Georg Friedrich Händel: Concerti grossi op.3 Nr.1-6
Concerti grossi op.3 Nr.1-6
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
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- Tonformat: stereo & multichannel (Hybrid)
- Künstler: Combattimento Consort Amsterdam, Vriend
- Label: Challenge, DDD, 2004
- Erscheinungstermin: 10.10.2005
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Wiederveröffentlichung mit neuem Cover im Challenge Classics Design
In his Concerti grossi opus 3, Handel makes optimal use of the possibilities of the genre. A feature of the concerto grosso is that the orchestra consists of a solo group, the concertino, and a tutti group, the ripieno. Corelli and Geminiani used two violins and a cello as concertino, and Handel did the same in his twelve Concerti grossi opus 6 from 1739. In the opus 3 however he varies the concertino per concerto. The oboe is the main solo instrument, even more so than the violin. A concertino for two oboes and bassoon forms the counterpart to the string concertino of two violins and cello. In the third concerto we also hear an important flute solo, and the sixth concerto ends with a section for solo organ. In this way, these concerts already anticipate Handel’s organ concerti, given that these are also works he used as instrumental intermezzi in his oratorios – in which he naturally played the organ part himself. There are also remarkable combinations of solo instruments, such as oboe with two recorders and oboe with two cellos in the second concerto. With respect to form too, Handel moulded the genre of the concerto grosso. He created a synthesis between the various national styles, with a multicoloured variety of French dances and German fugues in ever-changing orders per concerto. But the ultimate Italian example, in this case Arcangelo Corelli, is never too far-removed from Handel’s Concerti grossi.
With his Concerti grossi opus 3, published in 1734, Handel proved to be a master in this instrumental genre for larger settings!
Product Information
In his Concerti grossi opus 3, Handel makes optimal use of the possibilities of the genre. A feature of the concerto grosso is that the orchestra consists of a solo group, the concertino, and a tutti group, the ripieno. Corelli and Geminiani used two violins and a cello as concertino, and Handel did the same in his twelve Concerti grossi opus 6 from 1739. In the opus 3 however he varies the concertino per concerto. The oboe is the main solo instrument, even more so than the violin. A concertino for two oboes and bassoon forms the counterpart to the string concertino of two violins and cello. In the third concerto we also hear an important flute solo, and the sixth concerto ends with a section for solo organ. In this way, these concerts already anticipate Handel’s organ concerti, given that these are also works he used as instrumental intermezzi in his oratorios – in which he naturally played the organ part himself. There are also remarkable combinations of solo instruments, such as oboe with two recorders and oboe with two cellos in the second concerto. With respect to form too, Handel moulded the genre of the concerto grosso. He created a synthesis between the various national styles, with a multicoloured variety of French dances and German fugues in ever-changing orders per concerto. But the ultimate Italian example, in this case Arcangelo Corelli, is never too far-removed from Handel’s Concerti grossi.
With his Concerti grossi opus 3, published in 1734, Handel proved to be a master in this instrumental genre for larger settings!
Rezensionen
FonoForum 03/06: "In den Rundfunkstudios in Hilversum produzierte das Combattimento Consort Amsterdam eine wirklich kämpferisch frische, lebendig-farbenfrohe und lupenrein intonierte Einspielung der sechs 'Concerti grosse' op.3 von Händel."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (SACD)
Concerto Grosso B-Dur Op. 3 Nr. 1 Hwv 312
- 1 1. Allegro
- 2 2. Largo
- 3 3. Allegro
Concerto Grosso B-Dur Op. 3 Nr. 2 Hwv 313
- 4 1. Vivace
- 5 2. Largo
- 6 3. Allegro
- 7 4. (Moderato)
- 8 5. (Allegro)
Concerto Grosso G-Dur Op. 3 Nr. 3 Hwv 314
- 9 1. Largo E Staccato
- 10 2. Allegro
- 11 3. Adagio
- 12 4. Allegro
Concerto Grosso F-Dur Op. 3 Nr. 4 Hwv 315
- 13 1. Andante - Allegro Lentamente
- 14 2. Andante
- 15 3. Allegro
- 16 4. Minuetto
Concerto Grosso D-Moll Op. 3 Nr. 5 Hwv 316
- 17 1. (Largo)
- 18 2. Allegro
- 19 3. Adagio
- 20 4. Allegro Ma Non Troppo
- 21 5. Allegro
Concerto Grosso D-Dur Op. 3 Nr. 6 Hwv 317
- 22 1. Vivace
- 23 2. Cadenza
- 24 3. Allegro