Tomaso Albinoni: Oboenkonzerte op.7 Nr.1-3,8,9
Oboenkonzerte op.7 Nr.1-3,8,9
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- +Oboenkonzert op. 9, 6; Sinfonia in G f. 2 Oboen
- Künstler: Anthony Camden, Alison Alty, The London Virtuosi, John Georgiadis
- Label: Naxos, DDD, 1994
- Bestellnummer: 7566911
- Erscheinungstermin: 8.11.1995
Albinonis erste Serie von Concerti a cinque mit Stimmen für eine oder zwei Oboen, die 1715 in Amsterdam als sein Opus 7 veröffentlicht wurde, hat die Besonderheit, die erste derartige Sammlung eines italienischen Komponisten zu sein, die jemals veröffentlicht wurde. Der Komponist widmete sie einem lokalen Adeligen und Amateurmusiker, Giovanni Donato Correggio. Die Werke sind in vier Gruppen unterteilt, die jeweils mit einem Konzert für Streicher beginnen (eine davon, Nr. 11, enthält Passagen für eine Solovioline), mit einem Konzert für zwei Oboen fortgesetzt werden und mit einem Konzert für eine einzelne Oboe enden. Während die Konzerte mit einer Oboe konzeptionell voll ausgereift sind, sind die mit zwei Oboen vielfältiger, als hätte Albinoni 1715 noch nicht entschieden, wie sie zu strukturieren sind. Sicherlich tragen die Werke mit zwei Oboen, die alle in den traditionellen Trompetentonarten C-Dur und D-Dur stehen, starke Spuren der Trompetensonaten, die vor allem Komponisten aus Bologna am Ende des vorigen Jahrhunderts geschrieben hatten.
Das sechste Konzert aus Opus 9 (1722), Albinonis Fortsetzung von Opus 7, zeigt, wie er später seine Zwei-Oboen-Konzerte denen mit einer Oboe nachempfunden hat, indem er die Dimensionen stark erweiterte und die Form ausarbeitete. Die drei Konzerte mit einer Oboe (Opus 7, Nr. 3, 6 und 9) haben alle Finali im 3 / 8- oder 6 / 8-Takt, die Albinonis bevorzugtes rhythmisches Mittel der Hemiola ausnutzen (wo zweimal drei Einheiten zu dreimal zwei Einheiten oder umgekehrt werden).
Albinoni's first set of Concerti a cinque with parts for one or two oboes, published in Amsterdam as his Opus 7 in 1715, has the distinction of being the first such collection by an Italian composer ever published. The composer dedicated them to a local nobleman and amateur musician, Giovanni Donato Correggio. The works are divided into four groups, each of which begins with a concerto for strings (one of these, No. 11, contains passages for a solo violin), continues with a concerto for two oboes and finishes with one for a single oboe. Whereas the concerti with one oboe are fully mature in conception, those with two oboes are more varied, as if Albinoni, in 1715, had not yet decided how to structure them. Certainly, the two-oboe works, which are all in the traditional trumpet keys of C major and D major, carry strong traces of the trumpet sonatas that Bolognese composers, in particular, had written at the end of the previous century.
The sixth concerto from Opus 9 (1722), Albinoni's sequel to Opus 7, shows how he later came to model his two-oboe concerti on those with one oboe, greatly expanding the dimensions and elaborating the form. The three concerti with single oboe (Opus 7, Nos. 3, 6 and 9) all have finales in 3 / 8 or 6 / 8 that exploit Albinoni's favourite rhythmic device of hemiola (where twice three units becomes thrice two units or the reverse).
Das sechste Konzert aus Opus 9 (1722), Albinonis Fortsetzung von Opus 7, zeigt, wie er später seine Zwei-Oboen-Konzerte denen mit einer Oboe nachempfunden hat, indem er die Dimensionen stark erweiterte und die Form ausarbeitete. Die drei Konzerte mit einer Oboe (Opus 7, Nr. 3, 6 und 9) haben alle Finali im 3 / 8- oder 6 / 8-Takt, die Albinonis bevorzugtes rhythmisches Mittel der Hemiola ausnutzen (wo zweimal drei Einheiten zu dreimal zwei Einheiten oder umgekehrt werden).
Product Information
Albinoni's first set of Concerti a cinque with parts for one or two oboes, published in Amsterdam as his Opus 7 in 1715, has the distinction of being the first such collection by an Italian composer ever published. The composer dedicated them to a local nobleman and amateur musician, Giovanni Donato Correggio. The works are divided into four groups, each of which begins with a concerto for strings (one of these, No. 11, contains passages for a solo violin), continues with a concerto for two oboes and finishes with one for a single oboe. Whereas the concerti with one oboe are fully mature in conception, those with two oboes are more varied, as if Albinoni, in 1715, had not yet decided how to structure them. Certainly, the two-oboe works, which are all in the traditional trumpet keys of C major and D major, carry strong traces of the trumpet sonatas that Bolognese composers, in particular, had written at the end of the previous century.
The sixth concerto from Opus 9 (1722), Albinoni's sequel to Opus 7, shows how he later came to model his two-oboe concerti on those with one oboe, greatly expanding the dimensions and elaborating the form. The three concerti with single oboe (Opus 7, Nos. 3, 6 and 9) all have finales in 3 / 8 or 6 / 8 that exploit Albinoni's favourite rhythmic device of hemiola (where twice three units becomes thrice two units or the reverse).
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Sinfonia for 2 Oboes in G major (arr. A. Camden): I. Allegro
- 2 Sinfonia for 2 Oboes in G major (arr. A. Camden): II. Adagio
- 3 Sinfonia For 2 Oboes In G Major (Arr. A. Camden): Iii. Allegro
- 4 Concerto for 2 Oboes in C major, Op. 7, No. 2: I. Allegro
- 5 Concerto for 2 Oboes in C major, Op. 7, No. 2: II. Adagio
- 6 Concerto For 2 Oboes In C Major, Op. 7, No. 2: Iii. Allegro
- 7 Oboe Concerto in B flat major, Op. 7, No. 3: I. Allegro
- 8 Oboe Concerto in B flat major, Op. 7, No. 3: II. Adagio
- 9 Oboe Concerto In B Flat Major, Op. 7, No. 3: Iii. Allegro
- 10 Concerto for 2 Oboes in D major, Op. 7, No. 8 : I. Allegro
- 11 Concerto for 2 Oboes in D major, Op. 7, No. 8 : II. Largo
- 12 Concerto For 2 Oboes In D Major, Op. 7, No. 8 : Iii. Allegro
- 13 Oboe Concerto in F major, Op. 7, No. 9: I. Allegro
- 14 Oboe Concerto in F major, Op. 7, No. 9: II. Adagio
- 15 Oboe Concerto In F Major, Op. 7, No. 9: Iii. Allegro
- 16 Oboe Concerto in D major, Op. 7, No. 1: I. Allegro
- 17 Oboe Concerto in D major, Op. 7, No. 1: II. Adagio e staccato
- 18 Oboe Concerto In D Major, Op. 7, No. 1: Iii. Allegro Assai
- 19 Concerto a 5 in G major, Op. 9, No. 6: I. Allegro
- 20 Concerto a 5 in G major, Op. 9, No. 6: II. Adagio non troppo
- 21 Concerto A 5 In G Major, Op. 9, No. 6: Iii. Allegro
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