
- 17 Track 17 Start
- 18 Track 18 Start
- 19 Track 19 Start
- 20 Track 20 Start
- 21 Track 21 Start
- 22 Track 22 Start
- 23 Track 23 Start
- 24 Track 24 Start
- 25 Track 25 Start
- 26 Track 26 Start
- 27 Track 27 Start
- 28 Track 28 Start
- 29 Track 29 Start
Product Information
Als reichsunmittelbare Stadt hatte Hamburg für seine Verteidigung selbst Sorge zu tragen. Seit 1619 gab es eine feste Institution für diese Verteidigung: die Bürgerwache. Die verantwortungsvollste Position kam den 57 Kapitänen zu. Den gebührenden Dank für diese bedeutungsvolle Tätigkeit entrichtete die Stadt in Form der nahezu alljährlichen Festmahle. Und natürlich einer großen, zweiteiligen Festmusik. Von den ca. 30 »Bürgerkapitänsmusiken«, die Telemann zwischen 1723 und 1767 schrieb, sind leider nur neun Werke vollständig erhalten. Die haben es aber in sich und zeigen, dass wir es hier beileibe nicht mit nebensächlichen Gelegenheits- und Auftragswerken zu tun haben, sondern mit Oratorien von höchstem Rang innerhalb Telemanns Schaffen.Product Information
Telemann’s Kapitaensmusik of 1724
As a city directly subordinate to the emperor, Hamburg could not rely on the protection provided by the imperial army but had to organize its own defense system. Since 1619 a permanent institution, the civic guard, had functioned in this capacity. The civic guard was organized in companies and regiments whose members were drawn from the city’s parish churches. The positions with the greatest responsibility within the civic guard were those held by the fifty-seven captains in charge of all military matters. The city offered fitting thanks for this important service in the form of festive banquets held almost every year – genuine »state occasions« with a strictly prescribed protocol extending to matters of detail – and of course with a grand, two-part festive composition. Of the some thirty Bürgerkapitänsmusiken (Compositions for the Civic Captains) composed by Music Director Telemann between 1723 and his death in 1767, only nine works are extant in full. They have what it takes and show that what we have here are hardly insignificant occasional and commissioned works but oratorios occupying the highest rank within Telemann’s oeuvre. The allegorical texts almost always referring to the local Hamburg context set in motion all his creative and imaginative forces. This quite early oratorio is also bursting with musical surprises!